Ajahn Chum Chai Kiri

A rare and highly sought-after Pim Niyom version of the Phra Nakprok Thep Nimit amulet of the Great Khao Or Laymaster, Ajahn Chum Chai Kiree, known as the ‘Pra-Kru’ burial chamber variant of the 2495-2407 release Phra Nakprok Thep Nimit edition, holds significance in the context of Thai Buddhist amulets. This edition was unveiled during the Miracle Blessing Ceremony, graced by the presence of hundreds of Lersi Hermit Masters from India, Thailand, and Southeast Asia, whom Ajahn Chum had invited to assist in the empowerment.

Phra Nakprok Thep Nimmit Amulet - Ajahn Chum Chai Kiree

The ‘Long Kru’ 2511 BE release is a much harder and lighter-colored amulet, full of herbal powders, which looks more like clay than sacred powder. This fact is due to the drying of the atmosphere and changing humidity factors of the Kru chamber, which resulted in the amulets having a distinct appearance compared to the jet black ones which were not stored for more than 12 years in a closed chamber. There were two different Pim (models), one with a smooth rear surface, and this, rarer ‘Hlang Yant Ha’ (five Buddhas Yantra) on the rear face. The black 2496 BE Hlang Yant Ha model is the Pim Niyom of all models and now a much more expensive item to acquire than the smooth-backed model. The supply from the Kru Chamber finally was depleted in 2524 BE, as the very last amulets from the 2497 Indochina War edition were handed out.

Hundreds of Gaeji Ajahn Guru Monks were present to perform their Chants and Meditative Blessings upon the Amulets. The Long Kru versions of this amulet (placed in a ‘Kru’ chamber buried for a time before release) are the ‘Pim Niyom’ versions (preferred). This is for the fact that they were given further empowerment in the Chamber and charged with Buddha Magic, and their Classic Appearance and ease of authentication due to the ‘Kraap Kru’ mildew stains which only are found on the Pim Niyom versions of this series.

Rear Face Phra Nakprok Thep Nimmit

This amulet was one of a number of different amulets, oils, and Takrut charms plus some special ritual items such as magic Mai Kroo wands and Mitmor knives, which were involved in the famous ceremony of Maha Ud magic performed by Ajahn Chum with amazing displays of invincibility magical proof. This amulet has immense Kong Grapan power (bullet and knife proof). The famous maker of Jatukam, Khun Pantaraks Rachadej was also involved in this ceremony.
Taep Nimit Amulets of Ajahn Chum
The reason that this amulet is called ‘Thep Nimit’ is that the word Nimit means ‘appear in a vision,’ and the Dtamra (legend) of Ajahn Chum’s ‘Thep Nimit’ amulets began with a vision in a dream, in which an ancient Monk appeared and foretold that those Humans who do not follow the Dhamma and have Moral Precepts will be engulfed in attacks by great weapons the world has never seen before, be invaded by pirates and thieves who are worse than wild animals, and attacked by ghosts and demons.

Ladies will also find this amulet a very good choice because of its petite size and slimness. The Phra Nakprok Thep Nimit was created and empowered in 2496 BE by Ajahn Chum Chai Kiree. It was empowered at Wat Banpot Nimit. The amulet is in the form of the Buddha with a seven-headed Naga canopy depicting the moment that the Naga King gave shelter from the rain to the Buddha as he sat in deep meditation in his attempt to enlighten. The amulet is detailed for its small size with the facial expression visible on the Nakprok Buddha.

The Muan Sarn used in the sacred powders in this amulet include flowers offered to the Buddha from all the Royal temples, as well as from a host of many of the most sacred public temples around Thailand, broken pieces of the Chedi Stupa and leaves from the Bodhi tree at Nakorn Sri Tammarat, a collection of the best sacred powders from a large number of the Greatest Ajahns, including Pong Wised from Ajahn Kong (the Ajahn of Khun Phaen himself), which was discovered when digging under the Chedi of Ban Sri Prajant in Supannburi. The amulets finally ran out and were completely depleted in the year 2524 BE, when the very last amulets were distributed after the final opening of the Kru chamber.

Yant Nam Tao on rear face of Pra Nakprok amulet

The ‘Yant Ha’ 5 Buddhas Yantra is slightly visible on the rear face, faded from years of storage, bearing the Kata ‘Na Mo Put Taa Ya’.

Ajahn Chum Gave a Traimas empowerment to the amulets. As usual in the empowerment of the Puttapisek final ceremony, the famous Khun Pantagij Rachadej was present to add his Incantations to the blessing. This amulet was given out to Devotees present in the Wai 2496 BE Wai Kroo Ceremony. A host of Famous Gaeji Ajahns of the Khao Or Lineage were present to assist with the blessings and Putta Pisek chanting. The remainder were placed inside a Kru Burial hiding chamber, and later retrieved, to be released at the 2511 BE Miracle ceremony, now so famous as one of the most important ceremonies in the History of Thai Buddhism and in Thai Occultism.

If we look at the History of the world since 2496 BE, when this amulet was made, we will see that many of these predictions made in Ajahn Chum’s dream can be seen to have come true. In order to keep safe from these dangers, the Old Monk said that Ajahn Chum should take flowers which Monks had offered to ask forgiveness to each other before the rainy seasons, and flowers which had been offered to the Buddha by Monks during their ceremonies and Prayers in the Shrinerooms.

He should gather this from 108 Sacred temples and mix with pieces of powdered bricks from the Relic Stupa of Nakorn Sri Tammarat. In addition, the Monk in the vision said he should take powders from the great Bodhi tree, and powders from various important Samnak (temples where magic is practiced), and the sacred powders of Ajahn Kong (who was the Guru of Khun Phaen). These powders should be made into a Buddha amulet and given three months of empowerment.

Tests should be made on the amulets for their power, and also those who received them and wear them must make an official oath to the Buddha Dhamma and Sangha to leave sinful and immoral activity forever and to practice Metta and offerings to the Sangha. If those who wear the amulet can keep these rules, they will be completely safe and protected from the predicted evils.

In the year 2470 BE, Luang Phu Kong (Wat Kae, Supannburi) entered the body of a Civil servant in Pattalung, South Thailand, and spoke through him, revealing the Dtamra of making a kind of Pra Khun Phaen to Ajahn Chum Chai Kiree. This Khun Phaen was called ‘Pra Pong Taep Nimit.’ During the Puttapisek and further three-month empowerment, Luang Phu Kong visited and entered the consciousness of Ajahn Chum the whole time to assist in the empowerment.

Phra Nakprok Ajahn Chum Chai Kiree

Luang Por Kong was abbot of Wat Kae, in Supannburi (Wat Tan) who lived during the time that Ayutthaya was the Royal Seat and was the first Ajahn of Khun Phaen himself. The Luang Por Kong of Ancient Fame created the Pra Khun Phaen Ruean Gaew and gave it to Khun Phaen himself for protection and blessings. The amulets were made in 2496 BE and distributed at intervals from then on, up to 2524 BE

Not only this, but Ajahn Kong’s spirit also demanded that Ajahn Chum remove some Pra Yord Khun Pon, Pra Khun Phaen, and the bones of Luang Phu Kong himself from the inner chamber below the Chedi at Wat Tan (Wat Kae) in Supannburi (which had been there since the times of the Ayutthaya Kingdom). Ajahn Chum went to ask for permission to dig there from the Ministry of Fine Arts and Culture. As soon as the Devotees heard of this, they asked Ajahn Chum to make Pra Khun Phaen and Pra Taep Nimit amulets. Ajahn Chum thought carefully about it and thought that if he did make them, then he would have funds to build an Uposatha shrine room at Wat Ban Suan in Pattalung and dedicate it and the merits received to Luang Por Kong, as well as to distribute amulets to soldiers and other members of the military and police force who were defending the country from danger.

Close up Macro of Phra Nakprok

Bucha Method (How to Worship).

Chant Namo Tassa 3 times first (as must be done before chanting to any amulets), then pray hard and declare that you take refuge in the Buddha, Dhamma, and Sangha, then gaze at the Buddha on the face of the amulet for a moment before breathing in and saying inwardly ‘Bud’ and breathing out and saying ‘Dho’ (or Put-To, depending on your pronunciation). Keep doing this until your mind is still and clear. Once you have attained the stillness of meditation, then begin to chant the following; I Sawaa Su Su Sawaa I – A Sang Wi Su Lo Bu Sa Pu Pa (3 times) If you have any bothersome influences or events occurring or questions you need answering, then light incense and call the devas that take care of the Buddhas to come, while thinking of Luang Phu Kong and Pra Khun Phaen. Then place your hands together with the amulet between them, and begin to chant the following; Na Ma Pa Ta Neu Meu Peu Teu – Keep chanting it until the Deva of the amulet enters your mind, after which you will be able to pose questions in your heart without words.

Phra Nakprok Amulet Ajahn Chum Chai Kiree


Ajahn Chum made the following statement about the Pra Pong Taep Nimit before handing them out; “This amulet I guarantee to truly protect from dangerous weapons of all kinds, including protecting from, and preventing thieves and pirates, and wild dangerous animals. The amulet is heavily leaning towards Metta Mahaniyom and Maha Sanaeh power. Both Men or Women or Children can use it”. “It is forbidden to take the amulet and test its power for fun, which would be disrespectful and endanger you of using up the miracle power it holds to protect you in the true moment of dire need. If you do not believe in the amulet, you should not come forward to receive one, for it will bring you bad luck”.

Tests using guns and sharp knives were performed, to test the magic on the throngs of Devotees present. Ajahn Chum is in my opinion the greatest and most powerful lay master of all living history of Thai Saiyasart. This amulet is a rare old amulet of undoubtable magical power to protect against knives, bullets, and the like. This example is in extremely fine condition, and a very beautiful example indeed. Extremely rare. The amulet is made from over 500 kinds of sacred powders which were collected by Ajahn Chum and Luang Por Kong (Wat Ban Suan) over 40 Years. Because the Thai Government had issued papers calling for the army to gather and recruit, to go into War in the Indochina war in 2497 BE

Rear Face Phra Nakprok Amulet Ajahn Chum Chai Kiree

Ajahn Chum always used his famous magical oil to smear on the heads of the Devotees before performing Kong Grapan Magic, which you can also see him doing in some parts of the below video recording, taken at the Puttapisek blessing of his amulets in 2511. A certain amount of the 2496 and 2497 Taep Nimit amulets were immediately distributed to the Military, and in the Wai Kroo Ceremonies of 2496/2497, but some of them were kept in Kru chamber until 2511 BE, and empowered constantly until then, and handed out during the Puttapisek

Note; Nakprok Buddha is the official Buddha of those born on a Saturday, and is thus especially powerful (even more so) for those people.

 

Certificate of Authenticity Pra Pid Ta Pim Wat Bang Sae Amulet Por Tan Daeng 2540

Pra Pid Ta Pim Wat Bang Sae

Introducing a unique first-edition certificated amulet crafted by the esteemed Malaysian Monk, the Pra Pid Ta Por Tan Daeng, from Wat Koke Sai in Songkhla. This amulet represents the 1st edition ‘Pim Wat Bang Sae’ model, which pays homage to the style of the Pra Pid Ta amulets from the renowned Malaysian Monk, Luang Por Tan Kron of Wat Bang Sae. This amulet was released in the year 2540 BE and is meticulously crafted from Bailan Parchment powders. It is imbued with powerful Khom Aglkhara spells in ancient Khmer Sanskrit, traditionally used to empower this specific Wicha, as employed by Luang Por Kron for his Pra Pid Ta amulets.

Pra Pid Ta Wat Bang Sae

Temple: Wat Koke Sai. Year of Issue: 2540 BE. Maker of Amulet: Por Tan Daeng. Recommended Uses: Maha Lap, Metta Maha Niyom, Klaew Klaad, Kong Grapan Chadtri, Maha Pokasap, Serm Duang. Number of Amulets Made: Unknown.Size of Amulet: 3.2 x 2.9 Cm. Material: Nea Pong Bailan Sacred Grimoire Soot and Kakyayaks earths. Additional Info: A rare amulet for followers of Por Tan Daeng the Luang Por Kron Lineage, Especially Popular with Malaysian Devotees.

Pra Kroo Aphai Sopon (Por Tan Daeng), formerly the Abbot of Chana District in Songkhla Province, hails from Kelantan, Malaysia. He is a direct disciple of Luang Por Kron from Bang Sae Temple, Malaysia. Por Tan Daeng has gained renown for creating highly revered amulets over the years, all of which are considered rare due to his status as the first apprentice (Looksit Aek) of the esteemed Luang Por Kron. He possesses a profound mastery of the magical Wicha associated with the Phra Pid Ta amulets of Wat Bang Sae in Malaysia.

Pra Pid Ta Amulet Por Tan Daeng Front Face

The Pra Pidta Bang Sae comes in various types, made from sacred Muan Sarn powders and various models (Pim). These amulets are renowned for their potent magical properties and serve as excellent alternatives to the now exceedingly rare Pra Pid Ta amulets created by Luang Por Kron. They are not only powerful but also considered exquisite pieces of miniature sacred art. Collectors and aficionados hold the Pra Pid Ta Pim Wat Bang Sae in high regard, thanks to the powerful consecration ceremony conducted at Khok Sai Temple. The ceremony witnessed the participation of numerous revered monks, including Por Tan Daeng, Ajarn Sri Ngern (abbot of Wat Don Sala), Por Tan Khun Thong, Luang Por Sukh of Wat Duyong, Por Tan Chin of Wat Mueang Yala, Luang Por Hwaan, and many other esteemed monks from the Southern Provinces.

Pra Pid Ta Por Tan Daeng amulet rear face

Por Tan Daeng of Wat Koke Sai

Luang Por Tan Daeng has since passed away, leaving behind a legacy of reverence. He was known for his straightforward nature and unwavering compassion. Whether conducting ordinations or rituals, he maintained strict adherence to the sanctity of Buddhist clergy. Por Tan Daeng also held the position of preceptor (Upachaya Ordaining Officer), a special designation granted to monks allowed to ordain others at their discretion.

Por Tan Daeng was renowned for his diligence and rigorous assessment of individuals seeking ordination as monks. He scrutinized their intentions, safeguarding the purity of Buddhism (Buddha-Sasana) by preventing those with ulterior motives from ordaining. Only those with sincere intentions were permitted to undergo the ordination ceremony, which required them to practice as lay practitioners in white clothing for an extended period to prove their commitment. Por Tan Daeng is revered as the Lineage Continuance Master of Luang Por Kron from Wat Bang Sae, ensuring the preservation and propagation of the Wicha Pra Pid Ta of Wat Bang Sae, initially established by Luang Por Kron.

Pra Pid Ta side view


About Luang Por Kron;

Luang Por Kron was referred to as ‘Tok Raja’ by Malays, a title signifying equality with the Sangha Raja. This name stemmed from a legend where a powerful Sultan of Kelantan had a daughter afflicted by a malevolent black magic spell. Despite seeking help from doctors and psychologists, her condition remained unchanged. Even the Muslim witch doctors failed to break the curse with their magic.

Luang Por Kron

However, Luang Por Kron possessed the ability to heal her and restore her sanity. This miraculous act earned him the honorary title of Tok Raja from the Sultan, signifying his equal status with the Sangha Raja. Luang Por Kron’s preferred amulets include Pra Pid Ta Nuea Pong Kluk Rak and the Rian Roop Dork Jik coin amulet.

Pra Pid Ta amulets, as well as Pra Pid Ta in the form of Pha Yant and Bucha statues, have been crafted as objects of reverence and protection in Thailand for centuries. Artisans of that era created various styles and interpretations, drawing inspiration from different periods of Buddhist art and sculpture. Various deities were incorporated into the Pra Pid Ta posture, symbolizing the act of ‘covering the eyes.’ These amulets could close 7 or 9 orifices, with the former referred to as ‘Pra Pid Sadtatawarn’ and the latter as ‘Pra Pid Navatawarn.’

Macro closeup of Muan Sarn Sacred Powders

The Pra Pid Ta is renowned for its ‘Maha Ud’ (invincibility) and ‘Kong Grapan’ (gunstopping) properties. It is also crafted as a wealth-bringing amulet, referred to as ‘Pra Pid Ta Maha Lap.’ To enhance its resonance for wealth attraction and auspicious blessings, ancient artisans sometimes incorporated the image of the Sangkajjaiyana Buddha of riches and happiness into the Pid Ta posture.

Certificate of authenticity Pra Pid Ta Por Tan Daeng 2540

Thai Amulet Types

Nine Essential-To-Know Thai Amulets – A Glimpse into Sacred Thai Traditions

In the heart of Thailand’s rich cultural heritage, lies a belief deeply rooted in its history and spiritual beliefs and practices: the use of ‘Phra Kruang’ (amulets, talismans and charms). These small, intricately crafted amulets and charms have been an integral part of Thai culture for centuries. The number nine holds particular significance in Thai Buddhism, symbolizing completeness and fulfillment. In honor of this sacred number, we explore nine essential Thai amulets that have captured the hearts and beliefs of both Thais and foreigners alike.

1. Buddha Amulet (Phra Somdej)

Phra Somdej Bang Khun Prohm Gold-Frame Front Face

Pra Somdej Buddha Amulet

Buddha amulets, known as “Phra Somdej” in Thai, are miniature replicas of the Lord Buddha or other revered figures such as monks, maestros, Bodhisattvas, and deities. These amulets are believed to offer protection, invincibility, and good fortune to their wearers. Warriors once carried them into battle, while today, you’ll often find them adorning the necks of people as lucky charms. The trade in amulets can be highly lucrative, with rare specimens fetching staggering prices. The most famous and revered Phra Somdej amulet of all time, is the Phra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri. There are numerous Pim Song (shapes and sizes) of Pra Somdej, but the five officially recognized Pim of Pra Somdej amulets—Pim Pra Pratan, Pim Chedi, Pim Brok Po, Pim Gaes Bua Dtum, and Pim Thaan Saem—are the ones which are officially recognized and listed by the “wongarn Pra Krueang” as Somdej Wat Rakang amulets.

2. Kuman Thong (The Golden Child)

Kumarn Tong Run Sud Taay 27 Gote Large Size Bucha Statue Luang Por Goy

Kumarn Tong Run Sud Taay 27 Gote Large Size Bucha Statue Luang Por Goy

Kuman Thong, the spirit of a stillborn baby boy, is believed to bring protection and prosperity when conjured by a shaman into a boy-shaped statue. Owners must care for Kuman Thong as if it were a real child, and in return, it safeguards them from harm and keeps watch for enemies. Kuman Thong, which translates to “Golden Boy” in Thai, is typically represented as a small statue or effigy. These effigies are often made and blessed by Buddhist monks, even though the practice is more closely associated with Thai black magic or occultism.

Kumarn Tong Statues

Kumarn Tong Statues

Origins of Kuman Thong

The authentic Kuman Thong has its roots in necromancy. It involves obtaining desiccated fetuses of children who died in their mothers’ wombs. Witch doctors or practitioners of black magic were said to have the power to invoke these stillborn babies, adopt them as their own children, and utilize them for various purposes, including providing protection and generating wealth.

Creating a Kuman Thong

In traditional practices, creating a Kuman Thong involved a specific set of rituals:

  1. Surgical Removal: The unborn fetus was surgically removed from the womb of its mother.
  2. Cemetery Ritual: The body of the child was then taken to a cemetery, where a proper ceremonial ritual was conducted to invoke a Kuman Thong.
  3. Roasting: The body was roasted until it became dry, all the while the witch doctor chanted incantations of magical script.
  4. Lacquering and Gilding: Once the roasting was completed, the dry-roasted Kuman was painted with Ya Lak, a type of lacquer used to cover amulets and Takrut with gold leaf. This process gave the effigy the name “Kuman Thong” or “Golden Little Boy.”

In some cases, Kuman effigies were soaked in Nam Man Phrai, an oil extracted by burning a candle close to the chin of a deceased child or a person who died in violent circumstances. However, this practice is now illegal if it involves the use of fat from human babies for consecrating oil.

3. Nang Kwak (Goddess of Fortune)

Nangkwak Thai Amulet

Nangkwak Thai Amulet

Nang Kwak, the goddess of fortune, is often depicted as a woman in traditional Thai attire, beckoning with her hand. Nang Kwak is believed to attract wealth and customers, making her a common sight in shops and businesses.

4. Palad Khik

Palad Khik Thai amulet

Palad Khik Thai amulet

Palad Khik, typically made of wood, replicates an adult’s penis and is not used for erotic purposes. It is rooted in Hindu belief and is believed to offer protection from harm, even to small children. When hung at a child’s waist, it was thought to trick malevolent spirits into seeing the child as an adult. Ancient animist ideas that existed in Thailand before Buddhism emerged can be associated to the Palad Khik amulet’s beginnings. These beliefs were founded on the veneration of spirits and fertility gods that brought forth fertility, protection, and wealth. The amulet’s phallic form reflected these ideas and was believed to grant favors on the person who wore it. Buddhism absorbed and incorporated indigenous beliefs and customs when it started to grow and establish itself in Thailand. With its pre-existing cultural importance, the Palad Khik amulet proved able to be included within the Buddhist framework. As it merged with Buddhist rites and beliefs, it preserved its fertility, protection, and prosperity connotations.

5. Yant (Yantra)

Pha Yant Luang Por Yai Sacred Buddhist Yantra Cloth

Pha Yant Luang Por Yai Sacred Buddhist Yantra Cloth

Yantra are sacred geometric patterns, and are either written, tattooed, or engraved on various surfaces. These patterns are influenced by Hinduism and can be classified into four groups: square, triangular, circular, and image yantras. The text within the yant, is composed of ancient Khmer characters and holds deep significance.

6. Khwai Tanu (Arrow Buffalo)

Kwai Tanu Thai Animist Occult Talismanic Charm

Kwai Tanu Thai Animist Occult Talismanic Charm

Khwai Tanu, or the guardian buffalo, is a puppet made from various materials and consecrated through rituals. It is believed to protect against ghosts, thieves, and even harm one’s enemies in some regions.

7. Jatukham Ramthep

Jatukham Ramthep, comprising Thao Khattukham and Thao Ramthep, guards Wat Phra Mahathat Woramahawihan Temple in Nakhon Si Thammarat. These deities, rooted in Brahmanism, were once supreme gods and later renamed Thao Jatukham.

8. Sai Dak Sap (Bamboo Fish Trap of Fortune)

Sai Dak Sap Mongkol

The Sai Dak Sap, a traditional Thai fish trap, is believed to trap not just fish but also money and good fortune. Hanging one outside a shop or house is thought to bring prosperity and happiness. The ‘Sai’, is an Olden Days invention of Thai Farmers, who in the months after the harvest, when nothing was left to do until the sowing season, would use the spare time to find other ways to find food or things to sell.

Sai Dood Sap - Sacred Trawling Basket to Attract Riches & Treasures - Nuea Albaca Gammagarn version - Traimas 2553 BE Edition - Luang Phu Bpun Tammabalo

Sai Dood Sap – Sacred Trawling Basket to Attract Riches & Treasures – Nuea Albaca Gammagarn version – Traimas 2553 BE Edition – Luang Phu Bpun Tammabalo

They would scour the surrounding areas, the marshes, streams rivers and ponds, for fish. The Sai was a basket made with two special openings in it, where fish could swim into the basket, but were not able to swim out aqain, effectively imprisoning them until enough fish were inside the basket to take to market, or to go home and eat, or both. The allusion is obvious, that the Sai will allow wealth to enter into your possession, but not allow it to slip out through your fingers anymore, and keep it safe, and on the increase. The Sai Dood Sap is an inimitable and refreshingly different wealth charm that stands out from other amulets for its unusualness.

Local Thai Fisherman using the Sai Dak Sap Fish Trap Basket

Local Thai Fisherman using the Sai Dak Sap Fish Trap Basket

The Sai itself as a traditional fish hunting trap, is also these days relatively unknown to the City Dwelling People, for indeed, only the inland country folk need to find fish in this way, and modern Thais are becoming ever less dependent on autonomous food seeking (hunter-gathering).  This is of course, because in Municipal areas, supermarkets and large fresh markets have become cheaper in price and it is no longer worth it to use the traditional method for most people, unless their profession is fishing.

9. Mother’s Clothing

Puttakun Dee Tee Sid Nai Loke (Best Buddha Blessing in the4 World); Mom's 'Pha Thung' (skirt). Thai soldiers wearing mothers skirt for protection

Puttakun Dee Tee Sid Nai Loke (Best Buddha Blessing in the4 World); Mom’s ‘Pha Thung’ (skirt). Thai soldiers wearing mothers skirt for protection

In ancient times, and even now in modern times in the countryside, young men carry a strip of cloth torn from their mother’s skirts or trousers as a protective amulet. Today, it symbolizes love, respect, and the enduring connection between a mother and her child. Regardless of the specific rituals or artifacts involved, these amulets reflect the values of love, protection, and the sanctity of family. They offer a glimpse into the intricate tapestry of Thai culture, where ancient beliefs intertwine with modern life. These nine essential Thai amulets continue to captivate hearts and serve as a testament to the enduring traditions of Thailand.

Phra Pid Ta Thai Amulets Book


These amulets are a testament to the openness of Thai culture, embracing diversity and placing familial piety and gratitude at its core. This anthropological exploration reveals the rich history and cultural significance of Thai amulets, showcasing their timeless appeal to people from all walks of life.

Classic Thai Amulets

So, next time you encounter one of these mystical charms, take a moment to appreciate the deep-rooted beliefs and traditions that have made them an integral part of Thai culture for generations.

Thai Amulets and Charms


Phra Somdej Wat Rakhang Long Chart Pim Yai Niyom Somdej Toh

Phra Somdej Wat Rakhang Thai Amulet – Long Rak Chart (Red Lacquer coating) Pim Gaes Talu Sum (Piercing Arch), Block Chang Luang Wijarn (Preffered Mold), with Authenticity Certificate. A truly old Phra Somdej amulet form the Olden days Master of Phra Somdej amulets; Somdej Toh, of Wat Rakhang.

Phra Somdej Wat Rakhang Long Chart Pim Yai Niyom 4 in 1
Certificate Phra Somdej Wat Rakhang Long Chart Pim Yai Niyom
A magnificent and legitimately certified Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Toh) Prohmrangsri, with a red lacquered surface and all the traditional features of an Ongk Kroo Model from this time period. This specific exhibit is extremely eye-catching thanks to the flawless harmony between the lacquer and exposed surface.

The Pra Somdej Wat Rakang Pim Chang Luang Wijarn is a Master Class antique amulet belonging to the Benjapakee Immortal Classic Family. It has been adorned with ancient red lacquer and was created by the great Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakhang Kositaram.

4 in one Phra Somdej Wat Rakhang Long Chart Pim Yai Niyom

Luang Phu Iam Wat Sapan Sung

Phra Pidta Pim Bua Chan Diaw Ner Samrit Luang Phu Iam

This Famous Classic Phra Niyom Master Class Ancient Amulet, is a revered item from the great Luang Phu Iam Suwannasarō of Wat Hnang and Wat Ko Non, the Phra Pidta Bua Chan Diaw. The amulet was created between 2375 and 2469 BE. This particular model is a single-tiered lotus leaf dais version called Ud Krang Channaroeng and features Channaroeng bee’s nest paste. Channaroeng, which utilizes the sticky material of stingless bees, has been considered a powerful ingredient for centuries in various cultures. In Thai Saiyasart Occult Practice, creating this paste using specific formulas and empowerment methods is a difficult and revered skill, mastered by only a few great masters throughout history, with Luang Phu Iam being one of the most well-known.

Phra Pidta LP Iam Ner Samrit front view

In the epoch when Luang Phu Iam presided as abbot of Wat Hnang, the Phra Pidta was unveiled, a wooden statue of the Buddha closing his orifices, entering the peaceful state of Nirodha. The Buddha was gracefully draped in a rich, black lacquer of herbal origin, a common preservation technique utilized in ancient times to extend the life of amulets.

Phra Pidta LP Iam Ner Samrit 1

It is whispered that the gifted artisan Luang Phu Iam began crafting hand-hewn wooden Phra Pidta statuettes sometime around 2448 BE, yet he had honed his amulet-making skills long before under the tutelage of his mentor, Luang Phu Rod, at Wat Ko Non. Even before his first release of the renowned and sought-after Phra Pidta Yant Yung and Phra Pidta Pid Tawarn at Wat Hnang in the early 2440s, Luang Phu Iam had already established a reputation for his amulet-making prowess. His later, famous and incredibly valuable Phra Pid Ta Yant Yung and Pidta editions, created from alchemical metals, were produced individually in the same traditional manner as the revered Phra Pidta Wat Tong of Luang Por Tap, the undisputed king of all Phra Pidta amulets.

Certificate Somdej Wat Bang Khun Prohm

Presenting a 3rd Prize winning Competition Standard Master-Class old amulett of the Benjapakee Immortal Classic Family, the Phra Somdej Wat Bang Khun Prohm, Pim Yai Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being among the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram, whose Phra Somdej are the number one amulets in the history of Thai Buddhist Amulet making. The final and world famous Phra Somdej of LP Toh, which was hidden and Buried in the Chedi Stupa of Wat Bang Khun Prohm in 2413 BE, a couple of years before Somdej Toh’s passing, (2415 BE) Phra Somdej Bang Khun Prohm Gold Frame Front Face



His Phra Somdej amulets are world class number one status, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. In fact, if it were not for Somdej Toh, the Phra Somdej amulet in general, made by other temples and masters, would ;probably not be the best known amulet type that it is today. The amulets were made in the period between 2408-2411 and finished in 2413 BE, before the passing of Somdej Toh himself, who died in 2515 BE.

Rear face Phra Somdej Wat Bang Khun Prohm Pim Yai

The amulets were blessed and buried in the Chedi Stupa around the year 2413 Buddhist Era  (BE), until their distribution in 2500 BE, after the opening of the hiding chamber within the Chedi Stupa at Wat Bang Khun Prohm.

This amulet comes with its third prize winning A4 size certificate of the Chomrom Phra Tae Mueang Siam Amulet Appreciation society and complimentary box with 3rd prize ribbon sticker.

3rd Prize Certificate Phra Somdej Wat Bang Khun Prohm Pim Yai

Phra Somdej Wat Bang Khun Prohm Pim Yai

We offer free Waterproof Solid Gold Casing with this amulet. Free EMS/DHL/Fedex Shipping is also included in the price (depending on which service is available at the time).

 

The surface of the amulet shows the presence of all the classic features and muan sarn sacred powder ingredients of a true Phra Somdej Bang Khun Prohm of Somdej Toh, with Kraap Kru on the front face revealing it to have been placed within the Sorng Klong Kru Mai Chedi Stupa. The Kru Gao (Chedi Yai) amulets of the 2500 BE Opening are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.

Hence, the Kru Song Klong series of the Kru Mai Chedi Mai/Chedi Lek, are  slightly more affordable, despite being equally aged, powerful and authentic, and from the same ceremony. The Phra Somdej Wat Bang Khun Prohm amulets of Somdej Toh, are highly revered among various groups of aficionados, who believe that there are doubly powerful.

Somdej Wat Bang Khun Prohm Amulet5

 

This is because they believe that Somdej Phra Puttajarn (Toh) Prohmrangsri, blessed the amulets in both the Wat Rakang, and Wat Bang Khun Prohm Ceremonies, meaning a double blessing, which cannot be said for Phra Somdej Wat Rakang.

This can be true, unless you assume that 1st era Somdej Wat Rakang left over, were reblessed during release of second era, and again some remaining first era amulets, blessed again with the making of the third era of Phra Somdej made by Somdej Toh).

Somdej Wat Bang Khun Prohm Amulet3

In such a case, this would mean that some first era Phra Somdej Wat Rakang were blessed three times, because they were not yet distributed and part of the remaining batch of first era.

And, it is assumed, that if so, such exhibits, if also placed in the Wat Bang Khun Prohm hiding place chamber, would then have received a total of 4 blessings for 1st era, 3 blessings for second era, and 2 blessings for the final era of Phra Somdej Wat Rakang, all eras are assumed to have been placed within the kru, which accounts for the differing age of some exhibits, which look much older than others, despite the same Muan Sarn ingredients and found in the same Kru Chedi Stupa.

Somdej Wat Bang Khun Prohm Amulet2

This is due to the time span between the three eras when Somdej Toh made Phra Somdej, and is why some of his Somdej amulets look much much older than others.

Phra Somdej Bang Khun Prohm is one of the classic Phra Somdej amulets available and is along with Phra Somdej Wat Gaes Chaiyo perhaps the next in line to the Phra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

Phra Somdej Bang Khun Prohm Kru Phra Chedi Yai (Large Chedi Kru amulets) The Phra Somdej Bang Khun Prohm amulets classified as a Kru Phra Chedi Yai, have 9 different Pim Song, and were made in the period between 2408 – 2411 and placed into the Kru Chamber for charging with power and keeping until a later date, in the year 2413 BE.

Side view of Somdej Wat Bang Khun Prohm rear face

Not all of the Phra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti, and would be handed out by him during the time he created and empowered them at Wat Rakang, which is why some amulets do not have Kraap Kru mildew, and are considered Wat Rakang.

He handed out Phra Somdej to devotees constantly during the years the third and final era amulets were being made, and also, many of the Phra Somdej that he made during the two officially documented 1st and second era amulets remaining at the temple, were added to the chamber at Wat Bang Khun Prohm (he released before that but was undocumented, so it should not be assumed that only three eras exist, merely because that is the only documented evidence)

Phra Somdej Bang Khun Prohm Gold Frame

This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Apart from Pim Yasi and Pim Chedi, the Pim Thaan Saem is one of the 5 Pim Song of Phra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Phra Somdej Wat Rakang have Five major category of Pim Song, whereas the Phra Somdej has four more Pim Song, making it nine major Pim in all.

The amulets from the Small Chedis had a lot of lesser numbers of unusual models, called ‘Pim Plaek’ (strange models), which are strangely enough cheaper than the more common models, simply because the major associations were too lazy to allow a large number of different categories of models.

This is because these so called ‘professional experts and conservationists’ (who fail to conserve true knowledge), preferred to focus on a simple set of the best known models. This led to the false belief and denial of authenticity of many models at first, until Royal Documentation and other evidence emerged to prove that there were many other models and designs found i the Kru Mai smaller chambers, such as the Saiyasana Buddha, the Pim Tukadta, and even Somdej Gaes Chaiyo, Ruesi images and other lesser known about varied designs of Phra Somdej, such as some with long ears, others with angled ears, some with Garuda chest others with a tubular chest etc.

These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.

 

Pra_Somdej Bang Khun Prohm 9 Pim Niyom

However, there are many more in truth, which our proprietor Ajarn Spencer is constantly publishing more and more knowledge about, in order to open up the truth and reveal the true way of rthinking and understanding about how Somdej Toh made his amulets, and how many of theem have been concealed or overlooked until the age of internet and social networking allowed information to flow more freely, between students of Phra Somdej, and those in the know.

History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses, made restoration work at Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple, along with the building of a new Chedi Stupa, in order to place Phra Somdej amulets, which Samian Tra Duang invited Jao Phrakhun Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Phra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Phra Tammakhant).

After Somdej Toh had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.

This became so bothersome, that the Kru had to be broken open officially on 24th November in 2500 BE.

Opening of Kru Wat Bang Khun Prohm 2500

The opening took all day, until at approximately 8pm, the very last Phra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.

This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Phrakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).

Opening of Kru Wat Bang Khun Prohm Stupa

The depletion of this series led to the creation of yet another immortal legend of the Phra Somdej Niche in 2509, namely the Phra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.

This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Toh Prohmrangsi, who was indeed the Grandon of King Rama 1, and is among the top prestigious amulets on the planet. The Phra Somdej Wat Bang Khun Prohm, is usually completely impossible to find in this era, and also usually priced in the Pantip & Tha Phrachan Showrooms at many times the price we charge, for we base our prices on what we paid for the item, not how much we can sell it for.


Phra Sangkajjai LP Guay 2512

A very rare and beatiful  Pra Sangkajjai 1st Edition Loi Ongk Statuette Luang Por Guay Wat Chinoros amulet, in Nuea Chanuan Samrit Boran, with Kring Bead inserted into the base. This exhibit is one of the rarer models released in the 2512 BE Wat Chinoros Famous Blessing Ceremony, and is an ultra rare old amulet for collectors and devotees of this edition, and those who worship and believe in the amulets of Ajarn Gaew, Luang Por Guay of Wat Kositaram (To whom this edition is most commonly attributed to), Luang Phu To of Wat Pradoo Chimplee, Luang Phu Sukh of Wat Po Sai Tong, Luang Por Ngern (Wat Don Yai Horm), and the devotees of Luang Por Prohm (Wat Chong Kae), for indeed, all of these Great Master Monks were present at the ceremony, to perform empowerment over the amulets.

Phra Sangkajjai LP Guay 2512

Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni

He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti

Pra Sangkajjai had 7 close companions who came with him to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, became Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old.

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The amulets of this edition are extremely valued by aficionados, for their powerful blessings by some of the greatest names of that Era, and the powerful Chanuan Metals taken from ancient and extremely holy Buddhist Artifacts, and Sacred metallic Chanuan donated by the many Masters who attended, and for its Powdder amulets with special Sacred Muan Sarn Powders, which are known to have been made from broken pieces of ancient Pra Somdej Wat Rakang Kositaram Somdej Pra Puttajarn (Dto) Prohmrangsri amulets, and which makes the amulets a perfect reference study material for students of the amulets of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri.

The Roop Lor Pra Sangkajjai Ud Kring Nuea Samrit amulet was created for Wat Chinoros, & blessed in the year 2512 BE in Ritual Putta Pisek (Buddha Abhiseka) Ceremony. The edition was commissioned by Ajarn Gaew, who invited some of the great masters he was associated with, to come and empower the amulets, in what is historically recorded as one of the great Sacred Blessing Ceremonies of that time period. This was Ajarn Gaew’s first edition where he released Pra Somdej Amulets, which was made possible with the assistance of Luang Por Guay.

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Below Image (left to right); , Luang Por Sukh (Wat Po Sai Tong), Luang Phu To (Wat Pradoo Chimplee), Ajarn Gaew and other monks in the ceremony

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The amulets of this series, are hence collected by devotees of various temples and Monks, for the fact they were present to empower this edition. The amulets is revered by the devotees of these monks who empowered the amulets;

 

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Luang Por Guay (Wat Kositaram), Luang Por Ming (Wat Gok Bang Khun Tien), Luang Por Prohm (Wat Chong Kae), Luang Phu Sukh (Wat Po Sai Tong), Luang Phu Dee (Wat Pra Roop), Ajarn Nam (Wat Don Sala), Luang Por Ngern (Wat Don Yai Horm) and the Great Luang Phu To (Wat Pradoo Chimplee). Many other great masters of the time were also present, whose names were not officially recorded.

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Below; some of the amulets in the pantheon released in the 2512 BE historical Blessing Ceremony at Wat Chinoros.

amulets in the pantheon released in the 2512 BE historical Blessing Ceremony at Wat Chinoros.

Kata Hua Jai Bucha Pra Sangkajjai

Arahandti Gajjaayana Thaero Mahaa Poko Pawandtumae

This Kata calls luck and fortune and brings wealth, and other great treasures.

Full Version of Kata Bucha Pra Sangkajjai;

Gajjaiyana Ja Mahaa Thaero Putto Puttaanang Puttadtang Puttanja Putta Sapaa Sidtang Puttadtang Samanubpadt-dto Puttachodtang Namaa Mihang Bpiyo Taewa Manussaanang Bpiyo Prahma Namudtamo Bpiyo Naaka Subannaanang Bpiyinsiyang Namaa Mihang Sappae Chanaa Pahuu Chanaa Bpuriso Chanaa Idthii Chanaa Raachaa Paakinii Jidt-dtang Aakajchaahi Bpiyang Ma Ma

Chanting this Kata is Good for increasing popularity, business sales and promoted status.
In addition, Sangkajjai amulets have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet. This particular aspect of the Sangkajjai magic is what is called a ‘Prisnatam’ (mysterious phenomenon).

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Pra Sangkajjai represents one of the Pra Sidtisawok Aedtakka (One of the Buddha’s the most admired and praised practitioners). The Buddha praised him for his ability to put long complex teachings into short understandable formulas.

He has a golden tinted skin complexion, and was originally so similar in appearance and stature to the Lord Buddha, that sometimes people would mistake him for the Buddha if seen from a distance. For this reason, he used his mind powers to force his body to grow fatter and not so handsome as before, in order to not confuse others if he was the Buddha or not. The ancient masters would often use the visual symbolism of Pra Sangkajjai’s features to create statues in this image, which has served as an important preserver of the Faith over the Centuries, and a very old form of Buddha image dating back to the early times of Buddhism.

Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni. He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti. Pra Sangkajjai had 7 close companions who cam,e with himn to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, becamse Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old

An all time Classic, and one of the rarer amulets from a Nationally Famous and Historical Blessing Ceremony, which brought the amulets of this 2512 BE edition to become a Pra Niyom preferred class Sacred Amulet. Accepted by all major amulet appreciation societies, for the official documentation of the Blessing Ceremony, which saw the attendance of some of the Greatest Master-Monks of the time present to bestow their empowerment and blessing.

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The edition was blessed throughout the days of 22nd – 31st August 2512 BE. Amongst others, some of the more famous names present were the great Luang Por Guay (Wat Kositaram), Luang Phu To (Wat Pradoo Chimplee), Luang Por Prohm, of Wat Chong Kae, Luang Por Sukh (Wat Po Sai Tong), Ajarn Nam (Wat Don Sala), Luang Por Ming (Wat Gok, Thonburi), Luang Por Tiang (Wat Muang Chum), Luang Por Ngern (Wat Don Yai Horm), and Luang Por Dee (Wat Pra Roop).

 

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The amulet is extremely rare, because the devotees of all the aforementioned Guru Monks revere and collect the amulet for the blessings of their chosen Guru, which has caused devotees from each of these Masters who were present to empower, to collect and deplete the edition very quickly. The amulets of the Wat Chinoros Edition, are seen by devotees, as a perfect alternative to other amulets of these Masters, which are already almost impossible to find, or afford. The edition has however slowly increased in value as time passes due to the ever increasing rarity of the edition, and the fact that the depleted famous editions have cased ever more people to look to the Wat Chinoros Edition to get the power of the blessings of the Great LP Guay, Ajarn Gaew, LP Dee, LP To, Ajarn Nam, Ngern, LP Sukh and LP Prohm, among other great names.

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Apart from the devotees of all masters collecting this amulet, the devotees of Luang Por Guay are the most fervent collectors, for it is recorded that Luang Por Guay remained seated after all other Monks had left the ceremony, and meditated all night over them, empowering them till the dawn came. He was the last Monk to rise up from his seat, and this edition is considered by his devotees to have received an extremely powerful blessing from Luang Por Guay.

 

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The devotees of Luang Por Sukh of Wat Po Sai Tong, also have a special preference for the amulet, because Luang Por Sukh took a batch of them back to the temple of Wat Po Sai Tong, and empowered them once more in solitary for a Traimas Trimester, meaning three months of nightly empowerment, solo in his Kuti Hut, every night throughout the Khao Pansa Rain Retreat.

 

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Luang Por Ngern (Wat Don Yai Horm)

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Luang Por Ngern was mostly known for Kong Grapan Chadtri Klaew Klaad Maha Ud Magic and less for Metta Mahaniyom Mercy Charm or Maha Sanaeh Enchantments. His Kong Grapan Chadtri Klaew Klaad Magic was and is second to none for protective amulets.

 

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Luang Por Ngern Jantasuwanno, of Wat Don Yai Horm (Official Ordained Name; Pra Racha Tammaporn), was known as the Taep Jao of Wat Don Yai Horm, and was extremely famous for his amulets, which are renowned for their Kong Grapan Chadtri, Klaew Klaad, Metta Maha Niyom, and Maha Lap Powers.

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He was a ‘Pra Nak Pattana’, which is the term given to a Monk who specialised in developing temples and Building Shrine Rooms, and local facilities for the common folk, such as schools and hospitals, to make merits helping living beings, to alleviate their sufferings.

Luang Por Guay Chudtintaro

Luang Por Guay

Luang Por Guay’s amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his Great Patipata and Exceedingly Powerful applied methods of Sorcery are a large part of what attributes to their power.

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His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days. Usuallly this happens because of specualtion by the collector scene, but in the case of Luang Por Guay’s amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.

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Luang Por Guay is famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight. In addition, he would perform empowerments during the various ‘Reuks’ (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.

IMG 0505 JPGThis ritual involved the Adept knowledge of the ‘Reuks Mongkol’ Buddhist Auspicious alignments, the ‘Reuks Jone’ (Gangster Alignments), Inauspicious Alignments, and the ‘Reuks Bun Paya Marn’ Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect.

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Luang Phu To Wat Pradoo Chimplee

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Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion. This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.

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Luang Phu To was born on the 27th March 2429 BE. His many honorable awards of status reflect his great practice and diligence, and his amulets are amongst the top ten Masters of the twentieth century, and amongst the rarest and most highly sought after in the world. His amulets are amongst the most highly sought after Pra Niyom Category Amulets, which are seen to grace the pages every important amulet encyclopedia. The amulets of Luang Phu To are highly prized and jealously guarded treasures of the high end collector and devotee.

 

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Luang Por Prohm Wat Chong Kae

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Luang Por Prohm of Wat Chong Kae was one of the more prominently revered and sought after amulet Masters, means that between his true devotees and worshippers, and the Collector and Appreciation Societies, his amulets are far and few between to come by. He was one of the most highly revered Guru Monks of his Era, and his amulets are amongst the most highly preferred with Collectors in the Amulet Appreciation Society. Mostly, the amulets of Luang Por Prohm fetch elevated prices, and are not often seen outside of the high class collector’s showcases.

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His amulets are mostly hard to find these days, as they have been to the most part collected and kept in the private collections of aficionados and devotees of this Genre of Amulets, and can be considered a rare find to see any amulet of any edition from this Great Master.

Luang Phu Dee – Wat Pra Roop

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Luang Phu Dee is a Very revered and Historically Famous Gaeji Ajarn of the Supannburi Province, with a large following of Devotees on a National, and International scale. His Patipata (Life’s Practice) was that of a Pure and Humble Monk whose diligent effort was seen by the Devotees to be that of a True Bhikkhu worthy of Reverence, and an Arya Sangha who stands amongst the Greatest Names in the History of Thailand.

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Use the Traditional Thai Buddhist Method for Bucha;

1. Chant Maha Namasakara (3 Times)

2. Chant the Trai Soranakom (3 Times)

3. Chant Kata Aaraatanaa Pra Krueang (3 Times)


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Kata Maha Namasakara

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

IMG 0532 JPGTrai Soranakom

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

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Kata Aaraatana Pra Krueang

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

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thai amulet 19

Rian Tao Ruean Sacred Turtle,  with Phra Sangkajai Buddha, an Old Amulet edition series of Luang Por Liw, from the Plod Nee 2537 BE edition, which is one of the top preferred Tao Ruean amulets of LP Liw of all the many series’ he made over his trajectory.

Rian Tao Ruean 2536 BE Plod Nee Edition LP Liw

This amulet is one of the most preferred of the various editions of Paya Tao Ruean coin amulets made between 1516 BE and the passing of LP Liw in 2543 BE



This Rian Luang Por Liw from the Plod Nee (End all Debts) edition of 2536 BE from Luang Por Liw, is in Nuea Tong Daeng Sacred Copper Allloy, with a beautiful Lustre (Phiw Fai flamed surface aura). The front face is shaped as the Tao Ruean Turtle, with the Pra Sangkajjai Maha Lap Buddha seated within the center. The Tao Ruean Yant is on the back face.
thai amulet 33

Pra Pid Ta Hlang Baeb Nuea Pong Jum Rak LP Kaew

Presenting a Certificated Authentic Ancient Amulet, and all time Number 1 classic Pra Pid Ta amulet of Luang Por Kaew of Wat Krua Wan (Previously of Wat Pak Tale), in Nuea Pong Jum Rak Sacred Powders with herbal lacquer coating, and the concave indented Pid Ta on rear face.

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This Master-Class Old Amulet was Issued with authenticity certificate during the eighth meeting of the Association of Amulets of Siam Thailand on 25th July 2018.

Pidta Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan

Pra Pid Ta Pra Pid Ta Hlang Baeb Nuea Pong Jum Rak –  LP Kaew Wat Krua Wan

LP Kaew built Wat Krua Wan after arriving on Tudong in Chonburi Province, around the year 2365 BE, during the time when Pra Jao Thaksin Maharaj was restoring Siam to freedom from Invaders, and he found the ruins of a temple that had been destroyed during the wartime. It is said that LP Kaew was born as the son of a fisherman family in the year 2337 BE, in the province of Petchburi.

LP Kaew and Pidta Wat Krua Wan

LP Kaew and his famous Pidta of Wat Pak Tale and Wat Krua Wan

After he came of age he ordained as a Samanera and stayed at Wat Pak Tale, until becoming a highly revered monk of the district. After many years, he traveled on Tudong Wanndering and came to pass through the shoreline areas of Chonburi Province, where he stayed in the forest.

The Local folk heard of the monk in the forest, and began to visit. They were filled with faith by LP Kaew’s Dhamma teachings, and he developed a large following, who then assisted him to raise up the temple we know today as Wat Krua Wan. The reason Luang Phu Kaew called the temple ‘Wat Krua Wan’ (also spelled ‘Wat Kruea Wan’), was because there was much Kruea Thao Hlong vines growing around the area of the temple.

Luang Phu Kaew Wat Krua Wan

An all time Pra Niyom High End Classic Ancient Amulet, renowned for its power and status from Luang Phu Kaew, who first began his legendary of Wat Pak Tale in Petchburi (Later moved to Wat Krua Wan in Chonburi), with certificate of authenticity included issued by the Samakom Song Pra Tae Mueang Siam Association of Amulets of Siam Thailand.

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 32

The Pra Pid Ta of Luang Phu Kaew of ancient fame are considered the number one Pidta of all by devotees of the Chonburi Lineage Master Amulet Collector Scene, and also by those devotees of the Petchburi Masters. A Master Class amulet of ultra rarity that is immensely difficult to encounter in the present Era.

Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Kaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 22

This is so highly regarded that when a Pra Pid Ta Luang Phu Kaew changes owners, the new owner will become ‘news’ within the amulet scene (regardless of if it came from when Luang Phu was at Wat Pak Tale, or after he moved to Wat Krua Wan).

 

This truly ancient amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of Both Petchburi and Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi and Sai Petchburi (Chonburi and Petchburi Province High End Collector Scene).

 

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 18

The exclusivity factor of this amulet is indescribably high,and coming from the both Chonburi and Petchburi Provincial Collector scene only serves to evidentiate it as a High Class and Ultra rare Pra Niyom Master Class Amulet of ancient times.

Below; Certificate of authenticity
from the association of amulets of Thailand with registry number 2581
issued in the 2018 Summer Meeting.

 

Certificate Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wanjpg 4

The Pra Pid ta Luang Phu Kaew, is known for its power being made from Luang Phu Kaew’s ancient and powerful sacred Muan Sarn. There is a famous tale of the Billionaire Chawapon Rerm Wanich, buying a number of Pra Pid Ta Pim Lek Hlang Riab (plain rear face small model) amulets of Luang Phu Kaew, for a sum of 10 million Baht each (about 350,000$US)!

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 17

It is said that the only thing harder to find than the Pid Ta of Luang Phu Kaew, is the Photo of Luang Phu Kaew himself. However, despite these true stories, that some millionaires pay immensely high prices for such amulets, the standard price which true collectors and aficionados consider to be universal ranges between the 1000$ for a less well kept or lesser preferred model with or without certificate, to 11000$ for a top class prizewinner.

 

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 24

 

Luang Phu Kaew was one of a group of Master Monks who all possessed and practiced the Wicha of making Pra Pid Ta, all of whom are famous names, such as Luang Phu Jeen of Wat Ta Lad, Luang Phu Pu (2351 -2361 BE), Luang Porn Daeng of Wat Ang Sila, and the great Luang Por Plord of Wat Pak Tale, who was the premiere apprentice to Luang Phu Kaew, and famous in his own right for his famous Look Om amulets which he made with the remaining powders inherited from Luang Phu Kaew, as well as adding powders of his other Kroo Ba Ajarn such as Luang Por Tong Sukh’s powders of Luang Phu Iam (Wat Sapan Sung).

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Luang Phu Kaew was born around 2337 BE. This is known by devotees who met and worshiped Luang Phu Gaew as he appeared on Tudong wandering in Khao Bandai it district of Petchburi, to escape being asked to become abbot of Wat Pak Tale, as the current abbot had just passed away, and he preferred the forest wandering and meditation, to administration of the worldly aspects of running a temple. Luang Phu Gaew wandered onwards until he came to rest at Khao Luang Temple, and saw it was in total disarray.

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 19

 

He thus rounded up devotees to help and slowly restored the temple to original condition, and the local devotees begged him to be the abbot of Wat Khao Luang. But in the eyes of Luang Phu Kaew, this was tantamount to chasing him away, as he was not inclined to accept limitations on the practices and austerities of Tudong. So Luang Phu Gaew wandered off again and disappeared into the forests on Tudong.

Pra Pid Ta Hlang Baeb LP Kaew Wat Krua Wan 21

 

Later after soome years of disappearance and no documentation of his life during those years, he later appeared at Wat Krua Wan, where he stayed, and became the great Master of Wicha Pra Pid Ta of the Chonburi Province who is conbsidered the top number one master of all, despite the absence of a full biography and a lack of knowledge about the full details of his life. His Wicha was passed to great Masters who he was associated with all of whom became Top Masters of Historical Fame in their own Right, with some of the greatest names being his apprentices.

 

Below; one of the very few photos we have in existence to date of Luang Phu Gaew, which has the date R.S. (Ratanakosin Year) 124 (2449 BE), and his age being 55 years old in this picture.

LP Kaew as he was still at Wat Pak Tale aged around 50

LP Kaew as he was still at Wat Pak Tale aged 55 years old

 

Even the world famous Payak Kampant, Sian pra Maestro of the Thai Amulet Society, who released a book with 108 biographies and pictures of Great Master Monks, was not able to include the Biography and Picture of Luang Phu Kaew, due to the rarity.

the Muan Sarn of the amulet, with all the aspects of an ‘Ongk Kroo’ (teacher model to accustom the eyes to the true authentic sacred powder content).

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The rear face features the image of the Pra Pid Ta Ongk Pra Buddha embossed in concave. The Muan Sarn of the amulet is clear and easy to appreciate with the eye with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this age and status is so very rare to encounter indeed, making this exhibit a definite ‘Ongk Kroo Masterpiece Version’

This particular exhibit displays all the features necessary for prize winning competition entry, and already possesses a certificate of authenticity from the Samakom Song Pra Tae Mueang Siam.

 

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The front face of the amulet glows with a truly seductive aura of beauty and its surface texture of lacquered Sacred Powders with pure gold leaf have blended to render a truly beautiful example of the Pra Pid Ta Luang Phu Kaew. The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features, and evident age.

 

True beauty in subtlety, with a sacred muan sarn powder content that assures the wearer of high Puttakun Power and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. We behold before us a Master Class authenticated amulet from one of the greatest olden days master sorceror monk, of world class status.

Pra Somdej Lap Pon Poon Tawee LP Nueang 2514 BE

Pra Somdej Lap Poon Pon Tawee 2514 BE Votive Tablet in Nuea Pong Nam Man, for Karma Improvement, Protection and Metta (Mercy Charm),from Luang Por Nueang Gowito, of Wat Jula Mani.

The amulet in very well preserved condition, with highly refined features, empowered with Luang Por Nueang’s famous magic for Improving Horoscope, Wealth Accumulation and Success in all Areas of Life. The front face features a classic and finely honed image of the Buddha on a 3 tiered dais with rounded ‘Siarn Badtr’ almsbowl shape head, and ‘Hoo Bai Sri’ curved ears.

Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani 40

 

The rear face of the amulet has the sacred Yant Nam Tao (Yant Ha) with the Kata Na Mo Put Taa Ya five Dhyani Buddha Invocation within. Above the Yant Nam Tao, are the words ‘Lap Poon Pon Tawee’ meaning ‘Increase Luck and Success with Double Results’

Luang Por Nueang Gowito (Pra Kroo Gowit Samutrakun), of Wat Jula Mani, in Tambon Bang Chang, Amphoe Ampawa, in Samutr Songkram Province, was one of the most famous Gaeji Ajarn Guru Monks of his Era. He was the first initiate and apprenticed in magic to Luang Por Kong (Wat Bang Gaporm), Luang Por Chaem (Wat Jula Mani), Luang Phu Jai (Wat Sadej), and many other famous Sorceror Monks of Historical Fame, and received their powerful Wicha in Lineage Transmission.

Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani 30

Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani

His Wicha was renowned for being manyfold and masterful, having learned from so many different lineage masters. His most famous Yantra and Takrut is the Yant Duang Pra Uposot, which carries legendary status for its power to improve Karma, Protect and Prosper

 

Luang Por Nueang was very famous for powerful Takrut, and for Wicha Taw Waes Suwan. His most famous Takrut are possibly the Takrut Tone, Takrut Bailan Parchment scroll, and of course his world famous Takrut Yant Duang Pra Uposot. His Takrut Bailan parchment scrolls are legendary in the talismanic amulet scene.

Yant Nam Tao Gourd Yantra on Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani (38)

Yant Nam Tao Gourd Yantra on Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani (38)

Lp Nueang would make his Takrut Bailan using the Wicha of Luang Phu Gaew of Wat Puang Malai, whose Takrut are listed amongst the top Masters of all History.

Luang Por Nuang was born in Praek Hnām Daeng, in Ampawa, Samutr Songkram, with the name Nueang Gao Suwan. He was born on the 14th of February 2452 BE, as the son of Mr. Thom Yā Gao Suwan, and Mrs. Dtāb Gao Suwan. He finished his education in the year 2463 BE in fourth year of primary school.
Luang Por Nueang was ordained as a Bhikkhu on the 29th July 2475 BE, with the ceremony being performed within the Uposatha of Wat Bang Gaporm, in Ampawa, Samutr Songkram, with Abbot Luang Por Kong Tamma Dtecho as his Upachaya Ordaining Officer, Luang Por Chaem Solos (Abbot of Wat Jula Mani) as his Gamma wajajarn Prompting Officer, and Pra Ajarn Plong of Wat Bang Gaporm as his Anusawanajarn Witness.

 

Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)

Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)

Below; a Historical Photo of Luang Por Nueang, as he performs maintenance of the mortal remains of his Kroo Ba Ajarn, Luang Por Kong, of Wat Bang Gaporm

Luang Por Nueang cleans corpse of Luang Por Kong jpg

 

Luang Por Nueang studied hard and attained his Masters Degree in Dhamma in the year 2479 BE, and in this same time period had also developed immense mastery in Vipassana Kammathana practices, and Puttakom (Buddha Magic). He advanced very rapidlu due to extremely diligent efforts, and putting in his utmost perseverance in both his academic study and his manifest practices. He was also fortunate to have the Great Luang Por Kong of Wat Bang Gaporm as one of his Kroo Ba Ajarn in Buddha Magic, whose Rian Luang Por Kong Coin holds position within the Top Five ‘Benjapakee’ Monk Coin amulets of all time.

Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani

Apart from receiving Wicha from Luang Por Kong, Luang Por Nueang also received Wicha from both Luang Por Chaem at Wat Jula Mani, and the great Luang Por Jai, of Wat Sadej (maker of the world famous Takrut Look Om of Immortal Fame). And so Luang Por Nueang was able to become a Master of many Wicha from these greta Kroo Ba Ajarn, and through his own diligent practice was able to strengthen them with his own meditations.

 

Macro Close Up

Luang Por Nueang eventually became Abbot of Wat Jula Mani, and showed his prowess was not only in Wicha Akom, and his own practice, but that he was also able in worldly matters, by administrating and improving the temple facilities, which brought the temple of Wat Jula Mani to become the important and prominent temple it is today. For these achievements, he was awarded by Royal decree the status of Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Superior Administrator, in the year 2496 BE. He was onece again raised in status to Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Fai Vipassana Tura (Head of Vipassana Practice teachings) in the year 2517 BE.

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Wat Jula Mani is an ancient temple, which was built around the period between 2172 BE and 2190 BE, in the time of the times of the great Ruler Jao Prasat Tong. It was originally called ‘Wat Mae Jao Tip’, and is a temple of Historical importance related to the Bang Chang branch of the Chakri Dynasty family lineage.

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Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nuueang, showing the Sacred Yant Nam Tao on central Section of rear face

The temple originally was built with teak wooden buildings, which rotted over time, and so it was in the time of Luang Por Nueang when they were repeaired and replaced by much more long lasting constructions. This was also one of the factors which led to Luang Por Nueang becoming the most beloved and well remembered Abbot of Wat Jula Mani, and for which the local devotees loved him so much, for his merits.

 

12 x Macro closeup of head section of Pra Somdej Lap Pon Poon Tawee

12 x Macro closeup of head section

The lineage of abbots of Wat Jula Mani have been as follows; 1. Pra Ajarn Yern 2. Pra Ajarn Niam 3. Pra Ajarn Pae 4. Pra Ajarn Parn 5. Luang Por Uam 6. Pra Ajarn Num 7. Luang Por Chaem 8. Luang Por Nueang Gowito 9. Pra Ajarn It Pattajaro.

 

Below; Luang Por Nueang’s most preferred ‘Rian Run raek’ first edition 2511 BE Monk Coin

Rian Run Raek Luang Por Nueang Wat Jula Mani jpg

Luang Por Nueang’s achievements are visibly present within the temple at Wat Jula Mani, in form of the Jadturamukh 3 tiered Uposatha made from marble, 40 meters wide, 10 meters high and 80 meters long, which cost many millions of baht in the time, and was completed in the year 2511 BE, with the Sila reuks stone being laid on 15th August.
in the year 2530 BE Luang Por Nueang became ill, and finally passed away on 27th November 2530 BE at the age of 78 years old, after 56 years of ordained life.

 

Top Section front face Pra Somdej Lap Pon Poon Tawee

Top Section front face Pra Somdej Lap Pon Poon Tawee

He is remembered for his powerful amulets, his great teachings in Dhamma Practice and Vipassana, and his attainments in improving the temple of Wat Jula Mani during his lifetime.
His powerful amulets are both rare and jealously guarded by his devotees, many of whom also follow and collect the amulets of his successor Pra Ajarn It, who has continued the Lineage Wicha and diligent practice in admirable fashion. Amongst the most famous amulets of Luang Por Nueang we find the Takrut Tone, Takrut Bailan, Takrut Look Om, Takrut Yant Duang Pra Uposot, and his Rian 2511 BE Monk Coin, and 2513 BE Coin amulets.

 

Middle Section front face Pra Somdej Lap Pon Poon Tawee

Middle Section front face Pra Somdej Lap Pon Poon Tawee

Below; Luang Por Nueang’s Famous Takrut Look Om Lokatat Amulet

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Amulets made or blessed by Luang Por Nueang are considered to have high Puttakun Power and posess powerful magic, be they ones he made himself, or amulets where he attended the blessing ceremonies to assist in. Luang Por Nueang was famous for the Wicha of making powerful Takrut Charms. The Wicha of Wat Jula Mani continues to this day with Luang Por Nueang’s Looksit, and current Abbot Pra Ajarn It, whose famous Taw Waes Suwan Asura Deva amulets are considered amongst the most powerful and collectible to be found in the present day.

Lower Section front face Pra Somdej Lap Pon Poon Tawee

Lower Section front face Pra Somdej Lap Pon Poon Tawee

Below; Phaen Takrut Yant Pra Uposot Luang Por Nueang Wat Jula Mani

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Below; Luang Por Nueang’s remains are visible at the temple in a Glass Coffin and are visited and prayed to by Pilgrims every day since his passing

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Luang Por Nueang’s remains are not decomposed and are seen to be miraculously preserved. His remains are visible kept within a glass coffin at wat Jula Mani, since his passing in 2530 BE.

 

There is a tale of Luang Por Nueang once attending an examination with one of his Kroo Ba Ajarn in his studies, where his examinining teacher asked him to write down some Numbers using Khom Agkhara and display his ability to predict lottery. Luang Por Nueang wrote some numbers onto a piece of parchment, and his examining teacher took the parchment and placed it inside the safe at the temple. When the day came for the lottery numbers to be published, he opened the safe and looked, and it turned out that the numbers which Luang Por Nueang had written were the first prize lottery winning numbers.

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Above; Takrut Tone Tong Daeng Yantra Scroll Amulet by Luang Por Nueang – Famous for its Metta Mahaniyom, Kaa Khaay, and Kong Grapan Klaew Klaad power

 

Bucha Method for Pokasap, Klaew Klaad, and Metta Maha Niyom;

Chant Maha Namasakara three times;

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

 

Kata Yant Duang Pra Uposot

IMINĀ SAGGĀRĒNA GŌWITA MAHĀ THĒRANG APIBUCHAYĀMI

Chant 3 Times. Then chant the following Kata, 3, 5, 7 or 9 Times;

PUTTŌ MĒDTĀ JIDT-DTANG ARAHANG PUTTŌ NAMŌ PUTTĀYA


Pra Pid Ta Luang Phu Glin Wat Sapan Sung

The Pra Pid Ta of the temple of Wat Sapan Sung are known for their powerful magic, with 4 Generations of Great Master Monks as Abbots continuing the Dtamra of Pra Pid Ta amulet making, which consists of one of the most complex methods of making sacred powders in the Dtamra Saiyasart Ancient Grimoire of Sorcery. Luang Phu Glin was thr first inheritor of the Dtamra to receive the Wicha Pra Pid Ta directly from Luang Phu Iam, which was soon after also passed on to Luang Por Tong Sukh. The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.

Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung

Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung

The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from. Luang Phu Iam Passed away in 2439 BE, leaving Luang Phu Glin as the new abbot and caretaker of the temple

Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin

Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin

It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them and were pure powders. His devotees would then have them treated with lacquer of their own accord after receiving the amulet, and also sometimes the Samanera Novice Monks would help and perform the task of lacquering the amulets


his successor Luang Por Tong Sukh and his predecessor Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer themselves.

All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.

Below; Luang Phu Glin, of Wat Sapan Sung

Luang Phu Glin of Wat Sapan Sung

Certificate of Authenticity Somdej Bang Khun Prohm 2509

An incredibly rare amulet to find in the present day, this Pra Somdej Thaan Koo Pim Hoo Jud comes from a Block Niyom preferred block press mold, and belongs to one of the most Historic and Preferred editions to have ever been released by the temple of Wat Bang Khun Prohm, namely the world famous 2509 BE classic series of immortal fame.

The Somdej Thaan Koo Pim Hoo Jud is one of a Major Pantheon of 12 different Pim Song models in this series, including a miniature ‘Pim Kanaen’ Pra Somdej. The series also included a Pim Jantr Loi circular votive tablet, a Sayasana reclining Buddha, a Pra Pong Pim Somdej Dto, and a Pra Pong Pim Pra Sivali, as well as some Bucha statues.

 

This exhibit comes with official digital chipped rfid tag card authenticity certificate of the Siam Amulet Association as an authentic Pra Somdej Wat Bang Khun Prohm Pim Hoo Mee Jud Thaan Koo. The amulet was submitted by VIP member of the association and proprietor of ancient amulet store, Mr Ajarn Spencer Littlewood, on his own time and expenses, for the pride and confidence of you who will become the owner of this rare classic.

Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate 1

Pra Somdej Wat Bang Khun Prohm Amulet Hoo Mee Jud Thaan Koo Niyom with Authenticity Certificate of Authenticity

This exhibit is exquisitely finely detailed, with visible chunks of old Muan Sarn from broken pieces of the original Pra Somdej Wat Bang Khun Prohm amulets of Somdej Pra Puttajarn Dto Prohmrangsri, which were taken from the Chedi Stupa to mix with the sacred clay of the 2509 BE Edition.

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The Pra Somdej Wat Bang Khun Prohm 2509 BE Edition amulets were blessed by the following Masters; 1. Tan Prakun Pra Taep Sittinayok (Luang Phu Nak) of Wat Rakang Kositaram, in Bangkok 2. Luang Por Te Kong Tong, the master of Wicha Kumarn Tong and abbot of Wat Sam Ngam temple, in Nakorn Pathom 3. Tan Jao Prakun Pra Rachatammaporn (Luang Por Ngern) of Wat Don Yai Horm, in Nakorn Pathom 4. Tan Pra Kroo Prasat Wityakom (Luang Por Nor) of Wat Klang Ta Ruea 5. Tan Jao Kun Wimon Gijjaraks (abbot of Wat Chana Songkram) 6. Tan Pra Kroo Wisai Sope (Ajarn Tim), of Wat Chang Hai in Pattani 7. Tan Ajarn Ampon abbot of Wat Prasat Bunyawas, in Bangkok 8. Tan Ajarn Satid of Wat Vachira Tamma Sathit in Bangkok 9. Tan Ajarn Dtaem , of Wat Pra Loi, in Supanburi 10 a large group of monks from Wat Sutat to assist in the chanting of the Buddha Abhiseka, with Pra Kroo palad Wisuttiwat presiding over the chanting.

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Each Pim of the 12 Major models had various block press molds with each mold possessing slightly different designs. This means that despite only nine Major Pim being made, each Pim has multiple block press molds, and hence the pantheon extends down to the various sub-designs of each of the many block presses. Some block presses are much more highly preferred by collectors to others.

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Four different artisans were commissioned for the design and creation of the various block press molds;

1. Lung Chaem Bua Plien Si – the block press mold designs made by this artisan replicated the classic design opf Wat Bang Khun Prohm amulets, with the slight difference that the images were slimmer than previous designs, and a few Special Pim block press molds were made by this artisan.

2. Kun Manit Bpathapi – this artisan made block press molds according to classic models which were removed from the Kru Chamber in the Chedi Stupa, from original Pra Somdej Wat Bang Khun Prohm of Somdej Pra Puttajarn (Dto) Prohmrangsri (Wat Rakang Kositaram), and also made some special design block press molds

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3. Chang Kasem Mongkol Jaroen – this artisan stepped in during the latter part of the creation, to help finish the remaining block press molds on time for the ceremony. This artisan was a highly skilled artisan, and the amulets made from the block press molds of his making are considered exquisite, and highly sought after

4. The Block Gammagarn mold makers; This means the people who possessed original Wat Bang Khun Prohm Pra Somdej amulets of Somdej Pra Puttajarn (Dto) in their possession, and used them to create new block presses. The amulets of these block presses resemble the ancient Pra Somdej Kru Wat Bang Khun Prohm originals most of all, with the only real visible difference being that they are slightly smaller in size.

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Police Commisioner Prapas Jarusathiarn, the vice minister of the Thai Parliament, in collaboration with Lady Sawai Jarusathiarn sponsored the building of all the installations built between 2501 and 2509 BE, and commissioned the amulets to be made for release in celebration of the success of these projects.

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On the 4th of January 2509 BE Comissioner Prapas Jarusathiarn lit Incense and Candles in the Shrined to Bucha the Triple Gem, and Police Captain Krit Siwara read out the list of sponsors of the edition comittee. He then addressed the Sangha (Monks), to begin chanting the Buddha Abhiseka. The Victory candle to inaugurate the Buddha Abhiseka Ceremony was lit, and the ceremony began.

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Four of the Monks took their positions for ‘Nang Prok’ meditative empowerment on their respective daises, and held the Sinjana cords which led to the amulets, coming down from the ceiling of the Uposatha Shrineroom, and began to empower the amulets.

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On Wednesday 4th January 2509 BE at 15:55 pm, Police Commisioner Prapas Jarusathiarn began to hand out the amulets to devotees who came to make merits and pay reverence at the temple, and also stored a large number of amulets in a batch within the Kru hiding place of the Chedi Stupa for posterity.

Pra Somdej Thaan Koo Bang Khun Prohm 2509 BE

On Thursday the 6th, Friday the 7th, and Saturday the 8th of January 2509 BE, theLook Nimit Arahant Balls were retrieved from beneath the Uposatha, and a gold pasting ceremony was performed as is Traditional in Thai Buddhism, and the amulets were distributed once more during this ceremony, to devotees who came to make merits.

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On Sunday the 9th January 2509 BE, the Sila Reuks main cornerstone of the Uposatha Shrineroom was laid by His Majesty the King Bhumipol Adulyadej, and initiated the Pitī Te Tong Gold Pouring Ceremony to add Gold to the Casting Mold of the Buddha-Rupa statue for the Uposatha, which was cast in Sukhothai Era in the Mara Wichai conquering Mara posture, with a 16 Inch wide base.

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In addition a statue of Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram was also cast with a 29 Inch wide base for installation in the shrine at Wat Bang Khun Prohm, with a further 109 smaller 5 inch wide base statues made for distribution to the public.

On Monday the 10th of January 2509 BE at 19:30 pm, 84 Ordained Members of the Sangha performed the chanting of Jaroen Pra Putta Mont within the Uposatha. At 21:01 Somdej Pra Wanarat of Wat Chetupon performed the Pitī Phuug Putta Sima Ceremony to officially inaugurate the Panta Sima Dais for the placement of the 29 inch wide statue of Somdej Pra Puttajarn (Dto) Prohmrangsri.

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The statue was placed on the Putta Sima under and arched edifice next to the large Chedi Stupa of Wat Bang Khun Prohm (the one where the famous Kru Bang Khun Prohm hiding place amulets of Soomdej Dto were found). A carved stone table with the insignia of His Majesty the King was placed into the shrine to mark the occasion of His Majesty’s presence.

The Pra Somdej Wat Bang Khun Prohm 2509 BE series amulets hence were made over a period of many years before they were all completed, beginning in 2501 BE and completing the series in 2508 BE, when the final batches of the total 84,000 amulets of the edition were mixed into clay and pressed with the block presses.

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The amulets were pressed inside the Uposatha Shrineroom which had been built and completed, with Luang Por Chom being the monk who pressed the first amulets in the Pathoma Reuks initiation ritual. Then the Gammagarn Sponsor Committee members, and many devotees who came to assist in the pressing, all took turns in helping to press the amulets, until they were all done.

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There were two kinds of amulet presses made during this ceremony

1. Pra Banju Kru – these amulets were rented to devotees at 1 Baht each, for the devotee to make merits by placing the amulet inside the Kru Chamber of the Chedi Stupa for posterity. These amulets had the word ‘Banju’ (meaning to put inside the Chedi), embossed on the rear face. 84,000 Pra Somdej amulets were made for this purpose with the word ‘Banju’ on rear face
2. Bucha – these amulets were made for Bucha reverence and for Devotees to wear and take home with them.

These amulets were distributed to the Public for Bucha at 10 Baht each, except for the Sayasana reclining Buddha model, which was ‘rented’ for Bucha at 25 Baht each. Some sets of 11 Pim Song Models were also distributed to devotees who wished to donate more funds (all models except the Sayasana), at 100 Baht a set. These amulets had the rubber ink stamp with the Chedi of Wat Bang Khun Prohm stamped on the rear face, with 84,000 amulets pressed in this type. However, after removing any broken or defective amulets from the batch, only 72,518 amulets were actually intact and distributed.

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The Pra Somdej Wat Bang Khun Prohm were made using the broken Pra Somdej taken from the 2500 BE Chedi Stupa Hiding Place opening, mixed with Puttakun Yantra Powders from great Master Monks around the country, from the past and present, with Poon Khaw, Poon Plueak Hoi (powdered sea shell), Pollens from Bua Luang Lotus and Dork Pikul Flowers, and Nam Man Tan Iw (Tang Oil).

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There were numerous Block Mae Pim block presses for the amulets, with some block presses to spare in case any of them broke during the pressing. Some were made from plaster of paris, others made from cement, and others from dential cement. As the amulets were being pressed over a period of time, the block presses would break, and a new one would be taken and used in its stead, one after the other.

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This process continued until all the amulets were finished,. because eaxch block press had slight differences in the way they were carved by each artisan, there are a large number of differences to be found in various examples of the same Pim Song model, with each block press defining slight differences in details of design.

This is why one cannot look at an example of a Pim in a magazine, and compare it with another of the same Edition and Model, because even if the amulets are both the same Pim (e.g. a Pim Sen Daay), they will still have differences in features if they were pressed by two different block presses.

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To compare, one has to find an amulet for comparison which came from exactly the same block press, of which there were many. this is where one’s studies of the historic facts, and ability to recognise which Block press Mold an amulet comes from, is essential study for students and aficionados of the Wat Bang Khun Prohm 09 series (and any series for that matter).

To give an idea as to how many different block presses there were, we can take a look at the fact that merely the Pim Yai (Pim Pra Pratan) model, had a total of 27 Block Presses made and used to finish pressing the whole series. The Pim Gaes Talu Sum model, was orginally pressed as a Pim Yai Block Press, but the Block Press broke where the tip of the Buddha’s topknot touched the arch.

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The artisans reworked the block press and it became a design with the tip of the topknot piercing the arch, to cover up the broken part of the Block Press. And this brought the Pim Gaes Talu Sum model to be added into the series.

The 12 Pim Song Models of the Wat Bang Khun Prohm 2509 BE Series edition are as follows;

1. Pim Yai (Pim Pra Pratan)

2. Pim Sen Daay

3. Pim Song Chedi

4. Pim Gaes Bua Dtum

5. Pim Sangkati

6. Pim Prok Po

7. Pim Thaan Koo

8. Pim Thaan Saem

9. Pim Ok Krut

10. Pim Sayasana

11. Pim Kanaen

12. Pim Jantr Loi

In addition to the Pra Somdej models, there were the Pra Pong Pim Pra Sivali and Pim Roop Muean Somdej Pra Puttajarn (Dto) Prohmrangsri also released in this edition.

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All the amulets which were not distributed to the public at the time were placed in the large Chedi Stupa Kru Chamber at Wat Mai Amataros (Wat Bang Khun Prohm). For the series, a water tank sized chamber was constructed within the Chedi for the storage of the amulets, with ten ventilation holes in it, with sand in the base to absorb any water which may enter from flooding.

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The amulets were then filled into the chamber, with six silver foils in layers between each pile of amulets, with the words ‘Banju Pi 09’ on them, so people who may discover them in the far future will know which year they were buried in, and from which edition they came from. It is because of how the amulets were well stored and protected against the weather and elements, that the Pra Somdej Kru Wat Bang Khun Prohm 09 edition is more attractive that the 2500 BE Kru Chamber opening edition.

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The earlier editions removed from the Chedi always suffered floods and climatic changes, and all have much more Kraap Kru growth on the surface of the amulets. Whereas the 2509 BE Pra Somdej Wat Bang Khun Prohm series amulets are pristinely preserved and kept, without any damage from floods or other weather related disasters or climate influenced events.

For this reasons, the Wat Bang Khun Prohm 2509 BE series is one of the most preferred editions of Pra Somdej, and perhaps the most highly p[referred edition from Wat Bang Khun Prohm after the original amulets from Somdej Pra Puttajarn (Dto) Prohmrangsri found in the Chedi years before.

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Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang

Then Make a Wish/Prayer, and continue with;

Puttang Bprasittimē Tammang Bprasittimē Sangkang Bprasittimē

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