The Pra Pid Ta of the temple of Wat Sapan Sung are known for their powerful magic, with 4 Generations of Great Master Monks as Abbots continuing the Dtamra of Pra Pid Ta amulet making, which consists of one of the most complex methods of making sacred powders in the Dtamra Saiyasart Ancient Grimoire of Sorcery. Luang Phu Glin was thr first inheritor of the Dtamra to receive the Wicha Pra Pid Ta directly from Luang Phu Iam, which was soon after also passed on to Luang Por Tong Sukh. The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.

Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung

Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung

The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from. Luang Phu Iam Passed away in 2439 BE, leaving Luang Phu Glin as the new abbot and caretaker of the temple

Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin

Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin

It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them and were pure powders. His devotees would then have them treated with lacquer of their own accord after receiving the amulet, and also sometimes the Samanera Novice Monks would help and perform the task of lacquering the amulets


his successor Luang Por Tong Sukh and his predecessor Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer themselves.

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All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.

Below; Luang Phu Glin, of Wat Sapan Sung

Luang Phu Glin of Wat Sapan Sung

A most attractively designed Rian coin type amulet in Nuea Tong Daeng, that has become a classic favoured amulet of the devotees of many masters, all of who were involved in the empowerment of this amulet. The amulet is however officially contained within the Tamniab Pantheons of Luang Phu To and of Wat Ko Non, despite so many other masters being involved in the empowerments made in two ceremonies at Wat Hnang and Wat Ko Non.

The Rian Pra Pidta Nirodha Buddha Coin, was released from the temple of Wat Hnang in the year 2514 BE, along with various other amulets, to be blessed at Wat Ko Non. This edition included the famous 2514 BE Pra Pid Ta Nuea Takua miniature leaden amulet, which was smelted from leaden Pidta found buried in a Kru Hiding Place Chamber by Luang Phu Iam, which were placed there by him and then later found by a later abbot of Wat Ko Non

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The Chanuan Alchemical Metal alloys used hence contain original Pidta amulets of Luang Phu Rod and Luang Phu Iam smelted into them, which were dug up from the Kru chamber in 2512 BE two years previously.

The Pidta amulets were taken from Wat Hnang to be re-blessed and re-released during the 2514 BE Look Nimit Arahant Ball burial Ceremony Celebrating the New Uposatha Shrine Room at Wat Ko Non. The Ceremony was presided over by the Great Luang Phu To, of Wat Pradoo Chimplee, and a host of some of the greatest Masters of that Era, including;

Luang Phu To (Wat Pradoo Chimplee), Luang Phu Tiam (Wat Gasatratirach), Luang Por Pae (Wat Pikul Tong), Luang Por Ngern (Wat Don Yai Horm), Luang Por Chaem (Wat Don Yai Horm), Luang Por Sud (Wat Ka Long), Luang Por Thin (Wat Pha Lelai), Luang Por Tong Yoo (Wat Ta Sao), Luang Por Tong Yoo (Wat Mai Nong Pa-Ong), Luang Por Bun Mee (Wat Ang Gaew), Luang Por Ming (Wat Gok), Luang Por Te (Wat Sam Ngam).

Luang Por Seng (Wat Kanlayanamit), Luang Por Phu Sim (Wat Tham Pha Bplong), Luang Por Do (Wat Na Madtum),Luang Por Gee (Wat Hoo Chang), Luang Por Nueang (Wat Julamani), Luang Por Paitoon (LP Toon – Wat Po Nimit), Luang Por Daeng (Wat Khao Bandai It), Luang Por Horm (Wat Sak Hmak), Luang Por Pra Ajarn Nong (Wat Sai Khaw), Luang Por Mum (Wat Prasat Yer).

Luang Por Mum (Wat Na Sak), Pra Ajarn Nam (Wat Don Sala), Luang Por Tan Kling (Wat Thalung Tong), Luang Por Uttama (Wat Wang Wiwekaram), Luang Por Somchai (Wat Khao Sugim), Luang Por Kong (Wat Wang Sapparos), Luang Por Ge (Wat Mae Nam), and many others.

The Great Masters spent a total period of 9 Days and 9 Nights meditating and chanting over the amulets, making this edition a most powerful and special edition, which is extremely recommendable for its highly sacred value, and Buddhakun Power. The Pra Pidta of Wat Hnang of Luang Phu Rod and Luang Phu Iam are so famed for Kong Grapan Protection, after they were distributed to the Military to keep them safe when protecting the frontiers of the nation. Made from Nuea Tong Daeng Rom Man Pu, the amulets are a very favored edition for the fact that they were Blessed by some of the Greatest Guru Monks of the Time.

Kata Bucha Pra Pid Ta


This exhibit of Pra Pid Ta Wat Bor Win is made from Pong Bailan, and Pong Prai Kumarn and other Muan Sarn Sacred Powders of Luang Phu Tim, and has the sacred Yant Nam Tao embossed on the rear face. Not all exhibits have the Yant on the rear face, those having one being more highly preferred models. The amulets were Blessed in 9 Empowerment Ceremonies by 9 great Master ceremonies with L.P. Tim performing a further nine months of nightly empowerments in solo.

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The Pra Chud Wat Bor Win amulet series, is an officially accepted edition of the pantheon of Luang Phu Tim, and a Pra Niyom Category Master Class amulet of High Status, with Indisputably Sacred Blessings.

The edition was created from Muan Sarn Sacred Powders donated by the Great Luang Phu Tim Issarigo, of Wat Laharn Rai, to Mr. Manoche Hlao Khwan Sathitya, who was the first Looksit of Luang Phu Tim, to make this edition for Pra Ajarn Gim, who commissioned it in the year 2516 BE, for release in 2518 BE.\



A Pra Niyom Classic that is destined to become an Immortal Favourite and an Essential Rarity, which wil be ever more highly regarded, and never forgotten. Its Sacred Power to Bless and Protect should be undoubted, for the Blessings of the many great masters whose powers go undisputed, and the Sacred Muan Sarn Sacred Powders donated by Luang Phu Tim. This amulet is classifiable as a ‘Pra Anuraks’ (Conservation Class Model Amulet) of the Dtamra Luang Phu Tim, of Wat Laharn Rai (Rayong).

Kata Bucha Luang Phu Tim

Arahang Samma Samputto Nachaa Lidti – Anadtaa Agusalaa Tammaa Namoputtaaya

Kata Luang Phu Tim

MA A U TUGKHANG ANIJJANG ANATTĀ PUTTO PUTTO