One of the Great and Ultra-Rare Classic ‘Krueang Rang’ type Talismanic Amulets of the Previous Century; the Sacred Hmak Tui Mad Chueak, cord-bound lacquered Blessed Areca Nut, from the Venerable Luang Phu Iam of Wat Hnang. The Hmak Tui Sacred Areca Nut amulet is recognized as one of the distinguished Classic Pra Niyom Master Class Ancient Amulets created by Luang Phu Iam Suwannasarō (2375 – 2469 BE), of Wat Hnang (and Wat Ko Non). Estimated to be from the Mid-Era, around 2450 BE. Renowned for its Maha Lap Wealth Accumulation, Serm Duang Good Karma, Kong Grapan Klaew Klaad Invincibility and Evasion, and Metta Maha Niyom Mercy Charm powers.
Free Registered Air Parcel Shipping Worldwide is Included with this Amulet. The Hmak Tui is additionally adorned in a traditional manner, featuring a magical spellbound ritual cord wrap and a herbal lacquer coating. This Hmak Tui is a rare yet well-documented model, distinguished by its classic and easily identifiable aging characteristics, style of cord wrap, appearance of the lacquer, and, of course, the emanation of magical vibratory energies imbued within the sacred areca nut amulet by Luang Phu Iam.
Luang Phu Iam Wat Hnang
Released in the era when Luang Phu Iam was already the abbot of Wat Hnang, in the decade between 2445 and 2450 BE. The amulet has been coated in Rak Dam Black Herbal lacquer, a common practice in ancient times to preserve amulets and ensure longevity. The Sacred Rak Boran ancient lacquer has developed distinctive character in its surface appearance over the years, displaying the natural aging characteristics expected of an authentic Pra Niyom Class Ancient Amulet.
Encyclopedic Records of Mak Tui amulets of Luang Por Iam
The Hmak Tui is estimated to have been crafted around 2440 – 2450 BE. Luang Phu Iam started making amulets at an early stage, during the time he followed his mentor Luang Phu Rod at Wat Ko Non. His amulet-making journey began before the creation of his famous first-edition Pra Pid Ta Yant Yung and Pra Pid Ta Pid Tawarn, released at Wat Hnang around 2440 – 2443 BE.
His renowned and highly valued Pra Pid Ta Yant Yung/Pid Tawarn were crafted from metallic alchemical metals after Luang Phu Iam became the abbot and were meticulously made one by one, following the same method as Pra Pid Ta Wat Tong of Luang Por Tap (No.1 Pra Pid Ta Amulet of all Time). Luang Phu Iam, a globally recognized master monk of the previous century, is acclaimed for the Pra Pid Ta amulets and especially for the Number 2 Amulet of the Top 5 ‘Benjapakee’ of Pra Pid Ta in all Thai Buddhist History, the Pra Pid Ta. His most celebrated creations include the Pra Pid Ta Yant Yung and Pra Pid Tawarn amulets.
Luang Phu Iam amulet encyclopedia
Luang Phu Iam also produced a diverse array of other amulets, including his well-known hand-carved Pra Pid Ta, with many being original creations by different artisans using various sacred woods, ivory, and other materials. Luang Phu Iam holds the prestigious position as the No.2 Master in all of history, renowned for his Pra Pid Ta Amulets and his Rare and Powerful First Edition 2467 BE Monk Coin, which commands exceptionally high prices in auctions (Circa 100 Thousand Dollars).
Luang Phu Iam’s sacred amulets, encompassing his famous Takrut, the divine Pra Pid Ta pantheon, Rian Kanajarn Monk Coins, and Pra Pid Tawarn, resonate with the transcendent essence of Luang Phu Rod’s mastery. Devotees, deeply immersed in the mystical energy of these ascended masters, frequently adorn themselves with both Luang Phu Iam’s and Luang Phu Rod’s amulets, intertwining the spiritual forces of these revered monks on a single sacred necklace. This profound practice reflects the unwavering faith and profound connection believers hold for these great Thai ascended masters and the potent blessings encapsulated within their blessed artifacts.
Hmak Tui Mad Chueak Sacred Areca Nut Sacred Thai Talismanic amulet (2450 BE), from the Great Luang Phu Iam Wat Hnang
Nine Essential-To-Know Thai Amulets – A Glimpse into Sacred Thai Traditions
In the heart of Thailand’s rich cultural heritage, lies a belief deeply rooted in its history and spiritual beliefs and practices: the use of ‘Phra Kruang’ (amulets, talismans and charms). These small, intricately crafted amulets and charms have been an integral part of Thai culture for centuries. The number nine holds particular significance in Thai Buddhism, symbolizing completeness and fulfillment. In honor of this sacred number, we explore nine essential Thai amulets that have captured the hearts and beliefs of both Thais and foreigners alike.
1. Buddha Amulet (Phra Somdej)
Pra Somdej Buddha Amulet
Buddha amulets, known as “Phra Somdej” in Thai, are miniature replicas of the Lord Buddha or other revered figures such as monks, maestros, Bodhisattvas, and deities. These amulets are believed to offer protection, invincibility, and good fortune to their wearers. Warriors once carried them into battle, while today, you’ll often find them adorning the necks of people as lucky charms. The trade in amulets can be highly lucrative, with rare specimens fetching staggering prices. The most famous and revered Phra Somdej amulet of all time, is the Phra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri. There are numerous Pim Song (shapes and sizes) of Pra Somdej, but the five officially recognized Pim of Pra Somdej amulets—Pim Pra Pratan, Pim Chedi, Pim Brok Po, Pim Gaes Bua Dtum, and Pim Thaan Saem—are the ones which are officially recognized and listed by the “wongarn Pra Krueang” as Somdej Wat Rakang amulets.
2. Kuman Thong (The Golden Child)
Kumarn Tong Run Sud Taay 27 Gote Large Size Bucha Statue Luang Por Goy
Kuman Thong, the spirit of a stillborn baby boy, is believed to bring protection and prosperity when conjured by a shaman into a boy-shaped statue. Owners must care for Kuman Thong as if it were a real child, and in return, it safeguards them from harm and keeps watch for enemies. Kuman Thong, which translates to “Golden Boy” in Thai, is typically represented as a small statue or effigy. These effigies are often made and blessed by Buddhist monks, even though the practice is more closely associated with Thai black magic or occultism.
Kumarn Tong Statues
Origins of Kuman Thong
The authentic Kuman Thong has its roots in necromancy. It involves obtaining desiccated fetuses of children who died in their mothers’ wombs. Witch doctors or practitioners of black magic were said to have the power to invoke these stillborn babies, adopt them as their own children, and utilize them for various purposes, including providing protection and generating wealth.
Creating a Kuman Thong
In traditional practices, creating a Kuman Thong involved a specific set of rituals:
Surgical Removal: The unborn fetus was surgically removed from the womb of its mother.
Cemetery Ritual: The body of the child was then taken to a cemetery, where a proper ceremonial ritual was conducted to invoke a Kuman Thong.
Roasting: The body was roasted until it became dry, all the while the witch doctor chanted incantations of magical script.
Lacquering and Gilding: Once the roasting was completed, the dry-roasted Kuman was painted with Ya Lak, a type of lacquer used to cover amulets and Takrut with gold leaf. This process gave the effigy the name “Kuman Thong” or “Golden Little Boy.”
In some cases, Kuman effigies were soaked in Nam Man Phrai, an oil extracted by burning a candle close to the chin of a deceased child or a person who died in violent circumstances. However, this practice is now illegal if it involves the use of fat from human babies for consecrating oil.
3. Nang Kwak (Goddess of Fortune)
Nangkwak Thai Amulet
Nang Kwak, the goddess of fortune, is often depicted as a woman in traditional Thai attire, beckoning with her hand. Nang Kwak is believed to attract wealth and customers, making her a common sight in shops and businesses.
4. Palad Khik
Palad Khik Thai amulet
Palad Khik, typically made of wood, replicates an adult’s penis and is not used for erotic purposes. It is rooted in Hindu belief and is believed to offer protection from harm, even to small children. When hung at a child’s waist, it was thought to trick malevolent spirits into seeing the child as an adult. Ancient animist ideas that existed in Thailand before Buddhism emerged can be associated to the Palad Khik amulet’s beginnings. These beliefs were founded on the veneration of spirits and fertility gods that brought forth fertility, protection, and wealth. The amulet’s phallic form reflected these ideas and was believed to grant favors on the person who wore it. Buddhism absorbed and incorporated indigenous beliefs and customs when it started to grow and establish itself in Thailand. With its pre-existing cultural importance, the Palad Khik amulet proved able to be included within the Buddhist framework. As it merged with Buddhist rites and beliefs, it preserved its fertility, protection, and prosperity connotations.
5. Yant (Yantra)
Pha Yant Luang Por Yai Sacred Buddhist Yantra Cloth
Yantra are sacred geometric patterns, and are either written, tattooed, or engraved on various surfaces. These patterns are influenced by Hinduism and can be classified into four groups: square, triangular, circular, and image yantras. The text within the yant, is composed of ancient Khmer characters and holds deep significance.
6. Khwai Tanu (Arrow Buffalo)
Kwai Tanu Thai Animist Occult Talismanic Charm
Khwai Tanu, or the guardian buffalo, is a puppet made from various materials and consecrated through rituals. It is believed to protect against ghosts, thieves, and even harm one’s enemies in some regions.
7. Jatukham Ramthep
Taep Jatukam Ramataep Yod Nam Tip 2550 BE Nuea Dam Bad Tong Kroo Ba Krissana Only 50 Amulets Ever Made
Rear Face of Taep Jatukam Ramataep Yod Nam Tip 2550 BE Nuea Dam Bad Tong Kroo Ba Krissana
Jatukham Ramthep, comprising Thao Khattukham and Thao Ramthep, guards Wat Phra Mahathat Woramahawihan Temple in Nakhon Si Thammarat. These deities, rooted in Brahmanism, were once supreme gods and later renamed Thao Jatukham.
8. Sai Dak Sap (Bamboo Fish Trap of Fortune)
The Sai Dak Sap, a traditional Thai fish trap, is believed to trap not just fish but also money and good fortune. Hanging one outside a shop or house is thought to bring prosperity and happiness. The ‘Sai’, is an Olden Days invention of Thai Farmers, who in the months after the harvest, when nothing was left to do until the sowing season, would use the spare time to find other ways to find food or things to sell.
Sai Dood Sap – Sacred Trawling Basket to Attract Riches & Treasures – Nuea Albaca Gammagarn version – Traimas 2553 BE Edition – Luang Phu Bpun Tammabalo
They would scour the surrounding areas, the marshes, streams rivers and ponds, for fish. The Sai was a basket made with two special openings in it, where fish could swim into the basket, but were not able to swim out aqain, effectively imprisoning them until enough fish were inside the basket to take to market, or to go home and eat, or both. The allusion is obvious, that the Sai will allow wealth to enter into your possession, but not allow it to slip out through your fingers anymore, and keep it safe, and on the increase. The Sai Dood Sap is an inimitable and refreshingly different wealth charm that stands out from other amulets for its unusualness.
Local Thai Fisherman using the Sai Dak Sap Fish Trap Basket
The Sai itself as a traditional fish hunting trap, is also these days relatively unknown to the City Dwelling People, for indeed, only the inland country folk need to find fish in this way, and modern Thais are becoming ever less dependent on autonomous food seeking (hunter-gathering). This is of course, because in Municipal areas, supermarkets and large fresh markets have become cheaper in price and it is no longer worth it to use the traditional method for most people, unless their profession is fishing.
9. Mother’s Clothing
Puttakun Dee Tee Sid Nai Loke (Best Buddha Blessing in the4 World); Mom’s ‘Pha Thung’ (skirt). Thai soldiers wearing mothers skirt for protection
In ancient times, and even now in modern times in the countryside, young men carry a strip of cloth torn from their mother’s skirts or trousers as a protective amulet. Today, it symbolizes love, respect, and the enduring connection between a mother and her child. Regardless of the specific rituals or artifacts involved, these amulets reflect the values of love, protection, and the sanctity of family. They offer a glimpse into the intricate tapestry of Thai culture, where ancient beliefs intertwine with modern life. These nine essential Thai amulets continue to captivate hearts and serve as a testament to the enduring traditions of Thailand.
These amulets are a testament to the openness of Thai culture, embracing diversity and placing familial piety and gratitude at its core. This anthropological exploration reveals the rich history and cultural significance of Thai amulets, showcasing their timeless appeal to people from all walks of life.
So, next time you encounter one of these mystical charms, take a moment to appreciate the deep-rooted beliefs and traditions that have made them an integral part of Thai culture for generations.
Phra Pidta Pim Bua Chan Diaw Ner Samrit Luang Phu Iam
This Famous Classic Phra Niyom Master Class Ancient Amulet, is a revered item from the great Luang Phu Iam Suwannasarō of Wat Hnang and Wat Ko Non, the Phra Pidta Bua Chan Diaw. The amulet was created between 2375 and 2469 BE. This particular model is a single-tiered lotus leaf dais version called Ud Krang Channaroeng and features Channaroeng bee’s nest paste. Channaroeng, which utilizes the sticky material of stingless bees, has been considered a powerful ingredient for centuries in various cultures. In Thai Saiyasart Occult Practice, creating this paste using specific formulas and empowerment methods is a difficult and revered skill, mastered by only a few great masters throughout history, with Luang Phu Iam being one of the most well-known.
In the epoch when Luang Phu Iam presided as abbot of Wat Hnang, the Phra Pidta was unveiled, a wooden statue of the Buddha closing his orifices, entering the peaceful state of Nirodha. The Buddha was gracefully draped in a rich, black lacquer of herbal origin, a common preservation technique utilized in ancient times to extend the life of amulets.
It is whispered that the gifted artisan Luang Phu Iam began crafting hand-hewn wooden Phra Pidta statuettes sometime around 2448 BE, yet he had honed his amulet-making skills long before under the tutelage of his mentor, Luang Phu Rod, at Wat Ko Non. Even before his first release of the renowned and sought-after Phra Pidta Yant Yung and Phra Pidta Pid Tawarn at Wat Hnang in the early 2440s, Luang Phu Iam had already established a reputation for his amulet-making prowess. His later, famous and incredibly valuable Phra Pid Ta Yant Yung and Pidta editions, created from alchemical metals, were produced individually in the same traditional manner as the revered Phra Pidta Wat Tong of Luang Por Tap, the undisputed king of all Phra Pidta amulets.
Presenting a 3rd Prize winning Competition Standard Master-Class old amulett of the Benjapakee Immortal Classic Family, the Phra Somdej Wat Bang Khun Prohm, Pim Yai Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being among the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram, whose Phra Somdej are the number one amulets in the history of Thai Buddhist Amulet making. The final and world famous Phra Somdej of LP Toh, which was hidden and Buried in the Chedi Stupa of Wat Bang Khun Prohm in 2413 BE, a couple of years before Somdej Toh’s passing, (2415 BE)
His Phra Somdej amulets are world class number one status, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. In fact, if it were not for Somdej Toh, the Phra Somdej amulet in general, made by other temples and masters, would ;probably not be the best known amulet type that it is today. The amulets were made in the period between 2408-2411 and finished in 2413 BE, before the passing of Somdej Toh himself, who died in 2515 BE.
The amulets were blessed and buried in the Chedi Stupa around the year 2413 Buddhist Era (BE), until their distribution in 2500 BE, after the opening of the hiding chamber within the Chedi Stupa at Wat Bang Khun Prohm.
This amulet comes with its third prize winning A4 size certificate of the Chomrom Phra Tae Mueang Siam Amulet Appreciation society and complimentary box with 3rd prize ribbon sticker.
We offer free Waterproof Solid Gold Casing with this amulet. Free EMS/DHL/Fedex Shipping is also included in the price (depending on which service is available at the time).
The surface of the amulet shows the presence of all the classic features and muan sarn sacred powder ingredients of a true Phra Somdej Bang Khun Prohm of Somdej Toh, with Kraap Kru on the front face revealing it to have been placed within the Sorng Klong Kru Mai Chedi Stupa. The Kru Gao (Chedi Yai) amulets of the 2500 BE Opening are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.
Hence, the Kru Song Klong series of the Kru Mai Chedi Mai/Chedi Lek, are slightly more affordable, despite being equally aged, powerful and authentic, and from the same ceremony. The Phra Somdej Wat Bang Khun Prohm amulets of Somdej Toh, are highly revered among various groups of aficionados, who believe that there are doubly powerful.
This is because they believe that Somdej Phra Puttajarn (Toh) Prohmrangsri, blessed the amulets in both the Wat Rakang, and Wat Bang Khun Prohm Ceremonies, meaning a double blessing, which cannot be said for Phra Somdej Wat Rakang.
This can be true, unless you assume that 1st era Somdej Wat Rakang left over, were reblessed during release of second era, and again some remaining first era amulets, blessed again with the making of the third era of Phra Somdej made by Somdej Toh).
In such a case, this would mean that some first era Phra Somdej Wat Rakang were blessed three times, because they were not yet distributed and part of the remaining batch of first era.
And, it is assumed, that if so, such exhibits, if also placed in the Wat Bang Khun Prohm hiding place chamber, would then have received a total of 4 blessings for 1st era, 3 blessings for second era, and 2 blessings for the final era of Phra Somdej Wat Rakang, all eras are assumed to have been placed within the kru, which accounts for the differing age of some exhibits, which look much older than others, despite the same Muan Sarn ingredients and found in the same Kru Chedi Stupa.
This is due to the time span between the three eras when Somdej Toh made Phra Somdej, and is why some of his Somdej amulets look much much older than others.
Phra Somdej Bang Khun Prohm is one of the classic Phra Somdej amulets available and is along with Phra Somdej Wat Gaes Chaiyo perhaps the next in line to the Phra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.
Phra Somdej Bang Khun Prohm Kru Phra Chedi Yai (Large Chedi Kru amulets) The Phra Somdej Bang Khun Prohm amulets classified as a Kru Phra Chedi Yai, have 9 different Pim Song, and were made in the period between 2408 – 2411 and placed into the Kru Chamber for charging with power and keeping until a later date, in the year 2413 BE.
Not all of the Phra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti, and would be handed out by him during the time he created and empowered them at Wat Rakang, which is why some amulets do not have Kraap Kru mildew, and are considered Wat Rakang.
He handed out Phra Somdej to devotees constantly during the years the third and final era amulets were being made, and also, many of the Phra Somdej that he made during the two officially documented 1st and second era amulets remaining at the temple, were added to the chamber at Wat Bang Khun Prohm (he released before that but was undocumented, so it should not be assumed that only three eras exist, merely because that is the only documented evidence)
This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Apart from Pim Yasi and Pim Chedi, the Pim Thaan Saem is one of the 5 Pim Song of Phra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Phra Somdej Wat Rakang have Five major category of Pim Song, whereas the Phra Somdej has four more Pim Song, making it nine major Pim in all.
The amulets from the Small Chedis had a lot of lesser numbers of unusual models, called ‘Pim Plaek’ (strange models), which are strangely enough cheaper than the more common models, simply because the major associations were too lazy to allow a large number of different categories of models.
This is because these so called ‘professional experts and conservationists’ (who fail to conserve true knowledge), preferred to focus on a simple set of the best known models. This led to the false belief and denial of authenticity of many models at first, until Royal Documentation and other evidence emerged to prove that there were many other models and designs found i the Kru Mai smaller chambers, such as the Saiyasana Buddha, the Pim Tukadta, and even Somdej Gaes Chaiyo, Ruesi images and other lesser known about varied designs of Phra Somdej, such as some with long ears, others with angled ears, some with Garuda chest others with a tubular chest etc.
These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.
However, there are many more in truth, which our proprietor Ajarn Spencer is constantly publishing more and more knowledge about, in order to open up the truth and reveal the true way of rthinking and understanding about how Somdej Toh made his amulets, and how many of theem have been concealed or overlooked until the age of internet and social networking allowed information to flow more freely, between students of Phra Somdej, and those in the know.
History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses, made restoration work at Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple, along with the building of a new Chedi Stupa, in order to place Phra Somdej amulets, which Samian Tra Duang invited Jao Phrakhun Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Phra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Phra Tammakhant).
After Somdej Toh had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.
This became so bothersome, that the Kru had to be broken open officially on 24th November in 2500 BE.
The opening took all day, until at approximately 8pm, the very last Phra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.
This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Phrakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).
The depletion of this series led to the creation of yet another immortal legend of the Phra Somdej Niche in 2509, namely the Phra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.
This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Toh Prohmrangsi, who was indeed the Grandon of King Rama 1, and is among the top prestigious amulets on the planet. The Phra Somdej Wat Bang Khun Prohm, is usually completely impossible to find in this era, and also usually priced in the Pantip & Tha Phrachan Showrooms at many times the price we charge, for we base our prices on what we paid for the item, not how much we can sell it for.
A look at just a few of the plethora of Carved Ivory and Tooth, Wood, Bone Singha amulets of the Great LP Derm of Wat Nong Po, to bring the style of the various preferred artisans who carved them, and the appearance of natural aging of amulets which reage the Era of Luang Por Derm. Knowing how to estimate the age and recognise the effects of natural aging on an amulet, this assists in authenticating it for your beliefs. Hence, we present some classic images and comments to increase your ability to differentiate the Carved Singha Amulets of Luang Por Derm, from those of other Masters (which is in any case, a very difficult art).
Singh Sam Khwan – Triple Fortunes Singha Himapant Lion
The Singh Sam Khwan Himapant Lion carved amulet is one of the most highly preferred and revered of his carved amulets, almost equal to Luang Por derm’s famous Mitmor Ivory handle and Bone sheath Exorcist Knives, which hold world master class status.
Below we see a classic Hand Carved Ivory Singha Lion in Heart Shape Frame, which is one of the various forms known by devotees, and is featured in encyclopaedic works of the pantheon of amulets of this Master
Below; Singh Sam Khwan Pim Roop Hua Jai Nuea Gna Gae carved ivory heart-shape model, highly preferred and extremely rare
Hand Carved Ivory Singha Lion in Heart Shape Frame – LP Derm Puttasaro Wat Nong Po
Luang Por Derm’s Carved Ivory, Boar Tusk Tiger Teeth and wooden hand made antique amulets, are amongst the most highly desired and collected items. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.
Below; Singh Sam Khwan amulets in Oval, ‘Pim Roop Hua Jai’ Heart shape, and in Loi Ongk statuette forms. The Singh Sam Khwan was also made with different kinds of mouths, such as the Pak Nok Gaew ‘parrot beak’ version.
Singha Carved Ivory, Tooth and Bone Amulets of Luang Por Derm
His carved ivory, and wooden amulets are vary rare items, and highly individual in appearance, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself.
Close Ups of Ivory of the Singh Sam Khwan Pim Roop Hua Jai
Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.
Luang Por Derm is considered one of the greatest masters for Powerful Amulets was famous for many amulets, but the Singh Sam Khwan, Mitmor, and Rachasri Lion amulets, along with his Nang Kwak, Roop Lor statuettes, have become synonimous with his name.
Singh Sam Khwan in varous materials, such as wood and ivory
Luang Por Derm Puttasaro made carved Singha Lions and other amulets in a variety of forms, as well as a host of other types of Sacred Amulets and Talismanic Charms, be they Pha Yant (both hand inscribed and sil screened), Hand carved, and cast metal Loi Ongk mini statuettes, Photographs, Takrut, and sacred powder amulets.
Nang Kwak Luang Por Derm
LP Derm also made many types of Nang Kwak Carved amulets, in various forms, which is typical of how artisans make use of the size and shape of each piece of ivory, wood, or bone or other substance they have to work with, and extract the most artistic form possible with the given shape.
Nang Kwak Hlang Pra Pid Ta Carved Amulet of LP Derm, with Nang Kwak on one side, and Pra Pid Ta on the other side
The Nang Kwak can be seen in a large variety of forms indeed, some of them featuring animals on the bases of the amulets, which was also done with Buddha Images (Pra Prajam Wan Birthday Buddhas)
Tiger Pidta Singha Hanuman 4 in One carved ivory votive tablet
Nang Kwak Nang Ko (riding an oxen), by LP Derm – recommended for those born in the year of the Ox
The Nang Kwak is seen as a ‘Pim Gleeb Bua’ Lotus Petal shape, found in various materials ranging from sacred powders, to carved ivory.
As with the Singh Sam Khwan, the Nang Kwak was also sometimes (rare) made in the form of a heart shape.
The Nang Kwak was walso found as a Roop Lor and Rian Lor metallic amulet from LP Derm.
Some of the rarer individual hand carved amulets which are not found documented are also noteworthy, for those whose interest is to catalogue and recognize the inimitable carvings of the chosen looksit initiate artisans of Luang Por Derm Puttasaro, of Wat Nong Po.
Below; a very rare carved Pra Pid Ta Buddha Loi Ongk carved from Ivory, the Patina reveals its age and natural accumulation of character, as the passage of time increases the beauty of the ivory
Pid Ta Nga Gae Carved Ivory Nirodha Buddha by LP Derm
Pra Somdej Lap Poon Pon Tawee 2514 BE Votive Tablet in Nuea Pong Nam Man, for Karma Improvement, Protection and Metta (Mercy Charm),from Luang Por Nueang Gowito, of Wat Jula Mani.
The amulet in very well preserved condition, with highly refined features, empowered with Luang Por Nueang’s famous magic for Improving Horoscope, Wealth Accumulation and Success in all Areas of Life. The front face features a classic and finely honed image of the Buddha on a 3 tiered dais with rounded ‘Siarn Badtr’ almsbowl shape head, and ‘Hoo Bai Sri’ curved ears.
The rear face of the amulet has the sacred Yant Nam Tao (Yant Ha) with the Kata Na Mo Put Taa Ya five Dhyani Buddha Invocation within. Above the Yant Nam Tao, are the words ‘Lap Poon Pon Tawee’ meaning ‘Increase Luck and Success with Double Results’
Luang Por Nueang Gowito (Pra Kroo Gowit Samutrakun), of Wat Jula Mani, in Tambon Bang Chang, Amphoe Ampawa, in Samutr Songkram Province, was one of the most famous Gaeji Ajarn Guru Monks of his Era. He was the first initiate and apprenticed in magic to Luang Por Kong (Wat Bang Gaporm), Luang Por Chaem (Wat Jula Mani), Luang Phu Jai (Wat Sadej), and many other famous Sorceror Monks of Historical Fame, and received their powerful Wicha in Lineage Transmission.
Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani
His Wicha was renowned for being manyfold and masterful, having learned from so many different lineage masters. His most famous Yantra and Takrut is the Yant Duang Pra Uposot, which carries legendary status for its power to improve Karma, Protect and Prosper
Luang Por Nueang was very famous for powerful Takrut, and for Wicha Taw Waes Suwan. His most famous Takrut are possibly the Takrut Tone, Takrut Bailan Parchment scroll, and of course his world famous Takrut Yant Duang Pra Uposot. His Takrut Bailan parchment scrolls are legendary in the talismanic amulet scene.
Yant Nam Tao Gourd Yantra on Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani (38)
Lp Nueang would make his Takrut Bailan using the Wicha of Luang Phu Gaew of Wat Puang Malai, whose Takrut are listed amongst the top Masters of all History.
Luang Por Nuang was born in Praek Hnām Daeng, in Ampawa, Samutr Songkram, with the name Nueang Gao Suwan. He was born on the 14th of February 2452 BE, as the son of Mr. Thom Yā Gao Suwan, and Mrs. Dtāb Gao Suwan. He finished his education in the year 2463 BE in fourth year of primary school.
Luang Por Nueang was ordained as a Bhikkhu on the 29th July 2475 BE, with the ceremony being performed within the Uposatha of Wat Bang Gaporm, in Ampawa, Samutr Songkram, with Abbot Luang Por Kong Tamma Dtecho as his Upachaya Ordaining Officer, Luang Por Chaem Solos (Abbot of Wat Jula Mani) as his Gamma wajajarn Prompting Officer, and Pra Ajarn Plong of Wat Bang Gaporm as his Anusawanajarn Witness.
Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)
Below; a Historical Photo of Luang Por Nueang, as he performs maintenance of the mortal remains of his Kroo Ba Ajarn, Luang Por Kong, of Wat Bang Gaporm
Luang Por Nueang studied hard and attained his Masters Degree in Dhamma in the year 2479 BE, and in this same time period had also developed immense mastery in Vipassana Kammathana practices, and Puttakom (Buddha Magic). He advanced very rapidlu due to extremely diligent efforts, and putting in his utmost perseverance in both his academic study and his manifest practices. He was also fortunate to have the Great Luang Por Kong of Wat Bang Gaporm as one of his Kroo Ba Ajarn in Buddha Magic, whose Rian Luang Por Kong Coin holds position within the Top Five ‘Benjapakee’ Monk Coin amulets of all time.
Apart from receiving Wicha from Luang Por Kong, Luang Por Nueang also received Wicha from both Luang Por Chaem at Wat Jula Mani, and the great Luang Por Jai, of Wat Sadej (maker of the world famous Takrut Look Om of Immortal Fame). And so Luang Por Nueang was able to become a Master of many Wicha from these greta Kroo Ba Ajarn, and through his own diligent practice was able to strengthen them with his own meditations.
Luang Por Nueang eventually became Abbot of Wat Jula Mani, and showed his prowess was not only in Wicha Akom, and his own practice, but that he was also able in worldly matters, by administrating and improving the temple facilities, which brought the temple of Wat Jula Mani to become the important and prominent temple it is today. For these achievements, he was awarded by Royal decree the status of Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Superior Administrator, in the year 2496 BE. He was onece again raised in status to Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Fai Vipassana Tura (Head of Vipassana Practice teachings) in the year 2517 BE.
Wat Jula Mani is an ancient temple, which was built around the period between 2172 BE and 2190 BE, in the time of the times of the great Ruler Jao Prasat Tong. It was originally called ‘Wat Mae Jao Tip’, and is a temple of Historical importance related to the Bang Chang branch of the Chakri Dynasty family lineage.
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nuueang, showing the Sacred Yant Nam Tao on central Section of rear face
The temple originally was built with teak wooden buildings, which rotted over time, and so it was in the time of Luang Por Nueang when they were repeaired and replaced by much more long lasting constructions. This was also one of the factors which led to Luang Por Nueang becoming the most beloved and well remembered Abbot of Wat Jula Mani, and for which the local devotees loved him so much, for his merits.
12 x Macro closeup of head section
The lineage of abbots of Wat Jula Mani have been as follows; 1. Pra Ajarn Yern 2. Pra Ajarn Niam 3. Pra Ajarn Pae 4. Pra Ajarn Parn 5. Luang Por Uam 6. Pra Ajarn Num 7. Luang Por Chaem 8. Luang Por Nueang Gowito 9. Pra Ajarn It Pattajaro.
Below; Luang Por Nueang’s most preferred ‘Rian Run raek’ first edition 2511 BE Monk Coin
Luang Por Nueang’s achievements are visibly present within the temple at Wat Jula Mani, in form of the Jadturamukh 3 tiered Uposatha made from marble, 40 meters wide, 10 meters high and 80 meters long, which cost many millions of baht in the time, and was completed in the year 2511 BE, with the Sila reuks stone being laid on 15th August.
in the year 2530 BE Luang Por Nueang became ill, and finally passed away on 27th November 2530 BE at the age of 78 years old, after 56 years of ordained life.
Top Section front face Pra Somdej Lap Pon Poon Tawee
He is remembered for his powerful amulets, his great teachings in Dhamma Practice and Vipassana, and his attainments in improving the temple of Wat Jula Mani during his lifetime.
His powerful amulets are both rare and jealously guarded by his devotees, many of whom also follow and collect the amulets of his successor Pra Ajarn It, who has continued the Lineage Wicha and diligent practice in admirable fashion. Amongst the most famous amulets of Luang Por Nueang we find the Takrut Tone, Takrut Bailan, Takrut Look Om, Takrut Yant Duang Pra Uposot, and his Rian 2511 BE Monk Coin, and 2513 BE Coin amulets.
Middle Section front face Pra Somdej Lap Pon Poon Tawee
Below; Luang Por Nueang’s Famous Takrut Look Om Lokatat Amulet
Amulets made or blessed by Luang Por Nueang are considered to have high Puttakun Power and posess powerful magic, be they ones he made himself, or amulets where he attended the blessing ceremonies to assist in. Luang Por Nueang was famous for the Wicha of making powerful Takrut Charms. The Wicha of Wat Jula Mani continues to this day with Luang Por Nueang’s Looksit, and current Abbot Pra Ajarn It, whose famous Taw Waes Suwan Asura Deva amulets are considered amongst the most powerful and collectible to be found in the present day.
Lower Section front face Pra Somdej Lap Pon Poon Tawee
Below; Phaen Takrut Yant Pra Uposot Luang Por Nueang Wat Jula Mani
Below; Luang Por Nueang’s remains are visible at the temple in a Glass Coffin and are visited and prayed to by Pilgrims every day since his passing
Luang Por Nueang’s remains are not decomposed and are seen to be miraculously preserved. His remains are visible kept within a glass coffin at wat Jula Mani, since his passing in 2530 BE.
Top Section front face Pra Somdej Lap Pon Poon Tawee
Middle Section front face Pra Somdej Lap Pon Poon Tawee
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nu showing the words Lap Poon Pon Tawee on Top Section
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nuueang, showing the Sacred Yant Nam Tao on central Section of rear face
Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)
12 x Macro closeup of head section
There is a tale of Luang Por Nueang once attending an examination with one of his Kroo Ba Ajarn in his studies, where his examinining teacher asked him to write down some Numbers using Khom Agkhara and display his ability to predict lottery. Luang Por Nueang wrote some numbers onto a piece of parchment, and his examining teacher took the parchment and placed it inside the safe at the temple. When the day came for the lottery numbers to be published, he opened the safe and looked, and it turned out that the numbers which Luang Por Nueang had written were the first prize lottery winning numbers.
Above; Takrut Tone Tong Daeng Yantra Scroll Amulet by Luang Por Nueang – Famous for its Metta Mahaniyom, Kaa Khaay, and Kong Grapan Klaew Klaad power
Bucha Method for Pokasap, Klaew Klaad, and Metta Maha Niyom;
Presenting a very rare Twin compendium Wicha, composed of two Classic Lanna Amulets of the Great Thai Guru Master Monk, Kroo Ba Wang. The Compendium consists of two Takrut with Sacred Geometry spells inscribed; the Takrut Gao Gum 9 Ninefold Yantra Spell, with Yant Hneeb folded Yantra Foil attached with enchanted ‘Daay Daeng Akom’ red sorcerer’s cord, empowered with the Ancient Wicha Lanna by the Great Guru Master Monk and Deceased Ex Abbot of Wat Ban Den, Luang Phu Kroo Ba Wang. Estimated made during the late era of Kroo Ba Wang.
The 9 spells within the Takrut Gao Gum were inscribed individually and empowered and bound into a ninefold Spell, in traditional style of this Northern Lanna Wicha, the this Great Deceased Master of Olden days. The Takrut Gao Gum is Serm Duang, and will give Protection from Danger, and ease your way in life. Business will flourish, money and gifts will flow in, good fortune will come, and life without disturbances. The Yant Hneeb will attract wealth and popularity and even be a seduction spell for specific persons such as an intended lover.
The Takrut Gao Gum is a powerful Sacred Geometry based Talisman containing a myriad of magic spells, which has been used by ancient folk for thousands of years. The Takrut Gao Gum and Yant Hneeb are amongst the rarer and most preferred amulets of the Pantheon of Kroo Ba Wang, and highly regarded for their sacred power of Metta Maha Sanaeh, and Maha Lap, with comprehensive protective powers of Klaew Klaad.
The Yant Hneeb Maha Sanaeh Maha Pokasap is an Ancient Lanna Yantra Foil spell Amulet for seduction and wealth accumulation. The Yant Hneeb can be opened and place a paper or parchment inside with one’s desires, or the name of a person written on it (or hairs or other piece of clothing, or fingernail from the person you desire). The Yant Hneeb is an ancient Lanna Wicha that has been used by the Lanna Folk for centuries, and which has been perpetuated by the Lanna Masters to the present day.
Luang Phu Kroo Ba Wang Wat Ban Den
The Yant Hneeb of Kroo Ba Wang is one of the rarer amulets to find in circulation in the present day, and is a standard-bearer of the Dtamra Krueang Rang Lanna Pantheon of Talismanic Amulets of the Northern Lanna Region. Kroo Ba Wang’s Yant Hneeb can be considered not only a powerful magical Talisman, but also a Historically and Culturally Important Antique Sacred Artifact.
The Ancient Lanna Folk would inscribe the name of a desired lover on a piece of paper, and insert it in the gap between the two folded pieces of Yantra foil, to enchant and summon a person to be attracted and seek the spellcaster.
Alternatively, you can write down your wishes and prayers, and insert them inside the Yant Hneeb, and wait for them to be answered. Once a prayer has been answered, you can then remove it, make some merits in thanks, and insert the next wish, It is said that one should not pray for things within reason, and not be too greedy when making wishes. The Yant Hneeb is imbued with Powerful Maha Sanaeh, and Sarapat Neuk Magic, to attract and enchant others, and to fulfill wishes.
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days.
Highly preferred for his In Koo, Takrut Sangwan and Yant Hneeb, Pra Rahu amulets, and Pha Yant Sacred Geometry Yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images. Luang Phu Kroo Ba Wang has given us an immense heritage of Sacred Lanna Amulets, which form an iconic part of the pantheon of Ancient Lanna Classic Niyom Category Antique Amulets and Occult Charms.
Kroo Ba Wang was renowned for so many different kinds of amulets, ranging from his Takrut (especially the Takrut Gao Gum and cord-bound spells, his famous In Ma, In Koo, Paya Khao Kam, Pa Yant, Pra Rahu, and Guru Monk Coins, all of them being purely belonging to the Lanna Traditional Wicha.
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days. Highly preferred for his In Koo, Pra Rahu, and Pha Yant Sacred Geometry yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images.
Luang Phu was born in 2434 BE, in the country into a family of farmers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks, and so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk in the year 2445 BE
Luang Phu reached the age to be ordained as a fully fledged Bhikkhu in the Buddha Sasana in the year 2455 and was ordained on the 5th of May of that year as a Bhikkhu, at 13:15 hours at Wat Ban Baen Temple. Luang Phu then began to practice Khom Sanskrit Agkhara and Wicha, and within a very short period of time became so adept that he could chant every single line of Agkhara from memory with great aptitude.
Pra Kroo Gantiya was his Upachaya Ordaining Officer, and Pra Ajarn Bpan was his Pra Gammawājājarn (Prompter). Pra Atigarn Bpum was his Pra Anusawanājarn (Witness). Luang Phu was given the Chāyā (official Monks Name) of Prohma Sēno. Luang Phu Kroo Ba Wang then stayed on at Wat Ban Baen in Lampoon for a period of 2 years more. After this, Luang Phu Kroo Ba Wang then moved to stay at Wat Ban Hmueang Jee, which was in his home area where he was born.
Luang Phu then continued to study and practice Wicha Akom and Khom Agkhara, for a further three years, until he became inspired to take up the practice of Tudong Solitary Forest wandering, and gain experience in Kammathana.
Luang Phu then travelled through the thick forest area of Pha Teub, on is way towards Chiang Saen, and stopped in the forest to practice for 6 months. Once he reached Chiang Saen, he stayed around the area practicing for some years, until he decided to travel towards Prae Province, where he finally arrived and stayed at the temple of Wat Den Chai.
He stayed at this temple to master the various Sorcert Methods of the Region, so that he would be able to perform Powerful Incantations enabling him to cast spells and blessings to offer protection, happiness and prosperirty to the fold, and to send metta and merits to the Nature Spirits of the Nether Worlds, with Compassionate Mercy Magic.
Once he had mastered this Wicha, he then set forth once more, and practiced Tudong, until he came to rest at a very peaceful place in the forest called ‘Pha Den Gradtay’, which was very auspicious in energy. There was a small village nearby which was impoverished, and Luang Phu then decided to build a temple with the help of the locals. But Luang Phu was first called back by locals of the temple at Wat Dton Tong, so he agreed and went backl to assist the with their needs.
After one year helping them, he was able to return to Pha Den Gradtay, and built three Kuti Huts and invited some other monks to come and stay, and assist in developing the temple. Then in the yeat 2508 Luang Phu Kroo Ba Wang began to build the Uposadha Shrine Room and the locals of the surrounding areas began to hear of his merits, and flock to the temple to make donations and assist.
The Uposadha was then finished in the the year 2510 BE. Luang Phu became famous for both is great ability to finish the temple of Wat ban den in Miraclulously short timespan, and also for his many Wicha, including Horasart (Astrology), Amulet making, Maha Sanaeh and Metta Maha Niyom Maha Lap Magic, and his ability to use Candle Magic to eliminate Bad Karma.
In the year 2513, time caught up with Luang Phu and he became ill, and began to weaken with age, and became unable to travel, and stayed for the rest of is life until his passing at Wat Ban Den in the year 2516 BE
The Pra Pid Ta of the temple of Wat Sapan Sung are known for their powerful magic, with 4 Generations of Great Master Monks as Abbots continuing the Dtamra of Pra Pid Ta amulet making, which consists of one of the most complex methods of making sacred powders in the Dtamra Saiyasart Ancient Grimoire of Sorcery. Luang Phu Glin was thr first inheritor of the Dtamra to receive the Wicha Pra Pid Ta directly from Luang Phu Iam, which was soon after also passed on to Luang Por Tong Sukh. The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.
Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from. Luang Phu Iam Passed away in 2439 BE, leaving Luang Phu Glin as the new abbot and caretaker of the temple
Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin
It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them and were pure powders. His devotees would then have them treated with lacquer of their own accord after receiving the amulet, and also sometimes the Samanera Novice Monks would help and perform the task of lacquering the amulets
his successor Luang Por Tong Sukh and his predecessor Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer themselves.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.
Old Amulets presents a rare classic special model amulet; the Rian Mangorn Koo Pim Pised Dtok Sorng Code Ma Wat Pha Nong Lom Run Sao Ha Maha Sethee 5th Lunar Saturday Blessing Ceremony Edition Guru Monk Coin, released in 2543 BE, to raise funds for the Kuti Songk Monks Huts and improve the facilities at the temple of Wat Pha Nong Lom.
The Rian Mangorn Koo. This model is Pim Pised (Niyom preferred) and differs from the majority of Rian Mangorn Koo Wat Pha Nong Lom Edition coins in Nava Loha, because of the double code MA stamp. Most coins of the Nava Loha series made for Wat Pha Nong Lom have only a single code Ma Stamp (on the Sangkati chest sash of the robe of Luang Phu), and only the Pim Pised special models received double code stamps. Only very few (unknown number) were distributed with double code stamp, making this not only a sacred, powerful master class amulet, but also a rare collectors piece.
Rian Mangorn Koo LP Moon Nava Loha Double Code Stamps
The Rian Mangorn Koo of Luang Phu Moon is, as are all of his amulets, known for the power of Jaroen Lap Wealth Increasement, and Lucky Fortunes, as well as for their Miraculous Protective Powers. Those born in the year of the dragon love to Bucha this amulet especially, for the obvious reason of the double dragon guardians. For those with lower budgets, who seeksacred power above collectability and rarity, we recommend to seek the Rian Mangorn Nuea Tong Daeng or Nava Loha single Code Ma, of the same edition, which carries a lower price than this special Nava Loha Pim Pised Gammagarn double code collectors edition model.
Luang Phu Moon blessed these and the other amulets of this series in solo during the Traimas 3 Month Rainy retreat of 2542 BE, and then blessed them again in 5 Major Putta Pisek (Buddha Abhiseka) Ceremonies.
Below; Code MA is also found hidden within the center of the Dhamma Chakra Dharma Wheel
Below; A thin line of extra metal raised up like a ridge flows from the mouth of the dragon towards the image of Luang Phu, one of the points of recognition for authenticity
The Rian magorn Koo is very popular for indeed its design is incredibly beautiful, with the double dragon guardians framing the edges of the coin, protecting and listening to the Dhamma of Luang Phu Moon, who is featured in ‘Kreung Ongk’ Semi-Torso Cameo, with the 8 spoked Dhamma Chakra Wheel of Dhamma above his head, which points to the Buddha’s first sermon of the turning of the Dhamma Wheel, and to the 8 Fold Path itself, which is the Path to Enlightenment which the Buddha taught.
Below; The sharp and highly defined tips of the tail flares of the dragons are a mark of authenticity, and one of the reference points of authentication for experts to peruse
Below; the double code MA show this to be not only a nava Loha preferred model, but also a Pim Pised 2 Dode stamp Gammagarn version, which are extremely rare, and highly prized acquisitions.
Below; Encyclopaedic Pantheon Book of the amulets of Luang Phu Moon (Book 2) explaining how most Nava Loha versions were made with a code MA on the Sangkati Robe of Luang Phu’s chest, whereas a very few ‘Pim Pised’ special models for Gammagarn distribution were made with double code MA stamps in the Wat Pha Nong Lom edition, making this exhibit an extreme rarity and top class Pra Niyom Rian Kanajarn Monk Coin amulet of the highest desirability factor to any serious collector or devotee whose budget allows ownership of such a rare model.
The Rian Mangorn Koo was made in various sacred metals including solid gold (48 coins made), solid silver (500 made), Nava Loha (Unknown Numbers made – very few), and sacred copper (10,000 amulets made ). Apart from these, a very small number of sacred leaden versions were made in very small numbers (exact number unknown)
Luang Phu Moon was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
Below; Double Code Ma on this Nava Loha Version shows it to be a rare Pim Pised Gammagarn Wat Pha Nong Lom version, of Immense Pra Niyom Category Status
Luang Phu Moon’s amulets are now very hard to come across.His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.
Luang Phu Moon Tidtasīlō Ma A U Luang Phu Moon Tidtasīlō U A Ma
Kata Bucha Luang Phu Moon
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
The Kata is available as a download MP4 after purchase from the files section of your account
The word ‘Moon’ means to turn and increase (revolve). Luang Phu Moon always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Moon should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
An incredibly rare amulet to find in the present day, this Pra Somdej Thaan Koo Pim Hoo Jud comes from a Block Niyom preferred block press mold, and belongs to one of the most Historic and Preferred editions to have ever been released by the temple of Wat Bang Khun Prohm, namely the world famous 2509 BE classic series of immortal fame.
The Somdej Thaan Koo Pim Hoo Jud is one of a Major Pantheon of 12 different Pim Song models in this series, including a miniature ‘Pim Kanaen’ Pra Somdej. The series also included a Pim Jantr Loi circular votive tablet, a Sayasana reclining Buddha, a Pra Pong Pim Somdej Dto, and a Pra Pong Pim Pra Sivali, as well as some Bucha statues.
Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate of Authenticity
Certificate of Authenticity Somdej Bang Khun Prohm 2509
Macro Cloeups of Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate
Relics in rear face of Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate
This exhibit comes with official digital chipped rfid tag card authenticity certificate of the Siam Amulet Association as an authentic Pra Somdej Wat Bang Khun Prohm Pim Hoo Mee Jud Thaan Koo. The amulet was submitted by VIP member of the association and proprietor of ancient amulet store, Mr Ajarn Spencer Littlewood, on his own time and expenses, for the pride and confidence of you who will become the owner of this rare classic.
Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate of Authenticity
This exhibit is exquisitely finely detailed, with visible chunks of old Muan Sarn from broken pieces of the original Pra Somdej Wat Bang Khun Prohm amulets of Somdej Pra Puttajarn Dto Prohmrangsri, which were taken from the Chedi Stupa to mix with the sacred clay of the 2509 BE Edition.
The Pra Somdej Wat Bang Khun Prohm 2509 BE Edition amulets were blessed by the following Masters; 1. Tan Prakun Pra Taep Sittinayok (Luang Phu Nak) of Wat Rakang Kositaram, in Bangkok 2. Luang Por Te Kong Tong, the master of Wicha Kumarn Tong and abbot of Wat Sam Ngam temple, in Nakorn Pathom 3. Tan Jao Prakun Pra Rachatammaporn (Luang Por Ngern) of Wat Don Yai Horm, in Nakorn Pathom 4. Tan Pra Kroo Prasat Wityakom (Luang Por Nor) of Wat Klang Ta Ruea 5. Tan Jao Kun Wimon Gijjaraks (abbot of Wat Chana Songkram) 6. Tan Pra Kroo Wisai Sope (Ajarn Tim), of Wat Chang Hai in Pattani 7. Tan Ajarn Ampon abbot of Wat Prasat Bunyawas, in Bangkok 8. Tan Ajarn Satid of Wat Vachira Tamma Sathit in Bangkok 9. Tan Ajarn Dtaem , of Wat Pra Loi, in Supanburi 10 a large group of monks from Wat Sutat to assist in the chanting of the Buddha Abhiseka, with Pra Kroo palad Wisuttiwat presiding over the chanting.
Each Pim of the 12 Major models had various block press molds with each mold possessing slightly different designs. This means that despite only nine Major Pim being made, each Pim has multiple block press molds, and hence the pantheon extends down to the various sub-designs of each of the many block presses. Some block presses are much more highly preferred by collectors to others.
Four different artisans were commissioned for the design and creation of the various block press molds;
1. Lung Chaem Bua Plien Si – the block press mold designs made by this artisan replicated the classic design opf Wat Bang Khun Prohm amulets, with the slight difference that the images were slimmer than previous designs, and a few Special Pim block press molds were made by this artisan.
2. Kun Manit Bpathapi – this artisan made block press molds according to classic models which were removed from the Kru Chamber in the Chedi Stupa, from original Pra Somdej Wat Bang Khun Prohm of Somdej Pra Puttajarn (Dto) Prohmrangsri (Wat Rakang Kositaram), and also made some special design block press molds
3. Chang Kasem Mongkol Jaroen – this artisan stepped in during the latter part of the creation, to help finish the remaining block press molds on time for the ceremony. This artisan was a highly skilled artisan, and the amulets made from the block press molds of his making are considered exquisite, and highly sought after
4. The Block Gammagarn mold makers; This means the people who possessed original Wat Bang Khun Prohm Pra Somdej amulets of Somdej Pra Puttajarn (Dto) in their possession, and used them to create new block presses. The amulets of these block presses resemble the ancient Pra Somdej Kru Wat Bang Khun Prohm originals most of all, with the only real visible difference being that they are slightly smaller in size.
Police Commisioner Prapas Jarusathiarn, the vice minister of the Thai Parliament, in collaboration with Lady Sawai Jarusathiarn sponsored the building of all the installations built between 2501 and 2509 BE, and commissioned the amulets to be made for release in celebration of the success of these projects.
On the 4th of January 2509 BE Comissioner Prapas Jarusathiarn lit Incense and Candles in the Shrined to Bucha the Triple Gem, and Police Captain Krit Siwara read out the list of sponsors of the edition comittee. He then addressed the Sangha (Monks), to begin chanting the Buddha Abhiseka. The Victory candle to inaugurate the Buddha Abhiseka Ceremony was lit, and the ceremony began.
Four of the Monks took their positions for ‘Nang Prok’ meditative empowerment on their respective daises, and held the Sinjana cords which led to the amulets, coming down from the ceiling of the Uposatha Shrineroom, and began to empower the amulets.
On Wednesday 4th January 2509 BE at 15:55 pm, Police Commisioner Prapas Jarusathiarn began to hand out the amulets to devotees who came to make merits and pay reverence at the temple, and also stored a large number of amulets in a batch within the Kru hiding place of the Chedi Stupa for posterity.
On Thursday the 6th, Friday the 7th, and Saturday the 8th of January 2509 BE, theLook Nimit Arahant Balls were retrieved from beneath the Uposatha, and a gold pasting ceremony was performed as is Traditional in Thai Buddhism, and the amulets were distributed once more during this ceremony, to devotees who came to make merits.
On Sunday the 9th January 2509 BE, the Sila Reuks main cornerstone of the Uposatha Shrineroom was laid by His Majesty the King Bhumipol Adulyadej, and initiated the Pitī Te Tong Gold Pouring Ceremony to add Gold to the Casting Mold of the Buddha-Rupa statue for the Uposatha, which was cast in Sukhothai Era in the Mara Wichai conquering Mara posture, with a 16 Inch wide base.
In addition a statue of Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram was also cast with a 29 Inch wide base for installation in the shrine at Wat Bang Khun Prohm, with a further 109 smaller 5 inch wide base statues made for distribution to the public.
On Monday the 10th of January 2509 BE at 19:30 pm, 84 Ordained Members of the Sangha performed the chanting of Jaroen Pra Putta Mont within the Uposatha. At 21:01 Somdej Pra Wanarat of Wat Chetupon performed the Pitī Phuug Putta Sima Ceremony to officially inaugurate the Panta Sima Dais for the placement of the 29 inch wide statue of Somdej Pra Puttajarn (Dto) Prohmrangsri.
The statue was placed on the Putta Sima under and arched edifice next to the large Chedi Stupa of Wat Bang Khun Prohm (the one where the famous Kru Bang Khun Prohm hiding place amulets of Soomdej Dto were found). A carved stone table with the insignia of His Majesty the King was placed into the shrine to mark the occasion of His Majesty’s presence.
The Pra Somdej Wat Bang Khun Prohm 2509 BE series amulets hence were made over a period of many years before they were all completed, beginning in 2501 BE and completing the series in 2508 BE, when the final batches of the total 84,000 amulets of the edition were mixed into clay and pressed with the block presses.
The amulets were pressed inside the Uposatha Shrineroom which had been built and completed, with Luang Por Chom being the monk who pressed the first amulets in the Pathoma Reuks initiation ritual. Then the Gammagarn Sponsor Committee members, and many devotees who came to assist in the pressing, all took turns in helping to press the amulets, until they were all done.
There were two kinds of amulet presses made during this ceremony
1. Pra Banju Kru – these amulets were rented to devotees at 1 Baht each, for the devotee to make merits by placing the amulet inside the Kru Chamber of the Chedi Stupa for posterity. These amulets had the word ‘Banju’ (meaning to put inside the Chedi), embossed on the rear face. 84,000 Pra Somdej amulets were made for this purpose with the word ‘Banju’ on rear face
2. Bucha – these amulets were made for Bucha reverence and for Devotees to wear and take home with them.
These amulets were distributed to the Public for Bucha at 10 Baht each, except for the Sayasana reclining Buddha model, which was ‘rented’ for Bucha at 25 Baht each. Some sets of 11 Pim Song Models were also distributed to devotees who wished to donate more funds (all models except the Sayasana), at 100 Baht a set. These amulets had the rubber ink stamp with the Chedi of Wat Bang Khun Prohm stamped on the rear face, with 84,000 amulets pressed in this type. However, after removing any broken or defective amulets from the batch, only 72,518 amulets were actually intact and distributed.
The Pra Somdej Wat Bang Khun Prohm were made using the broken Pra Somdej taken from the 2500 BE Chedi Stupa Hiding Place opening, mixed with Puttakun Yantra Powders from great Master Monks around the country, from the past and present, with Poon Khaw, Poon Plueak Hoi (powdered sea shell), Pollens from Bua Luang Lotus and Dork Pikul Flowers, and Nam Man Tan Iw (Tang Oil).
There were numerous Block Mae Pim block presses for the amulets, with some block presses to spare in case any of them broke during the pressing. Some were made from plaster of paris, others made from cement, and others from dential cement. As the amulets were being pressed over a period of time, the block presses would break, and a new one would be taken and used in its stead, one after the other.
This process continued until all the amulets were finished,. because eaxch block press had slight differences in the way they were carved by each artisan, there are a large number of differences to be found in various examples of the same Pim Song model, with each block press defining slight differences in details of design.
This is why one cannot look at an example of a Pim in a magazine, and compare it with another of the same Edition and Model, because even if the amulets are both the same Pim (e.g. a Pim Sen Daay), they will still have differences in features if they were pressed by two different block presses.
To compare, one has to find an amulet for comparison which came from exactly the same block press, of which there were many. this is where one’s studies of the historic facts, and ability to recognise which Block press Mold an amulet comes from, is essential study for students and aficionados of the Wat Bang Khun Prohm 09 series (and any series for that matter).
To give an idea as to how many different block presses there were, we can take a look at the fact that merely the Pim Yai (Pim Pra Pratan) model, had a total of 27 Block Presses made and used to finish pressing the whole series. The Pim Gaes Talu Sum model, was orginally pressed as a Pim Yai Block Press, but the Block Press broke where the tip of the Buddha’s topknot touched the arch.
The artisans reworked the block press and it became a design with the tip of the topknot piercing the arch, to cover up the broken part of the Block Press. And this brought the Pim Gaes Talu Sum model to be added into the series.
The 12 Pim Song Models of the Wat Bang Khun Prohm 2509 BE Series edition are as follows;
1. Pim Yai (Pim Pra Pratan)
2. Pim Sen Daay
3. Pim Song Chedi
4. Pim Gaes Bua Dtum
5. Pim Sangkati
6. Pim Prok Po
7. Pim Thaan Koo
8. Pim Thaan Saem
9. Pim Ok Krut
10. Pim Sayasana
11. Pim Kanaen
12. Pim Jantr Loi
In addition to the Pra Somdej models, there were the Pra Pong Pim Pra Sivali and Pim Roop Muean Somdej Pra Puttajarn (Dto) Prohmrangsri also released in this edition.
All the amulets which were not distributed to the public at the time were placed in the large Chedi Stupa Kru Chamber at Wat Mai Amataros (Wat Bang Khun Prohm). For the series, a water tank sized chamber was constructed within the Chedi for the storage of the amulets, with ten ventilation holes in it, with sand in the base to absorb any water which may enter from flooding.
The amulets were then filled into the chamber, with six silver foils in layers between each pile of amulets, with the words ‘Banju Pi 09’ on them, so people who may discover them in the far future will know which year they were buried in, and from which edition they came from. It is because of how the amulets were well stored and protected against the weather and elements, that the Pra Somdej Kru Wat Bang Khun Prohm 09 edition is more attractive that the 2500 BE Kru Chamber opening edition.
The earlier editions removed from the Chedi always suffered floods and climatic changes, and all have much more Kraap Kru growth on the surface of the amulets. Whereas the 2509 BE Pra Somdej Wat Bang Khun Prohm series amulets are pristinely preserved and kept, without any damage from floods or other weather related disasters or climate influenced events.
For this reasons, the Wat Bang Khun Prohm 2509 BE series is one of the most preferred editions of Pra Somdej, and perhaps the most highly p[referred edition from Wat Bang Khun Prohm after the original amulets from Somdej Pra Puttajarn (Dto) Prohmrangsri found in the Chedi years before.
Rian Charoen Porn Tee Raleuk Sala Bprian Edition 2517 BE Guru Monk Coin Amulet of Luang Phu Tim of Wat Laharn Rai Second Prize competition winner with Certificate of Second Prize and Authenticity
Luang Phu Tim’s eternal classic Guru Monk Coin the Rian Jaroen Porn Bon, in Nuea Tong Daeng, this one being a Pim Jor Gradok Jaek Gammagarn in Nuea Tong Daeng (Sacred Copper), with Thai ๙ Number 9 Numeral code stamp, and the ท (T for ‘Tim’) code stamp. Only 800 Gammagarn Jaroen Porn amulets were made. This edition was released in 2517 BE and handed out during the ceremony (Jaek Gammagarn). Free EMS Shipping is offered Worldwide Included in the Price for this Amulet.
Rian Charoen Porn Luang Por Tim Pim Jor Gradok Code 9 Nuea Tong Daeng Second Prize Competition Winner with Authenticity Certificate
Rian Charoen Porn Luang Por Tim Pim Jor Gradok Code 9 Nuea Tong Daeng Second Prize Competition Winner with Authenticity Certificate
The amulet comes with its second prize winner complimentary box, and A4 size Certificate of Second Prize Winner and Authenticity included, and the offer of free solid silver, stainless steel, or waterproof casing if desired. The Pim Jor Gradok Coin is also known as the ‘Block Prasobgarn’ for the many stories of miraculous events retold by devotees who have worn and revered this amulet.
Rian Charoen Porn Luang Por Tim Pim Jor Gradok Code 9 Nuea Tong Daeng Second Prize Competition Winner with Authenticity Certificate
Rian Charoen Porn Luang Por Tim Pim Jor Gradok Code 9 Nuea Tong Daeng Second Prize Competition Winner with Authenticity Certificate
Ongk Kroo version of Luang Por Pae Famous 2535 BE Edition released marking the 100th Anniversary of Wat Pikul Tong Temple, the Pra Somdej Sai Rung (Rainbow Somdej) Amulet. The amulet is made from various colored typesNuea Pong Puttakun (Non-Baked Naturally Dried and Hardened Sacred Powder Amulet), this was one of the Ongk Kroo versions made with Single Solid 24 K Takrut Insert.
Luang Por Pae’s Amulets are a Fine Class Sacred Amulet that is not outside the reach of those with lesser Budgets than some of the Wealthier Collectors, a Fine and recommendable Truly sacred Amulet of the Pim Niyom Class, easily presentable in show, and is an amulet that any Thai Amulet Collector in the Know would be quite Proud to own and Wear, however Rich or Not.
Pra Somdej Sai Rung Luang Por Pae Wat Pikul Tong (Singhburi)
Pra Somdej Sai Rung Luang Por Pae Wat Pikul Tong (Singhburi)
Rear face Pra Somdej Sai Rung Luang Por Pae
Pra Somdej Sai Rung Luang Por Pae Wat Pikul Tong (Singhburi)
Pra Somdej Sai Rung Luang Por Pae Wat Pikul Tong (Singhburi)
This is thus what we call a Top Class Amulet, at a very affordable price, comes including Waterproof Sealed Solid Gold Casing. 4.5 Grams of Solid Gold were used to make this casing.
This amulet was released marking the 100th Anniversary of Wat Pikul Tong Temple, and is now a Classic Edition, very rare indeed to find. This particular model is with Solid Gold Takrut. it has been encased in 4.5 Grams of Solid Gold, which is definitely fitting, and worthy of an Amulet of this Class.
