Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai Commemorative Coin: A Thai Royal Amulet of Historical Importance
The Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai coin is a highly sacred and revered Thai amulet of national and historic importance. Commissioned by Luang Por Plueang of Wat Suwannabhumi, this coin features nine high Sangha monks and the first nine kings of the Chakri Dynasty. Luang Por Plueang invited the great Luang Por Mui of Wat Don Rai and various other masters of the time to assist in the empowerment of the amulets.
The Royal Figures Depicted on the Coin
On one face of the coin, the nine kings of the Chakri Dynasty are featured. They are:
Pra Jao Prohm Maharach
Pra Jao Meng Rai Maharach
Por Khun Ramkamhaeng Maharach
Pra Jao U-Tong Maharach
Pra Naresuan Maharach
Pra Narai Maharach
Pra Jao Thaksin Maharach
Pra Putta Yord fa Jula Loke Maharach
On the other side of the coin, the nine Sangkaracha monks are depicted. They are:
Somdej Pra Sangkarach (Sukh Gai Thuean)
Somdej Pra Maha Samana Jao Grom Pra Bparamānuchit Chinoros
Somdej Pra Maha Samana Jao Grom Prayābovoresariyālonkorn
Somdej Pra Maha Samana Jao Grom Pra Yaw Chinayānawārōros
Somdej Pra Sangkarach Jao Pra Jao Vorawongs Ter
Somdej Pra Sangkarach (Pae)
Somdej Pra Sangkarach Jao Grom Luang Vachirayānawongs
Somdej Pra Sangkarach (Plod)
Somdej Pra Sangkarach (Yoo)
Purpose of the Creation of the Amulet
The purpose of creating this amulet was to commemorate the building of the Roeng Rien Suwannabhumi Witayalai Dhamma College for teaching the Pariyatti Dhamma to Buddhist monks. The amulets were released in the year 2505 BE and were handed out to devotees for a mere 2 Baht donation. This led to the amulet being known as the ‘Pra Sorng Baht’, meaning ‘2 Baht Buddha’.
The Buddha Abhiseka Ceremony
The Buddha Abhiseka Ceremony included the presence of the following Master Monks:
Somdej Sangkarach Pha (Wat Pra Chetupol)
Tan Jao Khun Sawai (Wat Ban Krang)
Luang Por Plueang (Wat Suwannabhumi)
Luang Por Mui (Wat Don Rai)
Luang Por Dam (Wat Nor)
Luang Por Dtaem (Wat Pra Loi)
Luang Por Ort (Wat Sala Khaw)
Luang Phu To, of Wat Lard Tarn.
The Second Edition of Amulets
Luang Por Plueang did not release a second edition of amulets for six years after the first edition. When he released the second edition of Ria Gao Sangkarach Gao amulets, which have been seen to have been made in reverence to both the nine great monks and the nine great Kings of the Chakri dynasty, by various temples and master monks. This particular amulet design is hence a classic and well-known object of faith for Thai Buddhist people.
In conclusion, the Rian Gao Sangkarach Gao Rachagarn Suwannabhumi Witayalai commemorative coin is a highly sacred and revered Thai Buddhist coin amulet of national and historic importance. Commissioned by Luang Por Plueang of Wat Suwannabhumi, the amulet features nine high Sangha monks and the first nine kings of the Chakri dynasty. It was created to commemorate the building of the Roeng Rien Suwannabhumi Witayalai Dhamma College for teaching the Pariyatti Dhamma to Buddhist monks. The amulets were released in the year 2505 BE and were handed out to devotees for a mere 2 Baht donation.
This first edition coin is popular both with Thai Buddhists who revere the Sangkaracha monks and with those who collect royal amulets and regalia. It is a classic collector’s item, especially for those who collect all series of the 9 Sangkarach 9 Rachagarn amulets. The amulet is a testament to the craftsmanship of the various master monks who were invited to assist in its creation, and a symbol of the deep reverence that Thai Buddhists have for their religious history and traditions.
Phra Somdej Wat Rakhang Thai Amulet – Long Rak Chart (Red Lacquer coating) Pim Gaes Talu Sum (Piercing Arch), Block Chang Luang Wijarn (Preffered Mold), with Authenticity Certificate. A truly old Phra Somdej amulet form the Olden days Master of Phra Somdej amulets; Somdej Toh, of Wat Rakhang.
A magnificent and legitimately certified Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Toh) Prohmrangsri, with a red lacquered surface and all the traditional features of an Ongk Kroo Model from this time period. This specific exhibit is extremely eye-catching thanks to the flawless harmony between the lacquer and exposed surface.
The Pra Somdej Wat Rakang Pim Chang Luang Wijarn is a Master Class antique amulet belonging to the Benjapakee Immortal Classic Family. It has been adorned with ancient red lacquer and was created by the great Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakhang Kositaram.
Phra Pidta Pim Bua Chan Diaw Ner Samrit Luang Phu Iam
This Famous Classic Phra Niyom Master Class Ancient Amulet, is a revered item from the great Luang Phu Iam Suwannasarō of Wat Hnang and Wat Ko Non, the Phra Pidta Bua Chan Diaw. The amulet was created between 2375 and 2469 BE. This particular model is a single-tiered lotus leaf dais version called Ud Krang Channaroeng and features Channaroeng bee’s nest paste. Channaroeng, which utilizes the sticky material of stingless bees, has been considered a powerful ingredient for centuries in various cultures. In Thai Saiyasart Occult Practice, creating this paste using specific formulas and empowerment methods is a difficult and revered skill, mastered by only a few great masters throughout history, with Luang Phu Iam being one of the most well-known.
In the epoch when Luang Phu Iam presided as abbot of Wat Hnang, the Phra Pidta was unveiled, a wooden statue of the Buddha closing his orifices, entering the peaceful state of Nirodha. The Buddha was gracefully draped in a rich, black lacquer of herbal origin, a common preservation technique utilized in ancient times to extend the life of amulets.
It is whispered that the gifted artisan Luang Phu Iam began crafting hand-hewn wooden Phra Pidta statuettes sometime around 2448 BE, yet he had honed his amulet-making skills long before under the tutelage of his mentor, Luang Phu Rod, at Wat Ko Non. Even before his first release of the renowned and sought-after Phra Pidta Yant Yung and Phra Pidta Pid Tawarn at Wat Hnang in the early 2440s, Luang Phu Iam had already established a reputation for his amulet-making prowess. His later, famous and incredibly valuable Phra Pid Ta Yant Yung and Pidta editions, created from alchemical metals, were produced individually in the same traditional manner as the revered Phra Pidta Wat Tong of Luang Por Tap, the undisputed king of all Phra Pidta amulets.
Presenting a 3rd Prize winning Competition Standard Master-Class old amulett of the Benjapakee Immortal Classic Family, the Phra Somdej Wat Bang Khun Prohm, Pim Yai Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being among the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram, whose Phra Somdej are the number one amulets in the history of Thai Buddhist Amulet making. The final and world famous Phra Somdej of LP Toh, which was hidden and Buried in the Chedi Stupa of Wat Bang Khun Prohm in 2413 BE, a couple of years before Somdej Toh’s passing, (2415 BE)
His Phra Somdej amulets are world class number one status, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. In fact, if it were not for Somdej Toh, the Phra Somdej amulet in general, made by other temples and masters, would ;probably not be the best known amulet type that it is today. The amulets were made in the period between 2408-2411 and finished in 2413 BE, before the passing of Somdej Toh himself, who died in 2515 BE.
The amulets were blessed and buried in the Chedi Stupa around the year 2413 Buddhist Era (BE), until their distribution in 2500 BE, after the opening of the hiding chamber within the Chedi Stupa at Wat Bang Khun Prohm.
This amulet comes with its third prize winning A4 size certificate of the Chomrom Phra Tae Mueang Siam Amulet Appreciation society and complimentary box with 3rd prize ribbon sticker.
We offer free Waterproof Solid Gold Casing with this amulet. Free EMS/DHL/Fedex Shipping is also included in the price (depending on which service is available at the time).
The surface of the amulet shows the presence of all the classic features and muan sarn sacred powder ingredients of a true Phra Somdej Bang Khun Prohm of Somdej Toh, with Kraap Kru on the front face revealing it to have been placed within the Sorng Klong Kru Mai Chedi Stupa. The Kru Gao (Chedi Yai) amulets of the 2500 BE Opening are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.
Hence, the Kru Song Klong series of the Kru Mai Chedi Mai/Chedi Lek, are slightly more affordable, despite being equally aged, powerful and authentic, and from the same ceremony. The Phra Somdej Wat Bang Khun Prohm amulets of Somdej Toh, are highly revered among various groups of aficionados, who believe that there are doubly powerful.
This is because they believe that Somdej Phra Puttajarn (Toh) Prohmrangsri, blessed the amulets in both the Wat Rakang, and Wat Bang Khun Prohm Ceremonies, meaning a double blessing, which cannot be said for Phra Somdej Wat Rakang.
This can be true, unless you assume that 1st era Somdej Wat Rakang left over, were reblessed during release of second era, and again some remaining first era amulets, blessed again with the making of the third era of Phra Somdej made by Somdej Toh).
In such a case, this would mean that some first era Phra Somdej Wat Rakang were blessed three times, because they were not yet distributed and part of the remaining batch of first era.
And, it is assumed, that if so, such exhibits, if also placed in the Wat Bang Khun Prohm hiding place chamber, would then have received a total of 4 blessings for 1st era, 3 blessings for second era, and 2 blessings for the final era of Phra Somdej Wat Rakang, all eras are assumed to have been placed within the kru, which accounts for the differing age of some exhibits, which look much older than others, despite the same Muan Sarn ingredients and found in the same Kru Chedi Stupa.
This is due to the time span between the three eras when Somdej Toh made Phra Somdej, and is why some of his Somdej amulets look much much older than others.
Phra Somdej Bang Khun Prohm is one of the classic Phra Somdej amulets available and is along with Phra Somdej Wat Gaes Chaiyo perhaps the next in line to the Phra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.
Phra Somdej Bang Khun Prohm Kru Phra Chedi Yai (Large Chedi Kru amulets) The Phra Somdej Bang Khun Prohm amulets classified as a Kru Phra Chedi Yai, have 9 different Pim Song, and were made in the period between 2408 – 2411 and placed into the Kru Chamber for charging with power and keeping until a later date, in the year 2413 BE.
Not all of the Phra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti, and would be handed out by him during the time he created and empowered them at Wat Rakang, which is why some amulets do not have Kraap Kru mildew, and are considered Wat Rakang.
He handed out Phra Somdej to devotees constantly during the years the third and final era amulets were being made, and also, many of the Phra Somdej that he made during the two officially documented 1st and second era amulets remaining at the temple, were added to the chamber at Wat Bang Khun Prohm (he released before that but was undocumented, so it should not be assumed that only three eras exist, merely because that is the only documented evidence)
This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Apart from Pim Yasi and Pim Chedi, the Pim Thaan Saem is one of the 5 Pim Song of Phra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Phra Somdej Wat Rakang have Five major category of Pim Song, whereas the Phra Somdej has four more Pim Song, making it nine major Pim in all.
The amulets from the Small Chedis had a lot of lesser numbers of unusual models, called ‘Pim Plaek’ (strange models), which are strangely enough cheaper than the more common models, simply because the major associations were too lazy to allow a large number of different categories of models.
This is because these so called ‘professional experts and conservationists’ (who fail to conserve true knowledge), preferred to focus on a simple set of the best known models. This led to the false belief and denial of authenticity of many models at first, until Royal Documentation and other evidence emerged to prove that there were many other models and designs found i the Kru Mai smaller chambers, such as the Saiyasana Buddha, the Pim Tukadta, and even Somdej Gaes Chaiyo, Ruesi images and other lesser known about varied designs of Phra Somdej, such as some with long ears, others with angled ears, some with Garuda chest others with a tubular chest etc.
These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.
However, there are many more in truth, which our proprietor Ajarn Spencer is constantly publishing more and more knowledge about, in order to open up the truth and reveal the true way of rthinking and understanding about how Somdej Toh made his amulets, and how many of theem have been concealed or overlooked until the age of internet and social networking allowed information to flow more freely, between students of Phra Somdej, and those in the know.
History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses, made restoration work at Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple, along with the building of a new Chedi Stupa, in order to place Phra Somdej amulets, which Samian Tra Duang invited Jao Phrakhun Somdej Phra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Phra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Phra Tammakhant).
After Somdej Toh had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.
This became so bothersome, that the Kru had to be broken open officially on 24th November in 2500 BE.
The opening took all day, until at approximately 8pm, the very last Phra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.
This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Phrakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).
The depletion of this series led to the creation of yet another immortal legend of the Phra Somdej Niche in 2509, namely the Phra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.
This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Toh Prohmrangsi, who was indeed the Grandon of King Rama 1, and is among the top prestigious amulets on the planet. The Phra Somdej Wat Bang Khun Prohm, is usually completely impossible to find in this era, and also usually priced in the Pantip & Tha Phrachan Showrooms at many times the price we charge, for we base our prices on what we paid for the item, not how much we can sell it for.
The Pra Khun Phaen Hlang Yant Sariga (Pim Lek), in Nuea Pong of LP Phueak, is an Eternal Classic, and Highly Sacred Amulet of the Great Luang Phu PhueakLuang Phu Phueak of Wat Ging Gaew, and is an immensely sought after and preferred Pra Niyom Amulet of the Master Class.
Viewing the Muan Sarn Sacred Powders of the surface texture of the amulet closely reveals its true character and distinguished class through the surface features. ‘Phiw Haeng Dtam Ayu’ (surface features reveal obvious age), ‘The amulets were made in 3 sizes, Pim Lek (small), Pim Klang *medium) and Pim Yai (large). In addition, this series was released in 4 kinds of Muan Sarn Sacred Powders; 1. Nuea Pong, 2. Nuea Wan Sabu Luead, 3. Nuea Pong Bailan, and 4. Nuea Din. Some amulets did not have the Yant Sariga on rear face (such as Pong Bailan, or Wan Sabu Luead, most people say they have never seen one in black or red with a Yant on rear face, and not all of the other colored powders were given the inscription. This makes models with the special hand inscription much more highly preferred to serious collectors, and devotees who wish to have the hand inscription of the Guru.
Free registered air parcel worldwide is included. Luang Phu Phueak was a Gaeji Ajarn of the Samut Prakarn Province, and one of the great and Highly Famed Masters of the Pre 2500 BE Era, who was both Nationally and Internationally famous, for his Patipata and Magic Powers, and for his Amulets. Below; The Classic Yant Sariga spell inscription of LP Phueak is easily visible on the rear face of the Khun Phaen amulet.
He graced some of History’s most famous Buddha Abhiseka Blessing Ceremonies of national Importance, invited for his great prowess in empowering amulets, especially the great ceremonies held at Wat Rachabopit, and Wat Sutat.Luang Phu Phueak was born in the locality of Samrong in Bang Pli, samut Prakarn (now a municipality of Bangkok) on 12th August 2412.
His father was called Mr. Tong Sukh, and his mother was known as Miss Khai, with the surname of Sukh Tong. He was the 5th child of the family with four Siblings. His family were farmers. In his younger yearshe helped his family with the household and farming duties until he reached the age of 13, when his parents took him to receive his schooling with Pra Ajarn Im Intasaro, the abbot of Wat Chang Hnong Ging Mai (Wat Ging Gaew).
In olden days, the temple was where most children got their chance of an education, and would be taught about moral conduct from monks. as the young Phueak reached the age of 15, he was able to read and write, and returned to help his family out with their daily work on the farm. At the age of 18, he was called in to National Service in the Military to serve in the Navy and did his 2 years service.
In the year 2433 at the age of 21, Luang Phu Phueak was ordained according to Thai Cultural Tradition as a Bhikkhu, in front of the Putta Sima Temple Boundary at Wat Ging Gaew with Luang Phu Tong of Wat Rachayotya as his Upachaya Ordaining Officerm and Pra Ajarn Im of Wat Ging Gaew as his as his Pra Gammawājājārn (Promoter). He was given the ordained name of ‘Banyātarō’.
After he was ordained, Luang Phu Phueak remaimed resident at Wat Ging Gaew, under Pra Ajarn Im, and gave extreme efforts and diligence in studying the Dhamma Vinaya, Pali Sanskrit and Khom Agkhara Sacred Scripts.
He quickly became proficient in all of these Wicha and was dearly beloved by all of his teachers and Kroo Ba Ajarn. Once he had mastered these subjects, Luang Phu Phueak turned to focus himself on the practice of Vipassana Kammathana Mindfulness Insight Meditation, and fulfilled all the greatest expectations of Pra Ajarn Im, in his advancements. Pra Ajarn Im began to administer important duties of the temple to Luang Phu Phueak with full trust.
Then, in the year 2442 BE, Pra Ajarn Im passed away, and in this moment, the devotees of Wat Ging Gaew wrote letters to the Sangha Committee to beseech them to elect Luang Phu Phueak to become the new Abbot.
Luang Phu Phueak was first given the duty of taking care of the temple until a new abbot was elected, and immediately began to restore and build up the facilities of the temple in a grand fashion. At first, he did this with very little assistance of the locals, but as his efforts and attainments slowly began to become visible, and the devotees of Wat Ging Gaew began to flock to assist in ever increasing waves.
The devotees became so impressed and instilled with faith in the diligent selfless work of Luang Phu Phueak, in restorations, and temple developments. Luang Phu Phueak built an incredible number of Thavarawadtu (Buddhist Shrines, statue images and amulets), including the Uposadha Shrienroom at Wat Ging Gaew, the 5 Meter wide Buddha Chinarat Jamlong statue, the Sala Bprian Montop, The Pariyatti Dhamma School, which he built for the children of local folk to have an education.
Luang Phu Phueak was officially elected Abbot of Wat Ging Gaew in the year 2442 BE at the age of 35 in his 13th year of ordination and in 2443 was elected Bishop of Racha Taewa Municipality, and also further elected to become the Arch-Bishop of of Samut Prakarn.
In addition he was also elected to status of Upachaya monk.
In the year 2480 BE, at the age of 77, in his 59th year of ordination, Luang Phu Phueak was given the honorary status name of Pra Kroo Garuna Wihari. IN the year 2487 BE, Luang Phu Phueak became the Head of the Sangha Comittee of Bang Pli. In the year 2487 BE, Luang Phu Phueak began to weaken and become ill through his old age suffering from bladder ailments and was ingressed into the Rong Payaban Songk Sangha Hospital, where he was discovered to have Cancer.
He was operated and began to recover, and later returned to the temple after 7 months, and began to work again at his usual duties. He would receive and listen to the problems of the local devotees every day, and give his full efforts to help them. Luang Phu Phueak lived on a further 5 years after his operation, until in the year 2501 BE on the 29th day of the month of March, Luang Phu Phueak passed away at the age of 89 years old, after 69 Years of Ordained life.
A very rare and beatiful Pra Sangkajjai 1st Edition Loi Ongk Statuette Luang Por Guay Wat Chinoros amulet, in Nuea Chanuan Samrit Boran, with Kring Bead inserted into the base. This exhibit is one of the rarer models released in the 2512 BE Wat Chinoros Famous Blessing Ceremony, and is an ultra rare old amulet for collectors and devotees of this edition, and those who worship and believe in the amulets of Ajarn Gaew, Luang Por Guay of Wat Kositaram (To whom this edition is most commonly attributed to), Luang Phu To of Wat Pradoo Chimplee, Luang Phu Sukh of Wat Po Sai Tong, Luang Por Ngern (Wat Don Yai Horm), and the devotees of Luang Por Prohm (Wat Chong Kae), for indeed, all of these Great Master Monks were present at the ceremony, to perform empowerment over the amulets.
Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni
He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti
Pra Sangkajjai had 7 close companions who came with him to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, became Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old.
The amulets of this edition are extremely valued by aficionados, for their powerful blessings by some of the greatest names of that Era, and the powerful Chanuan Metals taken from ancient and extremely holy Buddhist Artifacts, and Sacred metallic Chanuan donated by the many Masters who attended, and for its Powdder amulets with special Sacred Muan Sarn Powders, which are known to have been made from broken pieces of ancient Pra Somdej Wat Rakang Kositaram Somdej Pra Puttajarn (Dto) Prohmrangsri amulets, and which makes the amulets a perfect reference study material for students of the amulets of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri.
The Roop Lor Pra Sangkajjai Ud Kring Nuea Samrit amulet was created for Wat Chinoros, & blessed in the year 2512 BE in Ritual Putta Pisek (Buddha Abhiseka) Ceremony. The edition was commissioned by Ajarn Gaew, who invited some of the great masters he was associated with, to come and empower the amulets, in what is historically recorded as one of the great Sacred Blessing Ceremonies of that time period. This was Ajarn Gaew’s first edition where he released Pra Somdej Amulets, which was made possible with the assistance of Luang Por Guay.
Below Image (left to right); , Luang Por Sukh (Wat Po Sai Tong), Luang Phu To (Wat Pradoo Chimplee), Ajarn Gaew and other monks in the ceremony
The amulets of this series, are hence collected by devotees of various temples and Monks, for the fact they were present to empower this edition. The amulets is revered by the devotees of these monks who empowered the amulets;
Luang Por Guay (Wat Kositaram), Luang Por Ming (Wat Gok Bang Khun Tien), Luang Por Prohm (Wat Chong Kae), Luang Phu Sukh (Wat Po Sai Tong), Luang Phu Dee (Wat Pra Roop), Ajarn Nam (Wat Don Sala), Luang Por Ngern (Wat Don Yai Horm) and the Great Luang Phu To (Wat Pradoo Chimplee). Many other great masters of the time were also present, whose names were not officially recorded.
Below; some of the amulets in the pantheon released in the 2512 BE historical Blessing Ceremony at Wat Chinoros.
Chanting this Kata is Good for increasing popularity, business sales and promoted status.
In addition, Sangkajjai amulets have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet. This particular aspect of the Sangkajjai magic is what is called a ‘Prisnatam’ (mysterious phenomenon).
Pra Sangkajjai represents one of the Pra Sidtisawok Aedtakka (One of the Buddha’s the most admired and praised practitioners). The Buddha praised him for his ability to put long complex teachings into short understandable formulas.
He has a golden tinted skin complexion, and was originally so similar in appearance and stature to the Lord Buddha, that sometimes people would mistake him for the Buddha if seen from a distance. For this reason, he used his mind powers to force his body to grow fatter and not so handsome as before, in order to not confuse others if he was the Buddha or not. The ancient masters would often use the visual symbolism of Pra Sangkajjai’s features to create statues in this image, which has served as an important preserver of the Faith over the Centuries, and a very old form of Buddha image dating back to the early times of Buddhism.
Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni. He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti. Pra Sangkajjai had 7 close companions who cam,e with himn to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, becamse Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old
An all time Classic, and one of the rarer amulets from a Nationally Famous and Historical Blessing Ceremony, which brought the amulets of this 2512 BE edition to become a Pra Niyom preferred class Sacred Amulet. Accepted by all major amulet appreciation societies, for the official documentation of the Blessing Ceremony, which saw the attendance of some of the Greatest Master-Monks of the time present to bestow their empowerment and blessing.
The edition was blessed throughout the days of 22nd – 31st August 2512 BE. Amongst others, some of the more famous names present were the great Luang Por Guay (Wat Kositaram), Luang Phu To (Wat Pradoo Chimplee), Luang Por Prohm, of Wat Chong Kae, Luang Por Sukh (Wat Po Sai Tong), Ajarn Nam (Wat Don Sala), Luang Por Ming (Wat Gok, Thonburi), Luang Por Tiang (Wat Muang Chum), Luang Por Ngern (Wat Don Yai Horm), and Luang Por Dee (Wat Pra Roop).
The amulet is extremely rare, because the devotees of all the aforementioned Guru Monks revere and collect the amulet for the blessings of their chosen Guru, which has caused devotees from each of these Masters who were present to empower, to collect and deplete the edition very quickly. The amulets of the Wat Chinoros Edition, are seen by devotees, as a perfect alternative to other amulets of these Masters, which are already almost impossible to find, or afford. The edition has however slowly increased in value as time passes due to the ever increasing rarity of the edition, and the fact that the depleted famous editions have cased ever more people to look to the Wat Chinoros Edition to get the power of the blessings of the Great LP Guay, Ajarn Gaew, LP Dee, LP To, Ajarn Nam, Ngern, LP Sukh and LP Prohm, among other great names.
Apart from the devotees of all masters collecting this amulet, the devotees of Luang Por Guay are the most fervent collectors, for it is recorded that Luang Por Guay remained seated after all other Monks had left the ceremony, and meditated all night over them, empowering them till the dawn came. He was the last Monk to rise up from his seat, and this edition is considered by his devotees to have received an extremely powerful blessing from Luang Por Guay.
The devotees of Luang Por Sukh of Wat Po Sai Tong, also have a special preference for the amulet, because Luang Por Sukh took a batch of them back to the temple of Wat Po Sai Tong, and empowered them once more in solitary for a Traimas Trimester, meaning three months of nightly empowerment, solo in his Kuti Hut, every night throughout the Khao Pansa Rain Retreat.
Luang Por Ngern (Wat Don Yai Horm)
Luang Por Ngern was mostly known for Kong Grapan Chadtri Klaew Klaad Maha Ud Magic and less for Metta Mahaniyom Mercy Charm or Maha Sanaeh Enchantments. His Kong Grapan Chadtri Klaew Klaad Magic was and is second to none for protective amulets.
Luang Por Ngern Jantasuwanno, of Wat Don Yai Horm (Official Ordained Name; Pra Racha Tammaporn), was known as the Taep Jao of Wat Don Yai Horm, and was extremely famous for his amulets, which are renowned for their Kong Grapan Chadtri, Klaew Klaad, Metta Maha Niyom, and Maha Lap Powers.
He was a ‘Pra Nak Pattana’, which is the term given to a Monk who specialised in developing temples and Building Shrine Rooms, and local facilities for the common folk, such as schools and hospitals, to make merits helping living beings, to alleviate their sufferings.
Luang Por Guay Chudtintaro
Luang Por Guay’s amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his Great Patipata and Exceedingly Powerful applied methods of Sorcery are a large part of what attributes to their power.
His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days. Usuallly this happens because of specualtion by the collector scene, but in the case of Luang Por Guay’s amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.
Luang Por Guay is famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight. In addition, he would perform empowerments during the various ‘Reuks’ (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.
This ritual involved the Adept knowledge of the ‘Reuks Mongkol’ Buddhist Auspicious alignments, the ‘Reuks Jone’ (Gangster Alignments), Inauspicious Alignments, and the ‘Reuks Bun Paya Marn’ Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect.
Luang Phu To Wat Pradoo Chimplee
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion. This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE. His many honorable awards of status reflect his great practice and diligence, and his amulets are amongst the top ten Masters of the twentieth century, and amongst the rarest and most highly sought after in the world. His amulets are amongst the most highly sought after Pra Niyom Category Amulets, which are seen to grace the pages every important amulet encyclopedia. The amulets of Luang Phu To are highly prized and jealously guarded treasures of the high end collector and devotee.
Luang Por Prohm Wat Chong Kae
Luang Por Prohm of Wat Chong Kae was one of the more prominently revered and sought after amulet Masters, means that between his true devotees and worshippers, and the Collector and Appreciation Societies, his amulets are far and few between to come by. He was one of the most highly revered Guru Monks of his Era, and his amulets are amongst the most highly preferred with Collectors in the Amulet Appreciation Society. Mostly, the amulets of Luang Por Prohm fetch elevated prices, and are not often seen outside of the high class collector’s showcases.
His amulets are mostly hard to find these days, as they have been to the most part collected and kept in the private collections of aficionados and devotees of this Genre of Amulets, and can be considered a rare find to see any amulet of any edition from this Great Master.
Luang Phu Dee – Wat Pra Roop
Luang Phu Dee is a Very revered and Historically Famous Gaeji Ajarn of the Supannburi Province, with a large following of Devotees on a National, and International scale. His Patipata (Life’s Practice) was that of a Pure and Humble Monk whose diligent effort was seen by the Devotees to be that of a True Bhikkhu worthy of Reverence, and an Arya Sangha who stands amongst the Greatest Names in the History of Thailand.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Of all ritual daggers, this exhibit is a Masterpiece among other Masterpieces, and second to none in Magical Power to ward off Black Magick, and bring Blessingss of Prosperity, Heal and Protect. A Highly Sacred Talismanic Ritual Weapon, the Prakhan Ritual Sceptre-Knife, hand inscribed, and made from sacred Deva inhabited black Ngiw treewood, with Mai Koon wood hilt, and A4 size Certificate of Authenticity, from the Great Luang Pu Tim Issarigo, of Wat Laharn Rai.
The Mitmor Prakhan was issued with an official Certificate of Authenticity in the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay Amulet association competition meeting of August 2562 BE. A very rare and highly sacred magical Talismanic amulet for Bucha from the Great Master of the Wicha Pong Prai Kumarn; Luang Phu Tim Issarigo, of Wat Laharn Rai.
One of the rarest kinds of amulets of all to find from the Great Chonburi Master Monk LP Tim, and a truly Old Amulet of immensely high collectorship value, and a powerful ritual item for inflecting a multitude of Magical Spells, covering a vast array of magical Purposes.
Presenting a Certificated Authentic Ancient Amulet, and all time Number 1 classic Pra Pid Ta amulet of Luang Por Kaew of Wat Krua Wan (Previously of Wat Pak Tale), in Nuea Pong Jum Rak Sacred Powders with herbal lacquer coating, and the concave indented Pid Ta on rear face.
This Master-Class Old Amulet was Issued with authenticity certificate during the eighth meeting of the Association of Amulets of Siam Thailand on 25th July 2018.
Pra Pid Ta Pra Pid Ta Hlang Baeb Nuea Pong Jum Rak – LP Kaew Wat Krua Wan
LP Kaew built Wat Krua Wan after arriving on Tudong in Chonburi Province, around the year 2365 BE, during the time when Pra Jao Thaksin Maharaj was restoring Siam to freedom from Invaders, and he found the ruins of a temple that had been destroyed during the wartime. It is said that LP Kaew was born as the son of a fisherman family in the year 2337 BE, in the province of Petchburi.
LP Kaew and his famous Pidta of Wat Pak Tale and Wat Krua Wan
After he came of age he ordained as a Samanera and stayed at Wat Pak Tale, until becoming a highly revered monk of the district. After many years, he traveled on Tudong Wanndering and came to pass through the shoreline areas of Chonburi Province, where he stayed in the forest.
The Local folk heard of the monk in the forest, and began to visit. They were filled with faith by LP Kaew’s Dhamma teachings, and he developed a large following, who then assisted him to raise up the temple we know today as Wat Krua Wan. The reason Luang Phu Kaew called the temple ‘Wat Krua Wan’ (also spelled ‘Wat Kruea Wan’), was because there was much Kruea Thao Hlong vines growing around the area of the temple.
An all time Pra Niyom High End Classic Ancient Amulet, renowned for its power and status from Luang Phu Kaew, who first began his legendary of Wat Pak Tale in Petchburi (Later moved to Wat Krua Wan in Chonburi), with certificate of authenticity included issued by the Samakom Song Pra Tae Mueang Siam Association of Amulets of Siam Thailand.
The Pra Pid Ta of Luang Phu Kaew of ancient fame are considered the number one Pidta of all by devotees of the Chonburi Lineage Master Amulet Collector Scene, and also by those devotees of the Petchburi Masters. A Master Class amulet of ultra rarity that is immensely difficult to encounter in the present Era.
Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Kaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.
This is so highly regarded that when a Pra Pid Ta Luang Phu Kaew changes owners, the new owner will become ‘news’ within the amulet scene (regardless of if it came from when Luang Phu was at Wat Pak Tale, or after he moved to Wat Krua Wan).
This truly ancient amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of Both Petchburi and Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi and Sai Petchburi (Chonburi and Petchburi Province High End Collector Scene).
The exclusivity factor of this amulet is indescribably high,and coming from the both Chonburi and Petchburi Provincial Collector scene only serves to evidentiate it as a High Class and Ultra rare Pra Niyom Master Class Amulet of ancient times.
Below; Certificate of authenticity
from the association of amulets of Thailand with registry number 2581
issued in the 2018 Summer Meeting.
The Pra Pid ta Luang Phu Kaew, is known for its power being made from Luang Phu Kaew’s ancient and powerful sacred Muan Sarn. There is a famous tale of the Billionaire Chawapon Rerm Wanich, buying a number of Pra Pid Ta Pim Lek Hlang Riab (plain rear face small model) amulets of Luang Phu Kaew, for a sum of 10 million Baht each (about 350,000$US)!
It is said that the only thing harder to find than the Pid Ta of Luang Phu Kaew, is the Photo of Luang Phu Kaew himself. However, despite these true stories, that some millionaires pay immensely high prices for such amulets, the standard price which true collectors and aficionados consider to be universal ranges between the 1000$ for a less well kept or lesser preferred model with or without certificate, to 11000$ for a top class prizewinner.
Luang Phu Kaew was one of a group of Master Monks who all possessed and practiced the Wicha of making Pra Pid Ta, all of whom are famous names, such as Luang Phu Jeen of Wat Ta Lad, Luang Phu Pu (2351 -2361 BE), Luang Porn Daeng of Wat Ang Sila, and the great Luang Por Plord of Wat Pak Tale, who was the premiere apprentice to Luang Phu Kaew, and famous in his own right for his famous Look Om amulets which he made with the remaining powders inherited from Luang Phu Kaew, as well as adding powders of his other Kroo Ba Ajarn such as Luang Por Tong Sukh’s powders of Luang Phu Iam (Wat Sapan Sung).
Luang Phu Kaew was born around 2337 BE. This is known by devotees who met and worshiped Luang Phu Gaew as he appeared on Tudong wandering in Khao Bandai it district of Petchburi, to escape being asked to become abbot of Wat Pak Tale, as the current abbot had just passed away, and he preferred the forest wandering and meditation, to administration of the worldly aspects of running a temple. Luang Phu Gaew wandered onwards until he came to rest at Khao Luang Temple, and saw it was in total disarray.
He thus rounded up devotees to help and slowly restored the temple to original condition, and the local devotees begged him to be the abbot of Wat Khao Luang. But in the eyes of Luang Phu Kaew, this was tantamount to chasing him away, as he was not inclined to accept limitations on the practices and austerities of Tudong. So Luang Phu Gaew wandered off again and disappeared into the forests on Tudong.
Later after soome years of disappearance and no documentation of his life during those years, he later appeared at Wat Krua Wan, where he stayed, and became the great Master of Wicha Pra Pid Ta of the Chonburi Province who is conbsidered the top number one master of all, despite the absence of a full biography and a lack of knowledge about the full details of his life. His Wicha was passed to great Masters who he was associated with all of whom became Top Masters of Historical Fame in their own Right, with some of the greatest names being his apprentices.
Below; one of the very few photos we have in existence to date of Luang Phu Gaew, which has the date R.S. (Ratanakosin Year) 124 (2449 BE), and his age being 55 years old in this picture.
LP Kaew as he was still at Wat Pak Tale aged 55 years old
Even the world famous Payak Kampant, Sian pra Maestro of the Thai Amulet Society, who released a book with 108 biographies and pictures of Great Master Monks, was not able to include the Biography and Picture of Luang Phu Kaew, due to the rarity.
the Muan Sarn of the amulet, with all the aspects of an ‘Ongk Kroo’ (teacher model to accustom the eyes to the true authentic sacred powder content).
The rear face features the image of the Pra Pid Ta Ongk Pra Buddha embossed in concave. The Muan Sarn of the amulet is clear and easy to appreciate with the eye with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this age and status is so very rare to encounter indeed, making this exhibit a definite ‘Ongk Kroo Masterpiece Version’
This particular exhibit displays all the features necessary for prize winning competition entry, and already possesses a certificate of authenticity from the Samakom Song Pra Tae Mueang Siam.
The front face of the amulet glows with a truly seductive aura of beauty and its surface texture of lacquered Sacred Powders with pure gold leaf have blended to render a truly beautiful example of the Pra Pid Ta Luang Phu Kaew. The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features, and evident age.
True beauty in subtlety, with a sacred muan sarn powder content that assures the wearer of high Puttakun Power and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. We behold before us a Master Class authenticated amulet from one of the greatest olden days master sorceror monk, of world class status.
A look at just a few of the plethora of Carved Ivory and Tooth, Wood, Bone Singha amulets of the Great LP Derm of Wat Nong Po, to bring the style of the various preferred artisans who carved them, and the appearance of natural aging of amulets which reage the Era of Luang Por Derm. Knowing how to estimate the age and recognise the effects of natural aging on an amulet, this assists in authenticating it for your beliefs. Hence, we present some classic images and comments to increase your ability to differentiate the Carved Singha Amulets of Luang Por Derm, from those of other Masters (which is in any case, a very difficult art).
Singh Sam Khwan – Triple Fortunes Singha Himapant Lion
The Singh Sam Khwan Himapant Lion carved amulet is one of the most highly preferred and revered of his carved amulets, almost equal to Luang Por derm’s famous Mitmor Ivory handle and Bone sheath Exorcist Knives, which hold world master class status.
Below we see a classic Hand Carved Ivory Singha Lion in Heart Shape Frame, which is one of the various forms known by devotees, and is featured in encyclopaedic works of the pantheon of amulets of this Master
Below; Singh Sam Khwan Pim Roop Hua Jai Nuea Gna Gae carved ivory heart-shape model, highly preferred and extremely rare
Hand Carved Ivory Singha Lion in Heart Shape Frame – LP Derm Puttasaro Wat Nong Po
Luang Por Derm’s Carved Ivory, Boar Tusk Tiger Teeth and wooden hand made antique amulets, are amongst the most highly desired and collected items. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.
Below; Singh Sam Khwan amulets in Oval, ‘Pim Roop Hua Jai’ Heart shape, and in Loi Ongk statuette forms. The Singh Sam Khwan was also made with different kinds of mouths, such as the Pak Nok Gaew ‘parrot beak’ version.
Singha Carved Ivory, Tooth and Bone Amulets of Luang Por Derm
His carved ivory, and wooden amulets are vary rare items, and highly individual in appearance, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself.
Close Ups of Ivory of the Singh Sam Khwan Pim Roop Hua Jai
Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.
Luang Por Derm is considered one of the greatest masters for Powerful Amulets was famous for many amulets, but the Singh Sam Khwan, Mitmor, and Rachasri Lion amulets, along with his Nang Kwak, Roop Lor statuettes, have become synonimous with his name.
Singh Sam Khwan in varous materials, such as wood and ivory
Luang Por Derm Puttasaro made carved Singha Lions and other amulets in a variety of forms, as well as a host of other types of Sacred Amulets and Talismanic Charms, be they Pha Yant (both hand inscribed and sil screened), Hand carved, and cast metal Loi Ongk mini statuettes, Photographs, Takrut, and sacred powder amulets.
Nang Kwak Luang Por Derm
LP Derm also made many types of Nang Kwak Carved amulets, in various forms, which is typical of how artisans make use of the size and shape of each piece of ivory, wood, or bone or other substance they have to work with, and extract the most artistic form possible with the given shape.
Nang Kwak Hlang Pra Pid Ta Carved Amulet of LP Derm, with Nang Kwak on one side, and Pra Pid Ta on the other side
The Nang Kwak can be seen in a large variety of forms indeed, some of them featuring animals on the bases of the amulets, which was also done with Buddha Images (Pra Prajam Wan Birthday Buddhas)
Tiger Pidta Singha Hanuman 4 in One carved ivory votive tablet
Nang Kwak Nang Ko (riding an oxen), by LP Derm – recommended for those born in the year of the Ox
The Nang Kwak is seen as a ‘Pim Gleeb Bua’ Lotus Petal shape, found in various materials ranging from sacred powders, to carved ivory.
As with the Singh Sam Khwan, the Nang Kwak was also sometimes (rare) made in the form of a heart shape.
The Nang Kwak was walso found as a Roop Lor and Rian Lor metallic amulet from LP Derm.
Some of the rarer individual hand carved amulets which are not found documented are also noteworthy, for those whose interest is to catalogue and recognize the inimitable carvings of the chosen looksit initiate artisans of Luang Por Derm Puttasaro, of Wat Nong Po.
Below; a very rare carved Pra Pid Ta Buddha Loi Ongk carved from Ivory, the Patina reveals its age and natural accumulation of character, as the passage of time increases the beauty of the ivory
Pid Ta Nga Gae Carved Ivory Nirodha Buddha by LP Derm
Khun Phaen Niyom Pim Yai Niyom Sao Mee Sen (line beside pillarhead) preferred model in Pim Pised special version, in Nuea Khaw Hniaw Sukh blessed sticky rice with Pong Prai Kumarn powders, Ta Bronze Lae Tong Daeng Dtem Ongk (Bronze and Copper Painted two tone coating), Fang Pla Nga Gae (Hand Carved Ivory Barbfish inserted), with 3 Takrut (2 in front face, 1 in rear face), from the great LP Tim of Wat Laharn Rai.
Khun Phaen 15 2nd Prize Winner with Ivory Fish 3 Takrut LP Tim
This amulet won second prize in competition at the Luead Ban Kaay Luang Phu Tim Amulet Association of Rayong, with certificate, and also comes with a second authenticity certificate from the Siam Amulet Original Society.
This model is a most preferred Pim with expert collectors for the presence of a tiny line to the side of the lotus head of the Pillar (see above close up picture) to the left of the Buddha (our right side), which is only present on a very few of the most preferred Pim, and is considered to be a mark of preference with aficionados.
This amulet includes a download file of Kata Bucha Luang Phu Tim Chanting Tutorial, available after Purchase from within the file downloads tab of your account. For this reason we recommend signing up for an account instead of signing out as a guest, in order to obtain the extra download included with this item.
An all time classic certificated authentic amulet of the Great Luang Phu Tim Issarigo of Wat Laharn Rai. This item comes with free EMS Shipping included. This Khun Phaen Pi 15 Pim Niyom amulet, is a very well preserved exhibit of a highly sought after Pra Niyom Master Class Amulet, in white powders blessed sticky rice sacred clay fully covered with Bronze Wanich with Tong Daeng, a mixture of golden and copper coating.
The rear face shows a single Takrut in the Base, with a hand carved ancient ivory Pla Tapian hand carved Lucky Barbfish amulet inserted, and the classic fluffy appearance of authentic bronze Wanichcoating, and the rising up of Pong Prai Kumarn powders through the surface of the amulet,
This Pra Khun Phaen comes with the offer of free silver casing if you wish, or free Waterproof Casing. You can also have the amulet encased in solid gold casing (at extra cost) if you prefer, for which we have provided this option in the encasement options.
Below; close up x 12 Macro of the Muan Sarn of the Khun Phaen Prai Kumarn – notice the wonderful two-tone effect of the mixture of Bronze Wanich and Tong Daeng golden and copper coating, which is seen only rarely.
Below; Second Prize Certificate of and confirmation of authenticity in the category of Pra Khun Phaen which have carved amulets inserted in rear face.
This Pim is a Block 2 Pim Yai Niyom in NueaKhaw Hniaw Sukh Pasom Pong Prai Kumarn (Blesséd sticky rice with Kumarn skull powders). An extremely well preserved model, which apart from winning second prize in the Luead Ban Kaay Association Competition on 4th March 2018, has also been examined and authenticated by the Chomrom Pra Tae Mueang Siam Amulet Original Appreciation Society, and given official certification.
The amulet was submitted for certification by registered VIP member Ajarn Spencer Littlewood.
The rear face of the amulet has a beautifully carved ivory Barbfish amulet inserted (a valuable amulet in itself!), with the Sacred Yant Grabork Khwai (5 Dhyani Buddha Yantra) of Luang Phu Tim embossed on the rear face, as is ubiquitous with the Pra Khun Phaen 15 Block Tong Hlueang.
Close up of Muan Sarn of Ivory Tapian Fish in rear face of Khun Phaen LP Tim
The amulet is ‘Ta Bronze Dtem Ongk fully covered with Sai Rae Tong Kam Golden coating, and Sai Rae Tong Daeng Copper Tint, which is a preferred classic model, for its ease of recognition, and immense beauty which arises from the fluffy golden surface texture that can only be found in authentic Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim, and has to date never been able to be convincingly replicated in forgeries.
Below; Macro 12 x Closeups of the Muan Sarn of the Rear face of the amulet
Close up of Muan Sarn of rear face of Khun Phaen LP Tim
This exhibit is in perfectly preserved condition, with extremely clear cut features, and having received second prize in the Luead Ban Kaay association Competition of March 2018. This Pra Khun Phaen Pi 15 in Nuea Khaw Hinaw Sukh Pasom Pong Prai Kumarn powders, with Gold and Copper coating is a very beautiful exhibit indeed, and is only rarely seen. This amulet is widely accepted for presentation in many official competitions. The Front Face has two Takrut inserted either side of the Buddha, and the rear face has two a Takrut Sariga inserted below the Ivory Pla Tapian Fish.
This exhibit is in excellent condition, which under close perusal under the eye loupe reveals the amulet to be made from a base of Nuea Pong Prai Kumarn Powders, With fluffy Pong Prai Kumarn powders risen up through the bronze coating and a noticeable quantity of Khaw Hniaw Sukh blesséd sticky rice, with traces of green Pong Prai Kumarn powders rising up through the Muan sarn Clay. This is a most Powerful Muan Sarn filled with Maha Sanaeh, Maha Lap, Maha Pokasap Metta Maha Niyom.
Visually, this type of sacred clay has a very marbled appearance from the presence of Khaw Hniaw Sukh, and many say that the presence of pieces of Pra Somdej Wat Rakang Kositaram were used in many models, which is what brings the marble like stone appearance of ‘Dtaek Lai Nga (crackled surface effect). Further close observation under the eye loupe reveals true depth and dimension, and is full of the classic characteristics of Pong Prai Kumarn powders present within the Muan sarn clay. And when such an amulet is gold coated, has a highly fluffy textured surface.
Below; another amulet from the same series in Nuea Khaw Pasom Pong Prai Kumarn
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as Unaffordable as the Block Raek has become in the present day.
In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Above and Below you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
Below – another example of a Pra Khun Phaen Block 2, this one being in Nuea Wan Dork Tong
Below; Another example of Khun Phaen 15, this time in Nuea Wan Sabu Luead (Poon Kin Hmak) which was a first prizewinner
It is important to look for the presence of Pong Prai Kumarn within all different types and colours of Muan Sarn sacred powders of Khun Phaen LP Tim, after one has perused the ‘Pim’ (visual design features) as first priority. The Pim (design features) itself is easy to forge with modern cgi, but the Muan Sarn Sacred Clay ingredients can not be affordably replicated in forgeries.
Hence, once one has developed the ability to recognise the edition and block press (pim) with the naked eye and under the eye loupe, the next and more important step, is to examine and confirm the presence of authentic Muan Sarn ingredients within the sacred Clay.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.
We guarantee authenticity with this item, as we do with all amulets in our showroom.
The Macro close up pics reveal the true Muan Sarn Powders of Luang Phu Tim, with the presence of Khaw Hniaw Sukh and Pong Prai Kumarn with Sai Rae Tong Kam golden powders.
The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet. This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay’ – easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Muan Sarn of Luang Phu Tim.
The Block Tong Hlueang mold was created after the previous block press mold broke, the ‘Block Hin Meed Gone‘, which was carved from the sharpening stones used by monks to sharpen their razor blades to shave their heads. Block Tong Hlueang is preferred over the Block Hin Meed Gone, and carries a slightly higher price-tag and eminent status to the Block Hin Meed Gone with the Wongarn Pra Niyom Collector Circles. The rear face has double Takrut Sariga inserted into the Yant Grabork Khwai Yantra.
Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread, and breaking the tight grip monopoly of the ‘Sian Pra Niyom’ Experts.
This and many other conclusive evidence has served to open up the truth and reveal this edition, which has been deliberately, or through oversight hidden by a few powerful monopolists for many decades. The edition has stayed with the local folk, and did not fall into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim.
Close up of Muan Sarn of front face of Khun Phaen LP Tim
That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series.
Below; thin line to the side of pillarhead reveals this to be a Pim Niyom Sao Mee Sen Rare Preferred Model.
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (Block Sorng Pim Sum Khad) – a rare Pim of the pantheon.
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’.
The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Below, rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). It is said that those who have tried to fake and ride on the back of Luang Phu, to make their riches with lies and fakery, must have their day of reckoning.
Luang Phu Tim is said to have gained stream entry and advanced beyond Sotapanna to become Anagami, and this in itself makes the abuse which has occurred over the years, a serious sin against an Arya Sangha, to try to discredit authentic editions which Luang Phu may have created.The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15.
Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Below; Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phaen, and receives direct confirmation of the facts, authenticating these editions. he beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Below Picture; Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
The Samakom Pra were dumbfounded when he came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Below; Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BEwith great sincerity.
Below. examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Pra Khun Phaen Sum Khad/Sao Khad (Pra Khun Phaen Block 2)
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke. The block tong hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred).
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai.
Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Sai Rae golden coating on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Sai Rae Tong develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet as a sound investment and an extremely rare opportunity to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Pra Khun Phaen Pong Prai Kumarn 2515 BE, of Luang Phu Tim.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; pages from an encyclopaedic publication from the amulet appreciation society which defines a list of amulets which Luang Phu Tim blessed during his life, and which confirms the Block 2 series to be within his ‘Tamniab’ pantheon of amulets, and authentically blessed by LP Tim during his lifetime. This is in contrary to false rumors which were spread years ago, which caused the series to be ignored for decades until the information finally surfaced and was brought to light.
As a result, the Block 2 series is not one of the hottest topics of the amulet scene in the present era, and immense furor has arisen, raising the interest of devotees around the nation and further afield in foreign shores. This of course will result in a repeat experience of gradual depletion, as the collectors race to obtain and keep the amulets for their own collections and for Bucha.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after.
In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
The ‘Hlak Pijarona’ (criteria of examination and authentication) of tje Pra Khun Phaen 2515 Block 2 Series amulets have served to change the standards of how authentication of a true Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim is confirmed, because of the extensively varied number of different versions with varied Muan Sarn Sacred Powders and different kinds of textures found in each model of this series;
In the old days, when only certain models were documented and accepted, the experts would gaze at the Pim Song (block press details and features of design) to authenticate, and would never examine the Muan Sarn Sacred Powders if the Pim Song did not fit within the rigid criteria of design details.
But now, it has become clear that because there are many more different versions than previously conceived, the true criteria to use for authentication of the Pra Khun Phaen Luang Phu Tim is to look at the Muan Sarn Sacred Powder clay and its inner content, and textures, which can not be replicated by forgers once you know how the true appearance of the Muan Sarn Sacred Powders should be, and are a much more certain method of confirmation.
Below; A close up super-macro of the Muan Sarn Sacred Powders of the Pim Lek amulet in rear face of the Pra Khun Phaen Pong Prai Kumarn 2515 BE Nuea Khaw Ta Bronze Fang Pra Pong amulet, revealing the inimitable properties of authentic Muan Sarn Sacred Powders of Luang Phu Tim.
Pra Pong Roop Muean Luang Phu Moon Wat Ban Jan first edition Nuea Wan 108 Pasom Gesa, and old and classic amulet of the Great LP Moon. For Fans of Luang Phu Moon, OId Amulets Blog presents you with a special 10% Discount Coupon Code for our readers at Old Amulets (Just keep reading to find the coupon code), for the Classic Pong Roop Muean LP Moon Sacred Powder Amulet of Master Class Status, of the Great LP Moon’of Wat Ban Jan, Featured in Volume One of the Encyclopaedic Works of amulets of LP Moon
The Pra Pong Roop Muean Luang Phu Moon Pim Nang Dtang 1st edition amulet of Luang Phu Moon was blessed in the Jaroen Lap series, at Wat Pha Nong Lom in Sra Gaew, and is highly renowned old sacred powder amulet believed to be immensely powerful, for the use of a high concentration of Sacred Muan Sarn Powders used in their making, Luang Phu’s Blessings, and for their rarity, being equally rare to find as many of his famous coin amulets. This edition commemorated Luang Phu Moon’s 105th Year of Life.
Pra Pong Roop Muean Nang Dtang 1st Edition LP Hmun 2542 BE
The front face features the image of Luang Phu Moon seated on a Tammas Dais with the words ‘Luang Phu Moon Titdtasilo’ on the base of the Tammas Dais. This series of amulets were placed for blessing in the same Buddha Abhiseka Ceremony held for the ‘Jaroen Lap’ edition, with not only Luang Phu Moon present to perform empowerment and blessings, but also a number of other Great Master Monks. This edition also featured the extremely famous and highly priced Rian Moon Ngern Moon Tong Guru Monk Coin, also released at Wat Pha Nong Lom
Pra Pong Roop Muean Nang Dtang Featured in the first of a two volume encyclopaedic pantheon of the amulets of Luang Phu Moon Tithasilo, of Wat Ban Jan
Close Up Macro of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The rear face of the amulet features a Sacred Na and the words ‘Wat Pha Nong Lom’ embossed on the top, with the words ‘Amphoe Wattana Nakorn Jangwat Sra Gaew’ on the sides of the rear face.
Close Up Macro of Upper Front Section of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The amulets can be found to possess tonal color differences in their appearance, ranging from yellowish beige to light gray, depending on each individual amulet.More than 108 types of Sacred Herbs and Pong Chan Hmak betel-areca of Luang Phu was added to the Sacred Clay. Some exhibits can be found to have a piece of Jivara roba attached or with some of Luang Phu’s Hair affixed to the surface. Some special versions were made with gold Takrut, twin Takrut, and gold leaf pasted, in Gammagarn series limited numbers.
Close up of the Muan Sarn Powders of the Central Front Section of the Front Face of the amulet
The Muan Sarn clay itself has plenty of Luang Phu’s hairs (Gesa) in the admixture which Luang Phu Moon had collected ever since his days traveling on Tudong forest wandering. Most exhibits are found in a whitish-brown (beige) colour, which can vary in lighter and darker tones, and in light grayish colour. Some rare exhibits have Kraap Nam Wan (stains from herbal tincture) applied to parts of the surface. The amulets are found in both thin and thicker pressed versions.
Close up of the Muan Sarn Powders of the Dais on the Lower Front Section of the Front Face of the Pra Pong Roop Muean LP Moon
The Pong Roop Muean Jaroen Lap Nuea Wan 108 Pasom Gesa Amulet is a top preferred amulet of Luang Phu Moon Tidtasīlō, which was blessed in the Pra Kring Jaroen Lap Edition Blessing Ceremony, and which gained great fame due to a multitude of reports of miraculous successes and life saving miracles from devotees who wore the amulet, making it one of the great popular amulets of all time of Luang Phu Moon, for miraculous powers. The Piti Tae Tong Casting was performed on the 30th October 2542 BE, The Buddha Abhiseka Blessing for the amulets was performed on the 31st October in the year 2542 BE at Wat Ban Jan with Meditative Empowerment.
Close Up Macro of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The Edition included the following amulets;
Roop Lor Loi Ongk Tong Hlueang Rom Dam – Loi Ongk Statuette in Sacred Brass with blackened finish
Pra Pong Roop Muean Nang Dtang – Muan Sarn Sacred Powders amulet
Pra Pong Pid Ta – Muan Sarn Sacred Powders amulet
Rian Moon Ngern Moon Tong Guru Monk Coin (Made in Nuea Ngern and Nuea Tong Daeng/Tong Daeng Rom Dam Prakam 19 Met, with a very few made attached to 7 coloured cord with Takrut, and in Nuea Tong daeng/Tong Daeng Rom Dam 18 Met). Very few solid gold coins were made to order, with 500 coins madse in Nuea Ngern (silver), and 10,000 coins were made in Nuea Tong Daeng (plus a few extra made for attachment to 7 coloured cord with Takrut which were not counted).
Thung Pokasap Jaroen Lap 999 Larn Treasure Purse
Pra Somdej Hlang Yant Hmeuk Run Raek – First edition Somdej Muan Sarn Sacred Powders amulet with ink stamp on rear face
Rian Arm Narai Song Krut Guru Monk Shield Coin amulet with Vishnu Avatar Riding Garuda Bird on rear face. Of a total of 10,000 amulets pressed and cast, 2000 of them were given the special code ‘Ma’ limited edition stamp for special release after a second blessing ceremony at Wat Nong Lom. 7500 Coins were given the code ‘Na’ stamp and released at Wat Sutat temple, and a further 500 coins were not given any code stamp at all (for release directly at Wat Ban Jan).
Below; Sacred Unalome embossed in the Muan Sarn Clay of rear face
Below; news article about the Jaroen Lap edition (105 years Luang Phu Moon), with the Pra Pong Roop Muean Luang Phu Moon Thithasilo Wat Ban Jan visibly included.
News Article Jaroen Lap Edition amulets
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Luang Phu Moon was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
Front Cover of first of a two volume encyclopaedic pantheon of the amulets of Luang Phu Moon Tithasilo
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
The Miracle Powers of Luang Phu Moon are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. Luang Phu Moon’s amulets are now very hard to come across, and carry mid-elevated price ranges, having entered the annals of Pra Niyom High End Master Class Category within all amulet associations and fanclubs.
His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.
Luang Phu Moon Tidtasīlō Ma A U Luang Phu Moon Tidtasīlō U A Ma
Kata Bucha Luang Phu Moon
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
The word ‘Moon’ means to turn and increase (revolve). Luang Phu Moon always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Moon, should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
This amulet is an extreme rarity and is in pristine condition and highly eligible for show in competition. Considered extremely powerful protection and prosperity magic from this legendary miracle monk, and one of the most well known amulets of his pantheon. A true Pra Niyom amulet of Master Class, for devotees and aficionados of Luang Phu Moon Tidtasīlo’s amulets, to treasure and wear with confidence of safety and good fortune
Luang Phu Moon is renowned for having stated some Mysterious things;
Dtua Gū Bpen 1 Bor Bpen 2 Nai Phaen Din Nī (there is only one of me in this land)
Dtua Gū Bpen Hlek (i am made of iron)
Dtab Gū Bpen Tong Daeng (my liver is made of copper)
Phao Dtua Gū Bor Mī Hmai (in cremation, my body will not burn).
The Kata Bucha for Luang Phu Moon Wat Ban Jan Tutorial is available as an MP4 download after purchase from within the downloads/files section of your account in the sales tab if you buy this amulet through us from our afilliates at Thailand Amulet.
A Most sacred and rare Old Guru Monk Amulet in fine Muan Sarn Powders, of the Luang Phu Moon Pantheon which no true devotee or collector should be without.
The Pra Pid Ta of the temple of Wat Sapan Sung are known for their powerful magic, with 4 Generations of Great Master Monks as Abbots continuing the Dtamra of Pra Pid Ta amulet making, which consists of one of the most complex methods of making sacred powders in the Dtamra Saiyasart Ancient Grimoire of Sorcery. Luang Phu Glin was thr first inheritor of the Dtamra to receive the Wicha Pra Pid Ta directly from Luang Phu Iam, which was soon after also passed on to Luang Por Tong Sukh. The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.
Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from. Luang Phu Iam Passed away in 2439 BE, leaving Luang Phu Glin as the new abbot and caretaker of the temple
Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin
It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them and were pure powders. His devotees would then have them treated with lacquer of their own accord after receiving the amulet, and also sometimes the Samanera Novice Monks would help and perform the task of lacquering the amulets
his successor Luang Por Tong Sukh and his predecessor Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer themselves.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.