Introducing a unique first-edition certificated amulet crafted by the esteemed Malaysian Monk, the Pra Pid Ta Por Tan Daeng, from Wat Koke Sai in Songkhla. This amulet represents the 1st edition ‘Pim Wat Bang Sae’ model, which pays homage to the style of the Pra Pid Ta amulets from the renowned Malaysian Monk, Luang Por Tan Kron of Wat Bang Sae. This amulet was released in the year 2540 BE and is meticulously crafted from Bailan Parchment powders. It is imbued with powerful Khom Aglkhara spells in ancient Khmer Sanskrit, traditionally used to empower this specific Wicha, as employed by Luang Por Kron for his Pra Pid Ta amulets.
Temple: Wat Koke Sai. Year of Issue: 2540 BE. Maker of Amulet: Por Tan Daeng. Recommended Uses: Maha Lap, Metta Maha Niyom, Klaew Klaad, Kong Grapan Chadtri, Maha Pokasap, Serm Duang. Number of Amulets Made: Unknown.Size of Amulet: 3.2 x 2.9 Cm. Material: Nea Pong Bailan Sacred Grimoire Soot and Kakyayaks earths. Additional Info: A rare amulet for followers of Por Tan Daeng the Luang Por Kron Lineage, Especially Popular with Malaysian Devotees.
Pra Kroo Aphai Sopon (Por Tan Daeng), formerly the Abbot of Chana District in Songkhla Province, hails from Kelantan, Malaysia. He is a direct disciple of Luang Por Kron from Bang Sae Temple, Malaysia. Por Tan Daeng has gained renown for creating highly revered amulets over the years, all of which are considered rare due to his status as the first apprentice (Looksit Aek) of the esteemed Luang Por Kron. He possesses a profound mastery of the magical Wicha associated with the Phra Pid Ta amulets of Wat Bang Sae in Malaysia.
The Pra Pidta Bang Sae comes in various types, made from sacred Muan Sarn powders and various models (Pim). These amulets are renowned for their potent magical properties and serve as excellent alternatives to the now exceedingly rare Pra Pid Ta amulets created by Luang Por Kron. They are not only powerful but also considered exquisite pieces of miniature sacred art. Collectors and aficionados hold the Pra Pid Ta Pim Wat Bang Sae in high regard, thanks to the powerful consecration ceremony conducted at Khok Sai Temple. The ceremony witnessed the participation of numerous revered monks, including Por Tan Daeng, Ajarn Sri Ngern (abbot of Wat Don Sala), Por Tan Khun Thong, Luang Por Sukh of Wat Duyong, Por Tan Chin of Wat Mueang Yala, Luang Por Hwaan, and many other esteemed monks from the Southern Provinces.
Luang Por Tan Daeng has since passed away, leaving behind a legacy of reverence. He was known for his straightforward nature and unwavering compassion. Whether conducting ordinations or rituals, he maintained strict adherence to the sanctity of Buddhist clergy. Por Tan Daeng also held the position of preceptor (Upachaya Ordaining Officer), a special designation granted to monks allowed to ordain others at their discretion.
Por Tan Daeng was renowned for his diligence and rigorous assessment of individuals seeking ordination as monks. He scrutinized their intentions, safeguarding the purity of Buddhism (Buddha-Sasana) by preventing those with ulterior motives from ordaining. Only those with sincere intentions were permitted to undergo the ordination ceremony, which required them to practice as lay practitioners in white clothing for an extended period to prove their commitment. Por Tan Daeng is revered as the Lineage Continuance Master of Luang Por Kron from Wat Bang Sae, ensuring the preservation and propagation of the Wicha Pra Pid Ta of Wat Bang Sae, initially established by Luang Por Kron.
About Luang Por Kron;
Luang Por Kron was referred to as ‘Tok Raja’ by Malays, a title signifying equality with the Sangha Raja. This name stemmed from a legend where a powerful Sultan of Kelantan had a daughter afflicted by a malevolent black magic spell. Despite seeking help from doctors and psychologists, her condition remained unchanged. Even the Muslim witch doctors failed to break the curse with their magic.
However, Luang Por Kron possessed the ability to heal her and restore her sanity. This miraculous act earned him the honorary title of Tok Raja from the Sultan, signifying his equal status with the Sangha Raja. Luang Por Kron’s preferred amulets include Pra Pid Ta Nuea Pong Kluk Rak and the Rian Roop Dork Jik coin amulet.
Pra Pid Ta amulets, as well as Pra Pid Ta in the form of Pha Yant and Bucha statues, have been crafted as objects of reverence and protection in Thailand for centuries. Artisans of that era created various styles and interpretations, drawing inspiration from different periods of Buddhist art and sculpture. Various deities were incorporated into the Pra Pid Ta posture, symbolizing the act of ‘covering the eyes.’ These amulets could close 7 or 9 orifices, with the former referred to as ‘Pra Pid Sadtatawarn’ and the latter as ‘Pra Pid Navatawarn.’
The Pra Pid Ta is renowned for its ‘Maha Ud’ (invincibility) and ‘Kong Grapan’ (gunstopping) properties. It is also crafted as a wealth-bringing amulet, referred to as ‘Pra Pid Ta Maha Lap.’ To enhance its resonance for wealth attraction and auspicious blessings, ancient artisans sometimes incorporated the image of the Sangkajjaiyana Buddha of riches and happiness into the Pid Ta posture.
Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai Commemorative Coin: A Thai Royal Amulet of Historical Importance
The Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai coin is a highly sacred and revered Thai amulet of national and historic importance. Commissioned by Luang Por Plueang of Wat Suwannabhumi, this coin features nine high Sangha monks and the first nine kings of the Chakri Dynasty. Luang Por Plueang invited the great Luang Por Mui of Wat Don Rai and various other masters of the time to assist in the empowerment of the amulets.
The Royal Figures Depicted on the Coin
On one face of the coin, the nine kings of the Chakri Dynasty are featured. They are:
Pra Jao Prohm Maharach
Pra Jao Meng Rai Maharach
Por Khun Ramkamhaeng Maharach
Pra Jao U-Tong Maharach
Pra Naresuan Maharach
Pra Narai Maharach
Pra Jao Thaksin Maharach
Pra Putta Yord fa Jula Loke Maharach
On the other side of the coin, the nine Sangkaracha monks are depicted. They are:
Somdej Pra Sangkarach (Sukh Gai Thuean)
Somdej Pra Maha Samana Jao Grom Pra Bparamānuchit Chinoros
Somdej Pra Maha Samana Jao Grom Prayābovoresariyālonkorn
Somdej Pra Maha Samana Jao Grom Pra Yaw Chinayānawārōros
Somdej Pra Sangkarach Jao Pra Jao Vorawongs Ter
Somdej Pra Sangkarach (Pae)
Somdej Pra Sangkarach Jao Grom Luang Vachirayānawongs
Somdej Pra Sangkarach (Plod)
Somdej Pra Sangkarach (Yoo)
Purpose of the Creation of the Amulet
The purpose of creating this amulet was to commemorate the building of the Roeng Rien Suwannabhumi Witayalai Dhamma College for teaching the Pariyatti Dhamma to Buddhist monks. The amulets were released in the year 2505 BE and were handed out to devotees for a mere 2 Baht donation. This led to the amulet being known as the ‘Pra Sorng Baht’, meaning ‘2 Baht Buddha’.
The Buddha Abhiseka Ceremony
The Buddha Abhiseka Ceremony included the presence of the following Master Monks:
Somdej Sangkarach Pha (Wat Pra Chetupol)
Tan Jao Khun Sawai (Wat Ban Krang)
Luang Por Plueang (Wat Suwannabhumi)
Luang Por Mui (Wat Don Rai)
Luang Por Dam (Wat Nor)
Luang Por Dtaem (Wat Pra Loi)
Luang Por Ort (Wat Sala Khaw)
Luang Phu To, of Wat Lard Tarn.
The Second Edition of Amulets
Luang Por Plueang did not release a second edition of amulets for six years after the first edition. When he released the second edition of Ria Gao Sangkarach Gao amulets, which have been seen to have been made in reverence to both the nine great monks and the nine great Kings of the Chakri dynasty, by various temples and master monks. This particular amulet design is hence a classic and well-known object of faith for Thai Buddhist people.
In conclusion, the Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai commemorative coin is a highly sacred and revered Thai Buddhist coin amulet of national and historic importance. Commissioned by Luang Por Plueang of Wat Suwannabhumi, the amulet features nine high Sangha monks and the first nine kings of the Chakri dynasty. It was created to commemorate the building of the Roeng Rien Suwannabhumi Witayalai Dhamma College for teaching the Pariyatti Dhamma to Buddhist monks. The amulets were released in the year 2505 BE and were handed out to devotees for a mere 2 Baht donation.
This first edition coin is popular both with Thai Buddhists who revere the Sangkaracha monks and with those who collect royal amulets and regalia. It is a classic collector’s item, especially for those who collect all series of the 9 Sangkarach 9 Rachagarn amulets. The amulet is a testament to the craftsmanship of the various master monks who were invited to assist in its creation, and a symbol of the deep reverence that Thai Buddhists have for their religious history and traditions.
Phra Somdej Wat Rakhang Thai Amulet – Long Rak Chart (Red Lacquer coating) Pim Gaes Talu Sum (Piercing Arch), Block Chang Luang Wijarn (Preffered Mold), with Authenticity Certificate. A truly old Phra Somdej amulet form the Olden days Master of Phra Somdej amulets; Somdej Toh, of Wat Rakhang.
A magnificent and legitimately certified Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Toh) Prohmrangsri, with a red lacquered surface and all the traditional features of an Ongk Kroo Model from this time period. This specific exhibit is extremely eye-catching thanks to the flawless harmony between the lacquer and exposed surface.
The Pra Somdej Wat Rakang Pim Chang Luang Wijarn is a Master Class antique amulet belonging to the Benjapakee Immortal Classic Family. It has been adorned with ancient red lacquer and was created by the great Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakhang Kositaram.
Phra Pidta Pim Bua Chan Diaw Ner Samrit Luang Phu Iam
This Famous Classic Phra Niyom Master Class Ancient Amulet, is a revered item from the great Luang Phu Iam Suwannasarō of Wat Hnang and Wat Ko Non, the Phra Pidta Bua Chan Diaw. The amulet was created between 2375 and 2469 BE. This particular model is a single-tiered lotus leaf dais version called Ud Krang Channaroeng and features Channaroeng bee’s nest paste. Channaroeng, which utilizes the sticky material of stingless bees, has been considered a powerful ingredient for centuries in various cultures. In Thai Saiyasart Occult Practice, creating this paste using specific formulas and empowerment methods is a difficult and revered skill, mastered by only a few great masters throughout history, with Luang Phu Iam being one of the most well-known.
In the epoch when Luang Phu Iam presided as abbot of Wat Hnang, the Phra Pidta was unveiled, a wooden statue of the Buddha closing his orifices, entering the peaceful state of Nirodha. The Buddha was gracefully draped in a rich, black lacquer of herbal origin, a common preservation technique utilized in ancient times to extend the life of amulets.
It is whispered that the gifted artisan Luang Phu Iam began crafting hand-hewn wooden Phra Pidta statuettes sometime around 2448 BE, yet he had honed his amulet-making skills long before under the tutelage of his mentor, Luang Phu Rod, at Wat Ko Non. Even before his first release of the renowned and sought-after Phra Pidta Yant Yung and Phra Pidta Pid Tawarn at Wat Hnang in the early 2440s, Luang Phu Iam had already established a reputation for his amulet-making prowess. His later, famous and incredibly valuable Phra Pid Ta Yant Yung and Pidta editions, created from alchemical metals, were produced individually in the same traditional manner as the revered Phra Pidta Wat Tong of Luang Por Tap, the undisputed king of all Phra Pidta amulets.
Presenting a 3rd Prize winning Competition Standard Master-Class old amulett of the Benjapakee Immortal Classic Family, the Phra Somdej Wat Bang Khun Prohm, Pim Yai Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being among the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram, whose Phra Somdej are the number one amulets in the history of Thai Buddhist Amulet making. The final and world famous Phra Somdej of LP Toh, which was hidden and Buried in the Chedi Stupa of Wat Bang Khun Prohm in 2413 BE, a couple of years before Somdej Toh’s passing, (2415 BE)
His Phra Somdej amulets are world class number one status, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. In fact, if it were not for Somdej Toh, the Phra Somdej amulet in general, made by other temples and masters, would ;probably not be the best known amulet type that it is today. The amulets were made in the period between 2408-2411 and finished in 2413 BE, before the passing of Somdej Toh himself, who died in 2515 BE.
The amulets were blessed and buried in the Chedi Stupa around the year 2413 Buddhist Era (BE), until their distribution in 2500 BE, after the opening of the hiding chamber within the Chedi Stupa at Wat Bang Khun Prohm.
This amulet comes with its third prize winning A4 size certificate of the Chomrom Phra Tae Mueang Siam Amulet Appreciation society and complimentary box with 3rd prize ribbon sticker.
We offer free Waterproof Solid Gold Casing with this amulet. Free EMS/DHL/Fedex Shipping is also included in the price (depending on which service is available at the time).
The surface of the amulet shows the presence of all the classic features and muan sarn sacred powder ingredients of a true Phra Somdej Bang Khun Prohm of Somdej Toh, with Kraap Kru on the front face revealing it to have been placed within the Sorng Klong Kru Mai Chedi Stupa. The Kru Gao (Chedi Yai) amulets of the 2500 BE Opening are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.
Hence, the Kru Song Klong series of the Kru Mai Chedi Mai/Chedi Lek, are slightly more affordable, despite being equally aged, powerful and authentic, and from the same ceremony. The Phra Somdej Wat Bang Khun Prohm amulets of Somdej Toh, are highly revered among various groups of aficionados, who believe that there are doubly powerful.
This is because they believe that Somdej Phra Puttajarn (Toh) Prohmrangsri, blessed the amulets in both the Wat Rakang, and Wat Bang Khun Prohm Ceremonies, meaning a double blessing, which cannot be said for Phra Somdej Wat Rakang.
This can be true, unless you assume that 1st era Somdej Wat Rakang left over, were reblessed during release of second era, and again some remaining first era amulets, blessed again with the making of the third era of Phra Somdej made by Somdej Toh).
In such a case, this would mean that some first era Phra Somdej Wat Rakang were blessed three times, because they were not yet distributed and part of the remaining batch of first era.
And, it is assumed, that if so, such exhibits, if also placed in the Wat Bang Khun Prohm hiding place chamber, would then have received a total of 4 blessings for 1st era, 3 blessings for second era, and 2 blessings for the final era of Phra Somdej Wat Rakang, all eras are assumed to have been placed within the kru, which accounts for the differing age of some exhibits, which look much older than others, despite the same Muan Sarn ingredients and found in the same Kru Chedi Stupa.
This is due to the time span between the three eras when Somdej Toh made Phra Somdej, and is why some of his Somdej amulets look much much older than others.
Phra Somdej Bang Khun Prohm is one of the classic Phra Somdej amulets available and is along with Phra Somdej Wat Gaes Chaiyo perhaps the next in line to the Phra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.
Phra Somdej Bang Khun Prohm Kru Phra Chedi Yai (Large Chedi Kru amulets) The Phra Somdej Bang Khun Prohm amulets classified as a Kru Phra Chedi Yai, have 9 different Pim Song, and were made in the period between 2408 – 2411 and placed into the Kru Chamber for charging with power and keeping until a later date, in the year 2413 BE.
Not all of the Phra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti, and would be handed out by him during the time he created and empowered them at Wat Rakang, which is why some amulets do not have Kraap Kru mildew, and are considered Wat Rakang.
He handed out Phra Somdej to devotees constantly during the years the third and final era amulets were being made, and also, many of the Phra Somdej that he made during the two officially documented 1st and second era amulets remaining at the temple, were added to the chamber at Wat Bang Khun Prohm (he released before that but was undocumented, so it should not be assumed that only three eras exist, merely because that is the only documented evidence)
This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Apart from Pim Yasi and Pim Chedi, the Pim Thaan Saem is one of the 5 Pim Song of Phra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Phra Somdej Wat Rakang have Five major category of Pim Song, whereas the Phra Somdej has four more Pim Song, making it nine major Pim in all.
The amulets from the Small Chedis had a lot of lesser numbers of unusual models, called ‘Pim Plaek’ (strange models), which are strangely enough cheaper than the more common models, simply because the major associations were too lazy to allow a large number of different categories of models.
This is because these so called ‘professional experts and conservationists’ (who fail to conserve true knowledge), preferred to focus on a simple set of the best known models. This led to the false belief and denial of authenticity of many models at first, until Royal Documentation and other evidence emerged to prove that there were many other models and designs found i the Kru Mai smaller chambers, such as the Saiyasana Buddha, the Pim Tukadta, and even Somdej Gaes Chaiyo, Ruesi images and other lesser known about varied designs of Phra Somdej, such as some with long ears, others with angled ears, some with Garuda chest others with a tubular chest etc.
These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.
However, there are many more in truth, which our proprietor Ajarn Spencer is constantly publishing more and more knowledge about, in order to open up the truth and reveal the true way of rthinking and understanding about how Somdej Toh made his amulets, and how many of theem have been concealed or overlooked until the age of internet and social networking allowed information to flow more freely, between students of Phra Somdej, and those in the know.
History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses, made restoration work at Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple, along with the building of a new Chedi Stupa, in order to place Phra Somdej amulets, which Samian Tra Duang invited Jao Phrakhun Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Phra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Phra Tammakhant).
After Somdej Toh had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.
This became so bothersome, that the Kru had to be broken open officially on 24th November in 2500 BE.
The opening took all day, until at approximately 8pm, the very last Phra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.
This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Phrakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).
The depletion of this series led to the creation of yet another immortal legend of the Phra Somdej Niche in 2509, namely the Phra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.
This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Toh Prohmrangsi, who was indeed the Grandon of King Rama 1, and is among the top prestigious amulets on the planet. The Phra Somdej Wat Bang Khun Prohm, is usually completely impossible to find in this era, and also usually priced in the Pantip & Tha Phrachan Showrooms at many times the price we charge, for we base our prices on what we paid for the item, not how much we can sell it for.
Pra Khunphaen Plai Kuman, in Nuea Pong Prai Kumarn Khiaw. This greenish colored effect exhibit, is extremely attractive, with its high content of fluffy Pong Prai Kumarn powders, and Khaw Hniaw Sukh sticky rice. The amulet has been authenticized and certificated by the Siam Amulet Appreciation Society as a Pim Yai Niyom Block 2 Hlang Dtok Dtaeng.
The amulet is extremely fluffy in surface texture appearance, with its immensely high concentration of Pong Plai Kuman powders of Luang Pu Tim imbued within the Sacred Clay. There is no other Pra Khunphaen amulet comparable to the Pra Khunphaen Pong Plai Kuman Pim Yai Pi 15 amulet of Luang Phu Tim, of Wat Laharn Rai, with the exception of perhaps the Khunphaen Bang Krang.
Below; this Khunphaen LP Tim amulet (Official registry number #0987) comes with certificate of authenticity from the November Amulet competition of the Luead Ban Kaay Luang Phu Tim amulet association.
The amulet was authenticated under the category of Pra Khunphaen Plai Kuman Pim Yai (Pim Niyom), in the subcategory for Pra Khunphaen with any number of Takrut inserts.
This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay’ – easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Pong Plai Kuman Luang Phu Tim, which is risen to the surface of the amulet with their greenish white marbled substance which has risen to the surface, through the Golden coating.
A look at just a few of the plethora of Carved Ivory and Tooth, Wood, Bone Singha amulets of the Great LP Derm of Wat Nong Po, to bring the style of the various preferred artisans who carved them, and the appearance of natural aging of amulets which reage the Era of Luang Por Derm. Knowing how to estimate the age and recognise the effects of natural aging on an amulet, this assists in authenticating it for your beliefs. Hence, we present some classic images and comments to increase your ability to differentiate the Carved Singha Amulets of Luang Por Derm, from those of other Masters (which is in any case, a very difficult art).
Singh Sam Khwan – Triple Fortunes Singha Himapant Lion
The Singh Sam Khwan Himapant Lion carved amulet is one of the most highly preferred and revered of his carved amulets, almost equal to Luang Por derm’s famous Mitmor Ivory handle and Bone sheath Exorcist Knives, which hold world master class status.
Below we see a classic Hand Carved Ivory Singha Lion in Heart Shape Frame, which is one of the various forms known by devotees, and is featured in encyclopaedic works of the pantheon of amulets of this Master
Below; Singh Sam Khwan Pim Roop Hua Jai Nuea Gna Gae carved ivory heart-shape model, highly preferred and extremely rare
Hand Carved Ivory Singha Lion in Heart Shape Frame – LP Derm Puttasaro Wat Nong Po
Luang Por Derm’s Carved Ivory, Boar Tusk Tiger Teeth and wooden hand made antique amulets, are amongst the most highly desired and collected items. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.
Below; Singh Sam Khwan amulets in Oval, ‘Pim Roop Hua Jai’ Heart shape, and in Loi Ongk statuette forms. The Singh Sam Khwan was also made with different kinds of mouths, such as the Pak Nok Gaew ‘parrot beak’ version.
Singha Carved Ivory, Tooth and Bone Amulets of Luang Por Derm
His carved ivory, and wooden amulets are vary rare items, and highly individual in appearance, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself.
Close Ups of Ivory of the Singh Sam Khwan Pim Roop Hua Jai
Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.
Luang Por Derm is considered one of the greatest masters for Powerful Amulets was famous for many amulets, but the Singh Sam Khwan, Mitmor, and Rachasri Lion amulets, along with his Nang Kwak, Roop Lor statuettes, have become synonimous with his name.
Singh Sam Khwan in varous materials, such as wood and ivory
Luang Por Derm Puttasaro made carved Singha Lions and other amulets in a variety of forms, as well as a host of other types of Sacred Amulets and Talismanic Charms, be they Pha Yant (both hand inscribed and sil screened), Hand carved, and cast metal Loi Ongk mini statuettes, Photographs, Takrut, and sacred powder amulets.
Nang Kwak Luang Por Derm
LP Derm also made many types of Nang Kwak Carved amulets, in various forms, which is typical of how artisans make use of the size and shape of each piece of ivory, wood, or bone or other substance they have to work with, and extract the most artistic form possible with the given shape.
Nang Kwak Hlang Pra Pid Ta Carved Amulet of LP Derm, with Nang Kwak on one side, and Pra Pid Ta on the other side
The Nang Kwak can be seen in a large variety of forms indeed, some of them featuring animals on the bases of the amulets, which was also done with Buddha Images (Pra Prajam Wan Birthday Buddhas)
Tiger Pidta Singha Hanuman 4 in One carved ivory votive tablet
Nang Kwak Nang Ko (riding an oxen), by LP Derm – recommended for those born in the year of the Ox
The Nang Kwak is seen as a ‘Pim Gleeb Bua’ Lotus Petal shape, found in various materials ranging from sacred powders, to carved ivory.
As with the Singh Sam Khwan, the Nang Kwak was also sometimes (rare) made in the form of a heart shape.
The Nang Kwak was walso found as a Roop Lor and Rian Lor metallic amulet from LP Derm.
Some of the rarer individual hand carved amulets which are not found documented are also noteworthy, for those whose interest is to catalogue and recognize the inimitable carvings of the chosen looksit initiate artisans of Luang Por Derm Puttasaro, of Wat Nong Po.
Below; a very rare carved Pra Pid Ta Buddha Loi Ongk carved from Ivory, the Patina reveals its age and natural accumulation of character, as the passage of time increases the beauty of the ivory
Pid Ta Nga Gae Carved Ivory Nirodha Buddha by LP Derm
The amulet in very well preserved condition, with highly refined features, empowered with Luang Por Nueang’s famous magic for Improving Horoscope, Wealth Accumulation and Success in all Areas of Life. The front face features a classic and finely honed image of the Buddha on a 3 tiered dais with rounded ‘Siarn Badtr’ almsbowl shape head, and ‘Hoo Bai Sri’ curved ears.
The rear face of the amulet has the sacred Yant Nam Tao (Yant Ha) with the Kata Na Mo Put Taa Ya five Dhyani Buddha Invocation within. Above the Yant Nam Tao, are the words ‘Lap Poon Pon Tawee’ meaning ‘Increase Luck and Success with Double Results’
Luang Por Nueang Gowito (Pra Kroo Gowit Samutrakun), of Wat Jula Mani, in Tambon Bang Chang, Amphoe Ampawa, in Samutr Songkram Province, was one of the most famous Gaeji Ajarn Guru Monks of his Era. He was the first initiate and apprenticed in magic to Luang Por Kong (Wat Bang Gaporm), Luang Por Chaem (Wat Jula Mani), Luang Phu Jai (Wat Sadej), and many other famous Sorceror Monks of Historical Fame, and received their powerful Wicha in Lineage Transmission.
Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani
His Wicha was renowned for being manyfold and masterful, having learned from so many different lineage masters. His most famous Yantra and Takrut is the Yant Duang Pra Uposot, which carries legendary status for its power to improve Karma, Protect and Prosper
Luang Por Nueang was very famous for powerful Takrut, and for Wicha Taw Waes Suwan. His most famous Takrut are possibly the Takrut Tone, Takrut Bailan Parchment scroll, and of course his world famous Takrut Yant Duang Pra Uposot. His Takrut Bailan parchment scrolls are legendary in the talismanic amulet scene.
Yant Nam Tao Gourd Yantra on Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nueang Wat Jula Mani (38)
Lp Nueang would make his Takrut Bailan using the Wicha of Luang Phu Gaew of Wat Puang Malai, whose Takrut are listed amongst the top Masters of all History.
Luang Por Nuang was born in Praek Hnām Daeng, in Ampawa, Samutr Songkram, with the name Nueang Gao Suwan. He was born on the 14th of February 2452 BE, as the son of Mr. Thom Yā Gao Suwan, and Mrs. Dtāb Gao Suwan. He finished his education in the year 2463 BE in fourth year of primary school.
Luang Por Nueang was ordained as a Bhikkhu on the 29th July 2475 BE, with the ceremony being performed within the Uposatha of Wat Bang Gaporm, in Ampawa, Samutr Songkram, with Abbot Luang Por Kong Tamma Dtecho as his Upachaya Ordaining Officer, Luang Por Chaem Solos (Abbot of Wat Jula Mani) as his Gamma wajajarn Prompting Officer, and Pra Ajarn Plong of Wat Bang Gaporm as his Anusawanajarn Witness.
Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)
Below; a Historical Photo of Luang Por Nueang, as he performs maintenance of the mortal remains of his Kroo Ba Ajarn, Luang Por Kong, of Wat Bang Gaporm
Luang Por Nueang studied hard and attained his Masters Degree in Dhamma in the year 2479 BE, and in this same time period had also developed immense mastery in Vipassana Kammathana practices, and Puttakom (Buddha Magic). He advanced very rapidlu due to extremely diligent efforts, and putting in his utmost perseverance in both his academic study and his manifest practices. He was also fortunate to have the Great Luang Por Kong of Wat Bang Gaporm as one of his Kroo Ba Ajarn in Buddha Magic, whose Rian Luang Por Kong Coin holds position within the Top Five ‘Benjapakee’ Monk Coin amulets of all time.
Apart from receiving Wicha from Luang Por Kong, Luang Por Nueang also received Wicha from both Luang Por Chaem at Wat Jula Mani, and the great Luang Por Jai, of Wat Sadej (maker of the world famous Takrut Look Om of Immortal Fame). And so Luang Por Nueang was able to become a Master of many Wicha from these greta Kroo Ba Ajarn, and through his own diligent practice was able to strengthen them with his own meditations.
Luang Por Nueang eventually became Abbot of Wat Jula Mani, and showed his prowess was not only in Wicha Akom, and his own practice, but that he was also able in worldly matters, by administrating and improving the temple facilities, which brought the temple of Wat Jula Mani to become the important and prominent temple it is today. For these achievements, he was awarded by Royal decree the status of Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Superior Administrator, in the year 2496 BE. He was onece again raised in status to Abbot Pra Kroo Gowit Samutrakun Sanyabadtr Chan To Fai Vipassana Tura (Head of Vipassana Practice teachings) in the year 2517 BE.
Wat Jula Mani is an ancient temple, which was built around the period between 2172 BE and 2190 BE, in the time of the times of the great Ruler Jao Prasat Tong. It was originally called ‘Wat Mae Jao Tip’, and is a temple of Historical importance related to the Bang Chang branch of the Chakri Dynasty family lineage.
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nuueang, showing the Sacred Yant Nam Tao on central Section of rear face
The temple originally was built with teak wooden buildings, which rotted over time, and so it was in the time of Luang Por Nueang when they were repeaired and replaced by much more long lasting constructions. This was also one of the factors which led to Luang Por Nueang becoming the most beloved and well remembered Abbot of Wat Jula Mani, and for which the local devotees loved him so much, for his merits.
12 x Macro closeup of head section
The lineage of abbots of Wat Jula Mani have been as follows; 1. Pra Ajarn Yern 2. Pra Ajarn Niam 3. Pra Ajarn Pae 4. Pra Ajarn Parn 5. Luang Por Uam 6. Pra Ajarn Num 7. Luang Por Chaem 8. Luang Por Nueang Gowito 9. Pra Ajarn It Pattajaro.
Below; Luang Por Nueang’s most preferred ‘Rian Run raek’ first edition 2511 BE Monk Coin
Luang Por Nueang’s achievements are visibly present within the temple at Wat Jula Mani, in form of the Jadturamukh 3 tiered Uposatha made from marble, 40 meters wide, 10 meters high and 80 meters long, which cost many millions of baht in the time, and was completed in the year 2511 BE, with the Sila reuks stone being laid on 15th August.
in the year 2530 BE Luang Por Nueang became ill, and finally passed away on 27th November 2530 BE at the age of 78 years old, after 56 years of ordained life.
Top Section front face Pra Somdej Lap Pon Poon Tawee
He is remembered for his powerful amulets, his great teachings in Dhamma Practice and Vipassana, and his attainments in improving the temple of Wat Jula Mani during his lifetime.
His powerful amulets are both rare and jealously guarded by his devotees, many of whom also follow and collect the amulets of his successor Pra Ajarn It, who has continued the Lineage Wicha and diligent practice in admirable fashion. Amongst the most famous amulets of Luang Por Nueang we find the Takrut Tone, Takrut Bailan, Takrut Look Om, Takrut Yant Duang Pra Uposot, and his Rian 2511 BE Monk Coin, and 2513 BE Coin amulets.
Middle Section front face Pra Somdej Lap Pon Poon Tawee
Below; Luang Por Nueang’s Famous Takrut Look Om Lokatat Amulet
Amulets made or blessed by Luang Por Nueang are considered to have high Puttakun Power and posess powerful magic, be they ones he made himself, or amulets where he attended the blessing ceremonies to assist in. Luang Por Nueang was famous for the Wicha of making powerful Takrut Charms. The Wicha of Wat Jula Mani continues to this day with Luang Por Nueang’s Looksit, and current Abbot Pra Ajarn It, whose famous Taw Waes Suwan Asura Deva amulets are considered amongst the most powerful and collectible to be found in the present day.
Lower Section front face Pra Somdej Lap Pon Poon Tawee
Below; Phaen Takrut Yant Pra Uposot Luang Por Nueang Wat Jula Mani
Below; Luang Por Nueang’s remains are visible at the temple in a Glass Coffin and are visited and prayed to by Pilgrims every day since his passing
Luang Por Nueang’s remains are not decomposed and are seen to be miraculously preserved. His remains are visible kept within a glass coffin at wat Jula Mani, since his passing in 2530 BE.
Top Section front face Pra Somdej Lap Pon Poon Tawee
Middle Section front face Pra Somdej Lap Pon Poon Tawee
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nu showing the words Lap Poon Pon Tawee on Top Section
Rear Face Pra Somdej Lap Pon Poon Tawee 2514 BE Luang Por Nuueang, showing the Sacred Yant Nam Tao on central Section of rear face
Macro Close Up of the Muan Sarn Sacred Clay of the Pra Somdej Lap Pon Poon Tawee Votive Tablet froom 2514 BE by Luang Por Nueang Wat Jula Mani (38)
12 x Macro closeup of head section
There is a tale of Luang Por Nueang once attending an examination with one of his Kroo Ba Ajarn in his studies, where his examinining teacher asked him to write down some Numbers using Khom Agkhara and display his ability to predict lottery. Luang Por Nueang wrote some numbers onto a piece of parchment, and his examining teacher took the parchment and placed it inside the safe at the temple. When the day came for the lottery numbers to be published, he opened the safe and looked, and it turned out that the numbers which Luang Por Nueang had written were the first prize lottery winning numbers.
Above; Takrut Tone Tong Daeng Yantra Scroll Amulet by Luang Por Nueang – Famous for its Metta Mahaniyom, Kaa Khaay, and Kong Grapan Klaew Klaad power
Bucha Method for Pokasap, Klaew Klaad, and Metta Maha Niyom;
Khun Phaen Niyom Pim Yai Niyom Sao Mee Sen (line beside pillarhead) preferred model in Pim Pised special version, in Nuea Khaw Hniaw Sukh blessed sticky rice with Pong Prai Kumarn powders, Ta Bronze Lae Tong Daeng Dtem Ongk (Bronze and Copper Painted two tone coating), Fang Pla Nga Gae (Hand Carved Ivory Barbfish inserted), with 3 Takrut (2 in front face, 1 in rear face), from the great LP Tim of Wat Laharn Rai.
Khun Phaen 15 2nd Prize Winner with Ivory Fish 3 Takrut LP Tim
This amulet won second prize in competition at the Luead Ban Kaay Luang Phu Tim Amulet Association of Rayong, with certificate, and also comes with a second authenticity certificate from the Siam Amulet Original Society.
This model is a most preferred Pim with expert collectors for the presence of a tiny line to the side of the lotus head of the Pillar (see above close up picture) to the left of the Buddha (our right side), which is only present on a very few of the most preferred Pim, and is considered to be a mark of preference with aficionados.
This amulet includes a download file of Kata Bucha Luang Phu Tim Chanting Tutorial, available after Purchase from within the file downloads tab of your account. For this reason we recommend signing up for an account instead of signing out as a guest, in order to obtain the extra download included with this item.
An all time classic certificated authentic amulet of the Great Luang Phu Tim Issarigo of Wat Laharn Rai. This item comes with free EMS Shipping included. This Khun Phaen Pi 15 Pim Niyom amulet, is a very well preserved exhibit of a highly sought after Pra Niyom Master Class Amulet, in white powders blessed sticky rice sacred clay fully covered with Bronze Wanich with Tong Daeng, a mixture of golden and copper coating.
The rear face shows a single Takrut in the Base, with a hand carved ancient ivory Pla Tapian hand carved Lucky Barbfish amulet inserted, and the classic fluffy appearance of authentic bronze Wanichcoating, and the rising up of Pong Prai Kumarn powders through the surface of the amulet,
This Pra Khun Phaen comes with the offer of free silver casing if you wish, or free Waterproof Casing. You can also have the amulet encased in solid gold casing (at extra cost) if you prefer, for which we have provided this option in the encasement options.
Below; close up x 12 Macro of the Muan Sarn of the Khun Phaen Prai Kumarn – notice the wonderful two-tone effect of the mixture of Bronze Wanich and Tong Daeng golden and copper coating, which is seen only rarely.
Below; Second Prize Certificate of and confirmation of authenticity in the category of Pra Khun Phaen which have carved amulets inserted in rear face.
This Pim is a Block 2 Pim Yai Niyom in NueaKhaw Hniaw Sukh Pasom Pong Prai Kumarn (Blesséd sticky rice with Kumarn skull powders). An extremely well preserved model, which apart from winning second prize in the Luead Ban Kaay Association Competition on 4th March 2018, has also been examined and authenticated by the Chomrom Pra Tae Mueang Siam Amulet Original Appreciation Society, and given official certification.
The amulet was submitted for certification by registered VIP member Ajarn Spencer Littlewood.
The rear face of the amulet has a beautifully carved ivory Barbfish amulet inserted (a valuable amulet in itself!), with the Sacred Yant Grabork Khwai (5 Dhyani Buddha Yantra) of Luang Phu Tim embossed on the rear face, as is ubiquitous with the Pra Khun Phaen 15 Block Tong Hlueang.
Close up of Muan Sarn of Ivory Tapian Fish in rear face of Khun Phaen LP Tim
The amulet is ‘Ta Bronze Dtem Ongk fully covered with Sai Rae Tong Kam Golden coating, and Sai Rae Tong Daeng Copper Tint, which is a preferred classic model, for its ease of recognition, and immense beauty which arises from the fluffy golden surface texture that can only be found in authentic Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim, and has to date never been able to be convincingly replicated in forgeries.
Below; Macro 12 x Closeups of the Muan Sarn of the Rear face of the amulet
Close up of Muan Sarn of rear face of Khun Phaen LP Tim
This exhibit is in perfectly preserved condition, with extremely clear cut features, and having received second prize in the Luead Ban Kaay association Competition of March 2018. This Pra Khun Phaen Pi 15 in Nuea Khaw Hinaw Sukh Pasom Pong Prai Kumarn powders, with Gold and Copper coating is a very beautiful exhibit indeed, and is only rarely seen. This amulet is widely accepted for presentation in many official competitions. The Front Face has two Takrut inserted either side of the Buddha, and the rear face has two a Takrut Sariga inserted below the Ivory Pla Tapian Fish.
This exhibit is in excellent condition, which under close perusal under the eye loupe reveals the amulet to be made from a base of Nuea Pong Prai Kumarn Powders, With fluffy Pong Prai Kumarn powders risen up through the bronze coating and a noticeable quantity of Khaw Hniaw Sukh blesséd sticky rice, with traces of green Pong Prai Kumarn powders rising up through the Muan sarn Clay. This is a most Powerful Muan Sarn filled with Maha Sanaeh, Maha Lap, Maha Pokasap Metta Maha Niyom.
Visually, this type of sacred clay has a very marbled appearance from the presence of Khaw Hniaw Sukh, and many say that the presence of pieces of Pra Somdej Wat Rakang Kositaram were used in many models, which is what brings the marble like stone appearance of ‘Dtaek Lai Nga (crackled surface effect). Further close observation under the eye loupe reveals true depth and dimension, and is full of the classic characteristics of Pong Prai Kumarn powders present within the Muan sarn clay. And when such an amulet is gold coated, has a highly fluffy textured surface.
Below; another amulet from the same series in Nuea Khaw Pasom Pong Prai Kumarn
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as Unaffordable as the Block Raek has become in the present day.
In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Above and Below you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
Below – another example of a Pra Khun Phaen Block 2, this one being in Nuea Wan Dork Tong
Below; Another example of Khun Phaen 15, this time in Nuea Wan Sabu Luead (Poon Kin Hmak) which was a first prizewinner
It is important to look for the presence of Pong Prai Kumarn within all different types and colours of Muan Sarn sacred powders of Khun Phaen LP Tim, after one has perused the ‘Pim’ (visual design features) as first priority. The Pim (design features) itself is easy to forge with modern cgi, but the Muan Sarn Sacred Clay ingredients can not be affordably replicated in forgeries.
Hence, once one has developed the ability to recognise the edition and block press (pim) with the naked eye and under the eye loupe, the next and more important step, is to examine and confirm the presence of authentic Muan Sarn ingredients within the sacred Clay.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.
We guarantee authenticity with this item, as we do with all amulets in our showroom.
The Macro close up pics reveal the true Muan Sarn Powders of Luang Phu Tim, with the presence of Khaw Hniaw Sukh and Pong Prai Kumarn with Sai Rae Tong Kam golden powders.
The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet. This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay’ – easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Muan Sarn of Luang Phu Tim.
The Block Tong Hlueang mold was created after the previous block press mold broke, the ‘Block Hin Meed Gone‘, which was carved from the sharpening stones used by monks to sharpen their razor blades to shave their heads. Block Tong Hlueang is preferred over the Block Hin Meed Gone, and carries a slightly higher price-tag and eminent status to the Block Hin Meed Gone with the Wongarn Pra Niyom Collector Circles. The rear face has double Takrut Sariga inserted into the Yant Grabork Khwai Yantra.
Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread, and breaking the tight grip monopoly of the ‘Sian Pra Niyom’ Experts.
This and many other conclusive evidence has served to open up the truth and reveal this edition, which has been deliberately, or through oversight hidden by a few powerful monopolists for many decades. The edition has stayed with the local folk, and did not fall into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim.
Close up of Muan Sarn of front face of Khun Phaen LP Tim
That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series.
Below; thin line to the side of pillarhead reveals this to be a Pim Niyom Sao Mee Sen Rare Preferred Model.
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (Block Sorng Pim Sum Khad) – a rare Pim of the pantheon.
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’.
The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Below, rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). It is said that those who have tried to fake and ride on the back of Luang Phu, to make their riches with lies and fakery, must have their day of reckoning.
Luang Phu Tim is said to have gained stream entry and advanced beyond Sotapanna to become Anagami, and this in itself makes the abuse which has occurred over the years, a serious sin against an Arya Sangha, to try to discredit authentic editions which Luang Phu may have created.The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15.
Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Below; Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phaen, and receives direct confirmation of the facts, authenticating these editions. he beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Below Picture; Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
The Samakom Pra were dumbfounded when he came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Below; Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BEwith great sincerity.
Below. examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Pra Khun Phaen Sum Khad/Sao Khad (Pra Khun Phaen Block 2)
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke. The block tong hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred).
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai.
Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Sai Rae golden coating on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Sai Rae Tong develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet as a sound investment and an extremely rare opportunity to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Pra Khun Phaen Pong Prai Kumarn 2515 BE, of Luang Phu Tim.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; pages from an encyclopaedic publication from the amulet appreciation society which defines a list of amulets which Luang Phu Tim blessed during his life, and which confirms the Block 2 series to be within his ‘Tamniab’ pantheon of amulets, and authentically blessed by LP Tim during his lifetime. This is in contrary to false rumors which were spread years ago, which caused the series to be ignored for decades until the information finally surfaced and was brought to light.
As a result, the Block 2 series is not one of the hottest topics of the amulet scene in the present era, and immense furor has arisen, raising the interest of devotees around the nation and further afield in foreign shores. This of course will result in a repeat experience of gradual depletion, as the collectors race to obtain and keep the amulets for their own collections and for Bucha.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after.
In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
The ‘Hlak Pijarona’ (criteria of examination and authentication) of tje Pra Khun Phaen 2515 Block 2 Series amulets have served to change the standards of how authentication of a true Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim is confirmed, because of the extensively varied number of different versions with varied Muan Sarn Sacred Powders and different kinds of textures found in each model of this series;
In the old days, when only certain models were documented and accepted, the experts would gaze at the Pim Song (block press details and features of design) to authenticate, and would never examine the Muan Sarn Sacred Powders if the Pim Song did not fit within the rigid criteria of design details.
But now, it has become clear that because there are many more different versions than previously conceived, the true criteria to use for authentication of the Pra Khun Phaen Luang Phu Tim is to look at the Muan Sarn Sacred Powder clay and its inner content, and textures, which can not be replicated by forgers once you know how the true appearance of the Muan Sarn Sacred Powders should be, and are a much more certain method of confirmation.
Below; A close up super-macro of the Muan Sarn Sacred Powders of the Pim Lek amulet in rear face of the Pra Khun Phaen Pong Prai Kumarn 2515 BE Nuea Khaw Ta Bronze Fang Pra Pong amulet, revealing the inimitable properties of authentic Muan Sarn Sacred Powders of Luang Phu Tim.
Presenting a very rare Twin compendium Wicha, composed of two Classic Lanna Amulets of the Great Thai Guru Master Monk, Kroo Ba Wang. The Compendium consists of two Takrut with Sacred Geometry spells inscribed; the Takrut Gao Gum 9 Ninefold Yantra Spell, with Yant Hneeb folded Yantra Foil attached with enchanted ‘Daay Daeng Akom’ red sorcerer’s cord, empowered with the Ancient Wicha Lanna by the Great Guru Master Monk and Deceased Ex Abbot of Wat Ban Den, Luang Phu Kroo Ba Wang. Estimated made during the late era of Kroo Ba Wang.
The 9 spells within the Takrut Gao Gum were inscribed individually and empowered and bound into a ninefold Spell, in traditional style of this Northern Lanna Wicha, the this Great Deceased Master of Olden days. The Takrut Gao Gum is Serm Duang, and will give Protection from Danger, and ease your way in life. Business will flourish, money and gifts will flow in, good fortune will come, and life without disturbances. The Yant Hneeb will attract wealth and popularity and even be a seduction spell for specific persons such as an intended lover.
The Takrut Gao Gum is a powerful Sacred Geometry based Talisman containing a myriad of magic spells, which has been used by ancient folk for thousands of years. The Takrut Gao Gum and Yant Hneeb are amongst the rarer and most preferred amulets of the Pantheon of Kroo Ba Wang, and highly regarded for their sacred power of Metta Maha Sanaeh, and Maha Lap, with comprehensive protective powers of Klaew Klaad.
The Yant Hneeb Maha Sanaeh Maha Pokasap is an Ancient Lanna Yantra Foil spell Amulet for seduction and wealth accumulation. The Yant Hneeb can be opened and place a paper or parchment inside with one’s desires, or the name of a person written on it (or hairs or other piece of clothing, or fingernail from the person you desire). The Yant Hneeb is an ancient Lanna Wicha that has been used by the Lanna Folk for centuries, and which has been perpetuated by the Lanna Masters to the present day.
Luang Phu Kroo Ba Wang Wat Ban Den
The Yant Hneeb of Kroo Ba Wang is one of the rarer amulets to find in circulation in the present day, and is a standard-bearer of the Dtamra Krueang Rang Lanna Pantheon of Talismanic Amulets of the Northern Lanna Region. Kroo Ba Wang’s Yant Hneeb can be considered not only a powerful magical Talisman, but also a Historically and Culturally Important Antique Sacred Artifact.
The Ancient Lanna Folk would inscribe the name of a desired lover on a piece of paper, and insert it in the gap between the two folded pieces of Yantra foil, to enchant and summon a person to be attracted and seek the spellcaster.
Alternatively, you can write down your wishes and prayers, and insert them inside the Yant Hneeb, and wait for them to be answered. Once a prayer has been answered, you can then remove it, make some merits in thanks, and insert the next wish, It is said that one should not pray for things within reason, and not be too greedy when making wishes. The Yant Hneeb is imbued with Powerful Maha Sanaeh, and Sarapat Neuk Magic, to attract and enchant others, and to fulfill wishes.
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days.
Highly preferred for his In Koo, Takrut Sangwan and Yant Hneeb, Pra Rahu amulets, and Pha Yant Sacred Geometry Yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images. Luang Phu Kroo Ba Wang has given us an immense heritage of Sacred Lanna Amulets, which form an iconic part of the pantheon of Ancient Lanna Classic Niyom Category Antique Amulets and Occult Charms.
Kroo Ba Wang was renowned for so many different kinds of amulets, ranging from his Takrut (especially the Takrut Gao Gum and cord-bound spells, his famous In Ma, In Koo, Paya Khao Kam, Pa Yant, Pra Rahu, and Guru Monk Coins, all of them being purely belonging to the Lanna Traditional Wicha.
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days. Highly preferred for his In Koo, Pra Rahu, and Pha Yant Sacred Geometry yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images.
Luang Phu was born in 2434 BE, in the country into a family of farmers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks, and so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk in the year 2445 BE
Luang Phu reached the age to be ordained as a fully fledged Bhikkhu in the Buddha Sasana in the year 2455 and was ordained on the 5th of May of that year as a Bhikkhu, at 13:15 hours at Wat Ban Baen Temple. Luang Phu then began to practice Khom Sanskrit Agkhara and Wicha, and within a very short period of time became so adept that he could chant every single line of Agkhara from memory with great aptitude.
Pra Kroo Gantiya was his Upachaya Ordaining Officer, and Pra Ajarn Bpan was his Pra Gammawājājarn (Prompter). Pra Atigarn Bpum was his Pra Anusawanājarn (Witness). Luang Phu was given the Chāyā (official Monks Name) of Prohma Sēno. Luang Phu Kroo Ba Wang then stayed on at Wat Ban Baen in Lampoon for a period of 2 years more. After this, Luang Phu Kroo Ba Wang then moved to stay at Wat Ban Hmueang Jee, which was in his home area where he was born.
Luang Phu then continued to study and practice Wicha Akom and Khom Agkhara, for a further three years, until he became inspired to take up the practice of Tudong Solitary Forest wandering, and gain experience in Kammathana.
Luang Phu then travelled through the thick forest area of Pha Teub, on is way towards Chiang Saen, and stopped in the forest to practice for 6 months. Once he reached Chiang Saen, he stayed around the area practicing for some years, until he decided to travel towards Prae Province, where he finally arrived and stayed at the temple of Wat Den Chai.
He stayed at this temple to master the various Sorcert Methods of the Region, so that he would be able to perform Powerful Incantations enabling him to cast spells and blessings to offer protection, happiness and prosperirty to the fold, and to send metta and merits to the Nature Spirits of the Nether Worlds, with Compassionate Mercy Magic.
Once he had mastered this Wicha, he then set forth once more, and practiced Tudong, until he came to rest at a very peaceful place in the forest called ‘Pha Den Gradtay’, which was very auspicious in energy. There was a small village nearby which was impoverished, and Luang Phu then decided to build a temple with the help of the locals. But Luang Phu was first called back by locals of the temple at Wat Dton Tong, so he agreed and went backl to assist the with their needs.
After one year helping them, he was able to return to Pha Den Gradtay, and built three Kuti Huts and invited some other monks to come and stay, and assist in developing the temple. Then in the yeat 2508 Luang Phu Kroo Ba Wang began to build the Uposadha Shrine Room and the locals of the surrounding areas began to hear of his merits, and flock to the temple to make donations and assist.
The Uposadha was then finished in the the year 2510 BE. Luang Phu became famous for both is great ability to finish the temple of Wat ban den in Miraclulously short timespan, and also for his many Wicha, including Horasart (Astrology), Amulet making, Maha Sanaeh and Metta Maha Niyom Maha Lap Magic, and his ability to use Candle Magic to eliminate Bad Karma.
In the year 2513, time caught up with Luang Phu and he became ill, and began to weaken with age, and became unable to travel, and stayed for the rest of is life until his passing at Wat Ban Den in the year 2516 BE
Old Amulets presents a rare classic special model amulet; the Rian Mangorn Koo Pim Pised Dtok Sorng Code Ma Wat Pha Nong Lom Run Sao Ha Maha Sethee 5th Lunar Saturday Blessing Ceremony Edition Guru Monk Coin, released in 2543 BE, to raise funds for the Kuti Songk Monks Huts and improve the facilities at the temple of Wat Pha Nong Lom.
The Rian Mangorn Koo. This model is Pim Pised (Niyom preferred) and differs from the majority of Rian Mangorn Koo Wat Pha Nong Lom Edition coins in Nava Loha, because of the double code MA stamp. Most coins of the Nava Loha series made for Wat Pha Nong Lom have only a single code Ma Stamp (on the Sangkati chest sash of the robe of Luang Phu), and only the Pim Pised special models received double code stamps. Only very few (unknown number) were distributed with double code stamp, making this not only a sacred, powerful master class amulet, but also a rare collectors piece.
Rian Mangorn Koo LP Moon Nava Loha Double Code Stamps
The Rian Mangorn Koo of Luang Phu Moon is, as are all of his amulets, known for the power of Jaroen Lap Wealth Increasement, and Lucky Fortunes, as well as for their Miraculous Protective Powers. Those born in the year of the dragon love to Bucha this amulet especially, for the obvious reason of the double dragon guardians. For those with lower budgets, who seeksacred power above collectability and rarity, we recommend to seek the Rian Mangorn Nuea Tong Daeng or Nava Loha single Code Ma, of the same edition, which carries a lower price than this special Nava Loha Pim Pised Gammagarn double code collectors edition model.
Luang Phu Moon blessed these and the other amulets of this series in solo during the Traimas 3 Month Rainy retreat of 2542 BE, and then blessed them again in 5 Major Putta Pisek (Buddha Abhiseka) Ceremonies.
Below; Code MA is also found hidden within the center of the Dhamma Chakra Dharma Wheel
Below; A thin line of extra metal raised up like a ridge flows from the mouth of the dragon towards the image of Luang Phu, one of the points of recognition for authenticity
The Rian magorn Koo is very popular for indeed its design is incredibly beautiful, with the double dragon guardians framing the edges of the coin, protecting and listening to the Dhamma of Luang Phu Moon, who is featured in ‘Kreung Ongk’ Semi-Torso Cameo, with the 8 spoked Dhamma Chakra Wheel of Dhamma above his head, which points to the Buddha’s first sermon of the turning of the Dhamma Wheel, and to the 8 Fold Path itself, which is the Path to Enlightenment which the Buddha taught.
Below; The sharp and highly defined tips of the tail flares of the dragons are a mark of authenticity, and one of the reference points of authentication for experts to peruse
Below; the double code MA show this to be not only a nava Loha preferred model, but also a Pim Pised 2 Dode stamp Gammagarn version, which are extremely rare, and highly prized acquisitions.
Below; Encyclopaedic Pantheon Book of the amulets of Luang Phu Moon (Book 2) explaining how most Nava Loha versions were made with a code MA on the Sangkati Robe of Luang Phu’s chest, whereas a very few ‘Pim Pised’ special models for Gammagarn distribution were made with double code MA stamps in the Wat Pha Nong Lom edition, making this exhibit an extreme rarity and top class Pra Niyom Rian Kanajarn Monk Coin amulet of the highest desirability factor to any serious collector or devotee whose budget allows ownership of such a rare model.
The Rian Mangorn Koo was made in various sacred metals including solid gold (48 coins made), solid silver (500 made), Nava Loha (Unknown Numbers made – very few), and sacred copper (10,000 amulets made ). Apart from these, a very small number of sacred leaden versions were made in very small numbers (exact number unknown)
Luang Phu Moon was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
Below; Double Code Ma on this Nava Loha Version shows it to be a rare Pim Pised Gammagarn Wat Pha Nong Lom version, of Immense Pra Niyom Category Status
Luang Phu Moon’s amulets are now very hard to come across.His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.
Luang Phu Moon Tidtasīlō Ma A U Luang Phu Moon Tidtasīlō U A Ma
Kata Bucha Luang Phu Moon
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
The Kata is available as a download MP4 after purchase from the files section of your account
The word ‘Moon’ means to turn and increase (revolve). Luang Phu Moon always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Moon should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.