A rare and highly sought-after Pim Niyom version of the Phra Nakprok Thep Nimit amulet of the Great Khao Or Laymaster, Ajahn Chum Chai Kiree, known as the ‘Pra-Kru’ burial chamber variant of the 2495-2407 release Phra Nakprok Thep Nimit edition, holds significance in the context of Thai Buddhist amulets. This edition was unveiled during the Miracle Blessing Ceremony, graced by the presence of hundreds of Lersi Hermit Masters from India, Thailand, and Southeast Asia, whom Ajahn Chum had invited to assist in the empowerment.
The ‘Long Kru’ 2511 BE release is a much harder and lighter-colored amulet, full of herbal powders, which looks more like clay than sacred powder. This fact is due to the drying of the atmosphere and changing humidity factors of the Kru chamber, which resulted in the amulets having a distinct appearance compared to the jet black ones which were not stored for more than 12 years in a closed chamber. There were two different Pim (models), one with a smooth rear surface, and this, rarer ‘Hlang Yant Ha’ (five Buddhas Yantra) on the rear face. The black 2496 BE Hlang Yant Ha model is the Pim Niyom of all models and now a much more expensive item to acquire than the smooth-backed model. The supply from the Kru Chamber finally was depleted in 2524 BE, as the very last amulets from the 2497 Indochina War edition were handed out.
Hundreds of Gaeji Ajahn Guru Monks were present to perform their Chants and Meditative Blessings upon the Amulets. The Long Kru versions of this amulet (placed in a ‘Kru’ chamber buried for a time before release) are the ‘Pim Niyom’ versions (preferred). This is for the fact that they were given further empowerment in the Chamber and charged with Buddha Magic, and their Classic Appearance and ease of authentication due to the ‘Kraap Kru’ mildew stains which only are found on the Pim Niyom versions of this series.
This amulet was one of a number of different amulets, oils, and Takrut charms plus some special ritual items such as magic Mai Kroo wands and Mitmor knives, which were involved in the famous ceremony of Maha Ud magic performed by Ajahn Chum with amazing displays of invincibility magical proof. This amulet has immense Kong Grapan power (bullet and knife proof). The famous maker of Jatukam, Khun Pantaraks Rachadej was also involved in this ceremony.
The reason that this amulet is called ‘Thep Nimit’ is that the word Nimit means ‘appear in a vision,’ and the Dtamra (legend) of Ajahn Chum’s ‘Thep Nimit’ amulets began with a vision in a dream, in which an ancient Monk appeared and foretold that those Humans who do not follow the Dhamma and have Moral Precepts will be engulfed in attacks by great weapons the world has never seen before, be invaded by pirates and thieves who are worse than wild animals, and attacked by ghosts and demons.
Ladies will also find this amulet a very good choice because of its petite size and slimness. The Phra Nakprok Thep Nimit was created and empowered in 2496 BE by Ajahn Chum Chai Kiree. It was empowered at Wat Banpot Nimit. The amulet is in the form of the Buddha with a seven-headed Naga canopy depicting the moment that the Naga King gave shelter from the rain to the Buddha as he sat in deep meditation in his attempt to enlighten. The amulet is detailed for its small size with the facial expression visible on the Nakprok Buddha.
The Muan Sarn used in the sacred powders in this amulet include flowers offered to the Buddha from all the Royal temples, as well as from a host of many of the most sacred public temples around Thailand, broken pieces of the Chedi Stupa and leaves from the Bodhi tree at Nakorn Sri Tammarat, a collection of the best sacred powders from a large number of the Greatest Ajahns, including Pong Wised from Ajahn Kong (the Ajahn of Khun Phaen himself), which was discovered when digging under the Chedi of Ban Sri Prajant in Supannburi. The amulets finally ran out and were completely depleted in the year 2524 BE, when the very last amulets were distributed after the final opening of the Kru chamber.
The ‘Yant Ha’ 5 Buddhas Yantra is slightly visible on the rear face, faded from years of storage, bearing the Kata ‘Na Mo Put Taa Ya’.
Ajahn Chum Gave a Traimas empowerment to the amulets. As usual in the empowerment of the Puttapisek final ceremony, the famous Khun Pantagij Rachadej was present to add his Incantations to the blessing. This amulet was given out to Devotees present in the Wai 2496 BE Wai Kroo Ceremony. A host of Famous Gaeji Ajahns of the Khao Or Lineage were present to assist with the blessings and Putta Pisek chanting. The remainder were placed inside a Kru Burial hiding chamber, and later retrieved, to be released at the 2511 BE Miracle ceremony, now so famous as one of the most important ceremonies in the History of Thai Buddhism and in Thai Occultism.
If we look at the History of the world since 2496 BE, when this amulet was made, we will see that many of these predictions made in Ajahn Chum’s dream can be seen to have come true. In order to keep safe from these dangers, the Old Monk said that Ajahn Chum should take flowers which Monks had offered to ask forgiveness to each other before the rainy seasons, and flowers which had been offered to the Buddha by Monks during their ceremonies and Prayers in the Shrinerooms.
He should gather this from 108 Sacred temples and mix with pieces of powdered bricks from the Relic Stupa of Nakorn Sri Tammarat. In addition, the Monk in the vision said he should take powders from the great Bodhi tree, and powders from various important Samnak (temples where magic is practiced), and the sacred powders of Ajahn Kong (who was the Guru of Khun Phaen). These powders should be made into a Buddha amulet and given three months of empowerment.
Tests should be made on the amulets for their power, and also those who received them and wear them must make an official oath to the Buddha Dhamma and Sangha to leave sinful and immoral activity forever and to practice Metta and offerings to the Sangha. If those who wear the amulet can keep these rules, they will be completely safe and protected from the predicted evils.
In the year 2470 BE, Luang Phu Kong (Wat Kae, Supannburi) entered the body of a Civil servant in Pattalung, South Thailand, and spoke through him, revealing the Dtamra of making a kind of Pra Khun Phaen to Ajahn Chum Chai Kiree. This Khun Phaen was called ‘Pra Pong Taep Nimit.’ During the Puttapisek and further three-month empowerment, Luang Phu Kong visited and entered the consciousness of Ajahn Chum the whole time to assist in the empowerment.
Luang Por Kong was abbot of Wat Kae, in Supannburi (Wat Tan) who lived during the time that Ayutthaya was the Royal Seat and was the first Ajahn of Khun Phaen himself. The Luang Por Kong of Ancient Fame created the Pra Khun Phaen Ruean Gaew and gave it to Khun Phaen himself for protection and blessings. The amulets were made in 2496 BE and distributed at intervals from then on, up to 2524 BE
Not only this, but Ajahn Kong’s spirit also demanded that Ajahn Chum remove some Pra Yord Khun Pon, Pra Khun Phaen, and the bones of Luang Phu Kong himself from the inner chamber below the Chedi at Wat Tan (Wat Kae) in Supannburi (which had been there since the times of the Ayutthaya Kingdom). Ajahn Chum went to ask for permission to dig there from the Ministry of Fine Arts and Culture. As soon as the Devotees heard of this, they asked Ajahn Chum to make Pra Khun Phaen and Pra Taep Nimit amulets. Ajahn Chum thought carefully about it and thought that if he did make them, then he would have funds to build an Uposatha shrine room at Wat Ban Suan in Pattalung and dedicate it and the merits received to Luang Por Kong, as well as to distribute amulets to soldiers and other members of the military and police force who were defending the country from danger.
Bucha Method (How to Worship).
Chant Namo Tassa 3 times first (as must be done before chanting to any amulets), then pray hard and declare that you take refuge in the Buddha, Dhamma, and Sangha, then gaze at the Buddha on the face of the amulet for a moment before breathing in and saying inwardly ‘Bud’ and breathing out and saying ‘Dho’ (or Put-To, depending on your pronunciation). Keep doing this until your mind is still and clear. Once you have attained the stillness of meditation, then begin to chant the following; I Sawaa Su Su Sawaa I – A Sang Wi Su Lo Bu Sa Pu Pa (3 times) If you have any bothersome influences or events occurring or questions you need answering, then light incense and call the devas that take care of the Buddhas to come, while thinking of Luang Phu Kong and Pra Khun Phaen. Then place your hands together with the amulet between them, and begin to chant the following; Na Ma Pa Ta Neu Meu Peu Teu – Keep chanting it until the Deva of the amulet enters your mind, after which you will be able to pose questions in your heart without words.
Ajahn Chum made the following statement about the Pra Pong Taep Nimit before handing them out; “This amulet I guarantee to truly protect from dangerous weapons of all kinds, including protecting from, and preventing thieves and pirates, and wild dangerous animals. The amulet is heavily leaning towards Metta Mahaniyom and Maha Sanaeh power. Both Men or Women or Children can use it”. “It is forbidden to take the amulet and test its power for fun, which would be disrespectful and endanger you of using up the miracle power it holds to protect you in the true moment of dire need. If you do not believe in the amulet, you should not come forward to receive one, for it will bring you bad luck”.
Tests using guns and sharp knives were performed, to test the magic on the throngs of Devotees present. Ajahn Chum is in my opinion the greatest and most powerful lay master of all living history of Thai Saiyasart. This amulet is a rare old amulet of undoubtable magical power to protect against knives, bullets, and the like. This example is in extremely fine condition, and a very beautiful example indeed. Extremely rare. The amulet is made from over 500 kinds of sacred powders which were collected by Ajahn Chum and Luang Por Kong (Wat Ban Suan) over 40 Years. Because the Thai Government had issued papers calling for the army to gather and recruit, to go into War in the Indochina war in 2497 BE
Ajahn Chum always used his famous magical oil to smear on the heads of the Devotees before performing Kong Grapan Magic, which you can also see him doing in some parts of the below video recording, taken at the Puttapisek blessing of his amulets in 2511. A certain amount of the 2496 and 2497 Taep Nimit amulets were immediately distributed to the Military, and in the Wai Kroo Ceremonies of 2496/2497, but some of them were kept in Kru chamber until 2511 BE, and empowered constantly until then, and handed out during the Puttapisek
Note; Nakprok Buddha is the official Buddha of those born on a Saturday, and is thus especially powerful (even more so) for those people.
One of the Great and Ultra-Rare Classic ‘Krueang Rang’ type Talismanic Amulets of the Previous Century; the Sacred Hmak Tui Mad Chueak, cord-bound lacquered Blessed Areca Nut, from the Venerable Luang Phu Iam of Wat Hnang. The Hmak Tui Sacred Areca Nut amulet is recognized as one of the distinguished Classic Pra Niyom Master Class Ancient Amulets created by Luang Phu Iam Suwannasarō (2375 – 2469 BE), of Wat Hnang (and Wat Ko Non). Estimated to be from the Mid-Era, around 2450 BE. Renowned for its Maha Lap Wealth Accumulation, Serm Duang Good Karma, Kong Grapan Klaew Klaad Invincibility and Evasion, and Metta Maha Niyom Mercy Charm powers.
Free Registered Air Parcel Shipping Worldwide is Included with this Amulet. The Hmak Tui is additionally adorned in a traditional manner, featuring a magical spellbound ritual cord wrap and a herbal lacquer coating. This Hmak Tui is a rare yet well-documented model, distinguished by its classic and easily identifiable aging characteristics, style of cord wrap, appearance of the lacquer, and, of course, the emanation of magical vibratory energies imbued within the sacred areca nut amulet by Luang Phu Iam.
Luang Phu Iam Wat Hnang
Released in the era when Luang Phu Iam was already the abbot of Wat Hnang, in the decade between 2445 and 2450 BE. The amulet has been coated in Rak Dam Black Herbal lacquer, a common practice in ancient times to preserve amulets and ensure longevity. The Sacred Rak Boran ancient lacquer has developed distinctive character in its surface appearance over the years, displaying the natural aging characteristics expected of an authentic Pra Niyom Class Ancient Amulet.
Encyclopedic Records of Mak Tui amulets of Luang Por Iam
The Hmak Tui is estimated to have been crafted around 2440 – 2450 BE. Luang Phu Iam started making amulets at an early stage, during the time he followed his mentor Luang Phu Rod at Wat Ko Non. His amulet-making journey began before the creation of his famous first-edition Pra Pid Ta Yant Yung and Pra Pid Ta Pid Tawarn, released at Wat Hnang around 2440 – 2443 BE.
His renowned and highly valued Pra Pid Ta Yant Yung/Pid Tawarn were crafted from metallic alchemical metals after Luang Phu Iam became the abbot and were meticulously made one by one, following the same method as Pra Pid Ta Wat Tong of Luang Por Tap (No.1 Pra Pid Ta Amulet of all Time). Luang Phu Iam, a globally recognized master monk of the previous century, is acclaimed for the Pra Pid Ta amulets and especially for the Number 2 Amulet of the Top 5 ‘Benjapakee’ of Pra Pid Ta in all Thai Buddhist History, the Pra Pid Ta. His most celebrated creations include the Pra Pid Ta Yant Yung and Pra Pid Tawarn amulets.
Luang Phu Iam amulet encyclopedia
Luang Phu Iam also produced a diverse array of other amulets, including his well-known hand-carved Pra Pid Ta, with many being original creations by different artisans using various sacred woods, ivory, and other materials. Luang Phu Iam holds the prestigious position as the No.2 Master in all of history, renowned for his Pra Pid Ta Amulets and his Rare and Powerful First Edition 2467 BE Monk Coin, which commands exceptionally high prices in auctions (Circa 100 Thousand Dollars).
Luang Phu Iam’s sacred amulets, encompassing his famous Takrut, the divine Pra Pid Ta pantheon, Rian Kanajarn Monk Coins, and Pra Pid Tawarn, resonate with the transcendent essence of Luang Phu Rod’s mastery. Devotees, deeply immersed in the mystical energy of these ascended masters, frequently adorn themselves with both Luang Phu Iam’s and Luang Phu Rod’s amulets, intertwining the spiritual forces of these revered monks on a single sacred necklace. This profound practice reflects the unwavering faith and profound connection believers hold for these great Thai ascended masters and the potent blessings encapsulated within their blessed artifacts.
Hmak Tui Mad Chueak Sacred Areca Nut Sacred Thai Talismanic amulet (2450 BE), from the Great Luang Phu Iam Wat Hnang
Introducing a unique first-edition certificated amulet crafted by the esteemed Malaysian Monk, the Pra Pid Ta Por Tan Daeng, from Wat Koke Sai in Songkhla. This amulet represents the 1st edition ‘Pim Wat Bang Sae’ model, which pays homage to the style of the Pra Pid Ta amulets from the renowned Malaysian Monk, Luang Por Tan Kron of Wat Bang Sae. This amulet was released in the year 2540 BE and is meticulously crafted from Bailan Parchment powders. It is imbued with powerful Khom Aglkhara spells in ancient Khmer Sanskrit, traditionally used to empower this specific Wicha, as employed by Luang Por Kron for his Pra Pid Ta amulets.
Temple: Wat Koke Sai. Year of Issue: 2540 BE. Maker of Amulet: Por Tan Daeng. Recommended Uses: Maha Lap, Metta Maha Niyom, Klaew Klaad, Kong Grapan Chadtri, Maha Pokasap, Serm Duang. Number of Amulets Made: Unknown.Size of Amulet: 3.2 x 2.9 Cm. Material: Nea Pong Bailan Sacred Grimoire Soot and Kakyayaks earths. Additional Info: A rare amulet for followers of Por Tan Daeng the Luang Por Kron Lineage, Especially Popular with Malaysian Devotees.
Pra Kroo Aphai Sopon (Por Tan Daeng), formerly the Abbot of Chana District in Songkhla Province, hails from Kelantan, Malaysia. He is a direct disciple of Luang Por Kron from Bang Sae Temple, Malaysia. Por Tan Daeng has gained renown for creating highly revered amulets over the years, all of which are considered rare due to his status as the first apprentice (Looksit Aek) of the esteemed Luang Por Kron. He possesses a profound mastery of the magical Wicha associated with the Phra Pid Ta amulets of Wat Bang Sae in Malaysia.
The Pra Pidta Bang Sae comes in various types, made from sacred Muan Sarn powders and various models (Pim). These amulets are renowned for their potent magical properties and serve as excellent alternatives to the now exceedingly rare Pra Pid Ta amulets created by Luang Por Kron. They are not only powerful but also considered exquisite pieces of miniature sacred art. Collectors and aficionados hold the Pra Pid Ta Pim Wat Bang Sae in high regard, thanks to the powerful consecration ceremony conducted at Khok Sai Temple. The ceremony witnessed the participation of numerous revered monks, including Por Tan Daeng, Ajarn Sri Ngern (abbot of Wat Don Sala), Por Tan Khun Thong, Luang Por Sukh of Wat Duyong, Por Tan Chin of Wat Mueang Yala, Luang Por Hwaan, and many other esteemed monks from the Southern Provinces.
Luang Por Tan Daeng has since passed away, leaving behind a legacy of reverence. He was known for his straightforward nature and unwavering compassion. Whether conducting ordinations or rituals, he maintained strict adherence to the sanctity of Buddhist clergy. Por Tan Daeng also held the position of preceptor (Upachaya Ordaining Officer), a special designation granted to monks allowed to ordain others at their discretion.
Por Tan Daeng was renowned for his diligence and rigorous assessment of individuals seeking ordination as monks. He scrutinized their intentions, safeguarding the purity of Buddhism (Buddha-Sasana) by preventing those with ulterior motives from ordaining. Only those with sincere intentions were permitted to undergo the ordination ceremony, which required them to practice as lay practitioners in white clothing for an extended period to prove their commitment. Por Tan Daeng is revered as the Lineage Continuance Master of Luang Por Kron from Wat Bang Sae, ensuring the preservation and propagation of the Wicha Pra Pid Ta of Wat Bang Sae, initially established by Luang Por Kron.
About Luang Por Kron;
Luang Por Kron was referred to as ‘Tok Raja’ by Malays, a title signifying equality with the Sangha Raja. This name stemmed from a legend where a powerful Sultan of Kelantan had a daughter afflicted by a malevolent black magic spell. Despite seeking help from doctors and psychologists, her condition remained unchanged. Even the Muslim witch doctors failed to break the curse with their magic.
However, Luang Por Kron possessed the ability to heal her and restore her sanity. This miraculous act earned him the honorary title of Tok Raja from the Sultan, signifying his equal status with the Sangha Raja. Luang Por Kron’s preferred amulets include Pra Pid Ta Nuea Pong Kluk Rak and the Rian Roop Dork Jik coin amulet.
Pra Pid Ta amulets, as well as Pra Pid Ta in the form of Pha Yant and Bucha statues, have been crafted as objects of reverence and protection in Thailand for centuries. Artisans of that era created various styles and interpretations, drawing inspiration from different periods of Buddhist art and sculpture. Various deities were incorporated into the Pra Pid Ta posture, symbolizing the act of ‘covering the eyes.’ These amulets could close 7 or 9 orifices, with the former referred to as ‘Pra Pid Sadtatawarn’ and the latter as ‘Pra Pid Navatawarn.’
The Pra Pid Ta is renowned for its ‘Maha Ud’ (invincibility) and ‘Kong Grapan’ (gunstopping) properties. It is also crafted as a wealth-bringing amulet, referred to as ‘Pra Pid Ta Maha Lap.’ To enhance its resonance for wealth attraction and auspicious blessings, ancient artisans sometimes incorporated the image of the Sangkajjaiyana Buddha of riches and happiness into the Pid Ta posture.
Phra Pidta Pim Bua Chan Diaw Ner Samrit Luang Phu Iam
This Famous Classic Phra Niyom Master Class Ancient Amulet, is a revered item from the great Luang Phu Iam Suwannasarō of Wat Hnang and Wat Ko Non, the Phra Pidta Bua Chan Diaw. The amulet was created between 2375 and 2469 BE. This particular model is a single-tiered lotus leaf dais version called Ud Krang Channaroeng and features Channaroeng bee’s nest paste. Channaroeng, which utilizes the sticky material of stingless bees, has been considered a powerful ingredient for centuries in various cultures. In Thai Saiyasart Occult Practice, creating this paste using specific formulas and empowerment methods is a difficult and revered skill, mastered by only a few great masters throughout history, with Luang Phu Iam being one of the most well-known.
In the epoch when Luang Phu Iam presided as abbot of Wat Hnang, the Phra Pidta was unveiled, a wooden statue of the Buddha closing his orifices, entering the peaceful state of Nirodha. The Buddha was gracefully draped in a rich, black lacquer of herbal origin, a common preservation technique utilized in ancient times to extend the life of amulets.
It is whispered that the gifted artisan Luang Phu Iam began crafting hand-hewn wooden Phra Pidta statuettes sometime around 2448 BE, yet he had honed his amulet-making skills long before under the tutelage of his mentor, Luang Phu Rod, at Wat Ko Non. Even before his first release of the renowned and sought-after Phra Pidta Yant Yung and Phra Pidta Pid Tawarn at Wat Hnang in the early 2440s, Luang Phu Iam had already established a reputation for his amulet-making prowess. His later, famous and incredibly valuable Phra Pid Ta Yant Yung and Pidta editions, created from alchemical metals, were produced individually in the same traditional manner as the revered Phra Pidta Wat Tong of Luang Por Tap, the undisputed king of all Phra Pidta amulets.
The Pra Khun Phaen Hlang Yant Sariga (Pim Lek), in Nuea Pong of LP Phueak, is an Eternal Classic, and Highly Sacred Amulet of the Great Luang Phu PhueakLuang Phu Phueak of Wat Ging Gaew, and is an immensely sought after and preferred Pra Niyom Amulet of the Master Class.
Viewing the Muan Sarn Sacred Powders of the surface texture of the amulet closely reveals its true character and distinguished class through the surface features. ‘Phiw Haeng Dtam Ayu’ (surface features reveal obvious age), ‘The amulets were made in 3 sizes, Pim Lek (small), Pim Klang *medium) and Pim Yai (large). In addition, this series was released in 4 kinds of Muan Sarn Sacred Powders; 1. Nuea Pong, 2. Nuea Wan Sabu Luead, 3. Nuea Pong Bailan, and 4. Nuea Din. Some amulets did not have the Yant Sariga on rear face (such as Pong Bailan, or Wan Sabu Luead, most people say they have never seen one in black or red with a Yant on rear face, and not all of the other colored powders were given the inscription. This makes models with the special hand inscription much more highly preferred to serious collectors, and devotees who wish to have the hand inscription of the Guru.
Free registered air parcel worldwide is included. Luang Phu Phueak was a Gaeji Ajarn of the Samut Prakarn Province, and one of the great and Highly Famed Masters of the Pre 2500 BE Era, who was both Nationally and Internationally famous, for his Patipata and Magic Powers, and for his Amulets. Below; The Classic Yant Sariga spell inscription of LP Phueak is easily visible on the rear face of the Khun Phaen amulet.
He graced some of History’s most famous Buddha Abhiseka Blessing Ceremonies of national Importance, invited for his great prowess in empowering amulets, especially the great ceremonies held at Wat Rachabopit, and Wat Sutat.Luang Phu Phueak was born in the locality of Samrong in Bang Pli, samut Prakarn (now a municipality of Bangkok) on 12th August 2412.
His father was called Mr. Tong Sukh, and his mother was known as Miss Khai, with the surname of Sukh Tong. He was the 5th child of the family with four Siblings. His family were farmers. In his younger yearshe helped his family with the household and farming duties until he reached the age of 13, when his parents took him to receive his schooling with Pra Ajarn Im Intasaro, the abbot of Wat Chang Hnong Ging Mai (Wat Ging Gaew).
In olden days, the temple was where most children got their chance of an education, and would be taught about moral conduct from monks. as the young Phueak reached the age of 15, he was able to read and write, and returned to help his family out with their daily work on the farm. At the age of 18, he was called in to National Service in the Military to serve in the Navy and did his 2 years service.
In the year 2433 at the age of 21, Luang Phu Phueak was ordained according to Thai Cultural Tradition as a Bhikkhu, in front of the Putta Sima Temple Boundary at Wat Ging Gaew with Luang Phu Tong of Wat Rachayotya as his Upachaya Ordaining Officerm and Pra Ajarn Im of Wat Ging Gaew as his as his Pra Gammawājājārn (Promoter). He was given the ordained name of ‘Banyātarō’.
After he was ordained, Luang Phu Phueak remaimed resident at Wat Ging Gaew, under Pra Ajarn Im, and gave extreme efforts and diligence in studying the Dhamma Vinaya, Pali Sanskrit and Khom Agkhara Sacred Scripts.
He quickly became proficient in all of these Wicha and was dearly beloved by all of his teachers and Kroo Ba Ajarn. Once he had mastered these subjects, Luang Phu Phueak turned to focus himself on the practice of Vipassana Kammathana Mindfulness Insight Meditation, and fulfilled all the greatest expectations of Pra Ajarn Im, in his advancements. Pra Ajarn Im began to administer important duties of the temple to Luang Phu Phueak with full trust.
Then, in the year 2442 BE, Pra Ajarn Im passed away, and in this moment, the devotees of Wat Ging Gaew wrote letters to the Sangha Committee to beseech them to elect Luang Phu Phueak to become the new Abbot.
Luang Phu Phueak was first given the duty of taking care of the temple until a new abbot was elected, and immediately began to restore and build up the facilities of the temple in a grand fashion. At first, he did this with very little assistance of the locals, but as his efforts and attainments slowly began to become visible, and the devotees of Wat Ging Gaew began to flock to assist in ever increasing waves.
The devotees became so impressed and instilled with faith in the diligent selfless work of Luang Phu Phueak, in restorations, and temple developments. Luang Phu Phueak built an incredible number of Thavarawadtu (Buddhist Shrines, statue images and amulets), including the Uposadha Shrienroom at Wat Ging Gaew, the 5 Meter wide Buddha Chinarat Jamlong statue, the Sala Bprian Montop, The Pariyatti Dhamma School, which he built for the children of local folk to have an education.
Luang Phu Phueak was officially elected Abbot of Wat Ging Gaew in the year 2442 BE at the age of 35 in his 13th year of ordination and in 2443 was elected Bishop of Racha Taewa Municipality, and also further elected to become the Arch-Bishop of of Samut Prakarn.
In addition he was also elected to status of Upachaya monk.
In the year 2480 BE, at the age of 77, in his 59th year of ordination, Luang Phu Phueak was given the honorary status name of Pra Kroo Garuna Wihari. IN the year 2487 BE, Luang Phu Phueak became the Head of the Sangha Comittee of Bang Pli. In the year 2487 BE, Luang Phu Phueak began to weaken and become ill through his old age suffering from bladder ailments and was ingressed into the Rong Payaban Songk Sangha Hospital, where he was discovered to have Cancer.
He was operated and began to recover, and later returned to the temple after 7 months, and began to work again at his usual duties. He would receive and listen to the problems of the local devotees every day, and give his full efforts to help them. Luang Phu Phueak lived on a further 5 years after his operation, until in the year 2501 BE on the 29th day of the month of March, Luang Phu Phueak passed away at the age of 89 years old, after 69 Years of Ordained life.
Of all ritual daggers, this exhibit is a Masterpiece among other Masterpieces, and second to none in Magical Power to ward off Black Magick, and bring Blessingss of Prosperity, Heal and Protect. A Highly Sacred Talismanic Ritual Weapon, the Prakhan Ritual Sceptre-Knife, hand inscribed, and made from sacred Deva inhabited black Ngiw treewood, with Mai Koon wood hilt, and A4 size Certificate of Authenticity, from the Great Luang Pu Tim Issarigo, of Wat Laharn Rai.
The Mitmor Prakhan was issued with an official Certificate of Authenticity in the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay Amulet association competition meeting of August 2562 BE. A very rare and highly sacred magical Talismanic amulet for Bucha from the Great Master of the Wicha Pong Prai Kumarn; Luang Phu Tim Issarigo, of Wat Laharn Rai.
One of the rarest kinds of amulets of all to find from the Great Chonburi Master Monk LP Tim, and a truly Old Amulet of immensely high collectorship value, and a powerful ritual item for inflecting a multitude of Magical Spells, covering a vast array of magical Purposes.
Rian Tao Ruean Sacred Turtle, with Phra Sangkajai Buddha, an Old Amulet edition series of Luang Por Liw, from the Plod Nee 2537 BE edition, which is one of the top preferred Tao Ruean amulets of LP Liw of all the many series’ he made over his trajectory.
This amulet is one of the most preferred of the various editions of Paya Tao Ruean coin amulets made between 1516 BE and the passing of LP Liw in 2543 BE
This Rian Luang Por Liw from the Plod Nee (End all Debts) edition of 2536 BE from Luang Por Liw, is in Nuea Tong Daeng Sacred Copper Allloy, with a beautiful Lustre (Phiw Fai flamed surface aura). The front face is shaped as the Tao Ruean Turtle, with the Pra Sangkajjai Maha Lap Buddha seated within the center. The Tao Ruean Yant is on the back face.
Rian Job Luang Por Plai Nuea Ngern Code Wor-Gor-3 2543 BE Wat Kampaeng. Sacred Guru Monk Image of Luang Por Plai, in Solid Silver Magical Alchemical alloy made from ancient sacred silver artifacts, smelted with mercurial substance, with code Wor-Gor 3 stamp on rear face. Released in very small numbers, along with Bucha statues and Loi Ongk Roop Lor Statuettes, at Wat Kampaeng, in Buddha Abhisekha ceremony in 2534 BE, with the Abbot and lineage masters of Luang Por Plai present, to invoke the spirit and blessings of Luang Por Plai.
Already an extremely rare amulet to find, and a preferred alternative to the 2478 and 2485 ‘Lang Pha Cha’ cemetery restoration editions, and is a highly preferred rare amulet, which stands above the already highly popular (but easier to find) ‘Run Sam’ third edition Commemorative edition of 2555 BE. Many people mistake the Pim Wor Gor 3 amulet for the third edition (for indeed it was the third made), when in truth, the official ‘third edition’ ‘Run Sam’ series was released much later in 2555 BE.
The Rian Lor Job LP Plai Pim Gor Por 3 was released along with Loi Ongk Statuettes, and Bucha Statues of Luang Por Plai, and was issued in Nuea Tong Kam (solid gold) Nuea Ngern (solid silver), Nuea Nava (9 sacred metals), Nuea Ngern Yuang (ancient Chinese Silver), Nuea Tong Lueang (Brass), and Nuea Kong (Temple Gong).
The solid silver version of the Rian Lor Job Gor Por 3 was released in two versions, distinguished by the code stamp, of which only 16 amulets were stamped with the Wor-Gor 3 on the front face, with the remaining amulets in silver receiving the Wor-Gor 3 stamp on the rear face. The version with stamp on front face can hence not really be expected to encounter, for it is doubtful that any of the only 16 owners in the world would wish to part with it.
The amulets of Luang Por Plai of Wat Kampaeng (2408 – 2489 BE), are world renowned, for their powerful Kong Grapan Maha Ud magic, and highly preferred for their traditional classic style, as well as immensely revered for his Magical Powers. He was seen as an equal to the Great Luang Phu Iam of Wat Hnang.
The Rian Lor Luang Por Plai is one of the ‘Rian Yord Niyom’ preferred amulets of true appreciation society collectors and of course, the prized possession for protection and auspicious blessing, for the devotees of LP Plai. It was made in various editions during Luang Por Plai’s lifetime. and is sometimes remade on rare occasions to this day, as a ‘Yorn Yuk’ memorial replica amulet, by the temple of Wat Kampaeng, due to its immense fame and high demand from devotees.
Below; Code Wor-Gor 3 embossed on rear face of amulet
This is because the Rian Lor amulets of Luang Por Plai carry so many stories of Miracles with them from the many occurrences over the decades. Hence, many people seek to wear one, despite the elevated price of many of his amulets. People’s belief in the protective power of all editions of the Rian Lor Luang Por Plai. Luang Por Plai was lovingly known in his day by devotees as ‘Khun Pol Haeng Fang Tonburi” which insinuates his immense power of Maha Amnaj, Maha Ud,Grapan and Klaew Klaad protective Magic.
Luang Por Plai was born in Bang Bon in Thonburi on a Tuesday in the year 2408 BE, the son of Mr Maekh and Mrs Hem (Surname; Tong Hluea). He had 9 siblings and helped his parents on the farm as a child. There came a time when the great Luang Por Kong of Wat Lawaek Pasi Jaroen came, to finance and perform restorations at the temple of Wat Kampaeng (at that time still named ‘Wat Sawang Arom). Luang Por Kong built a school-room to teach the local children. Luang Por Plai’s father thus took him to be educated under the tutelage of Luang Por Kong.
Luang Por Plai
Luang Por Plai had to both work on the farm and go to school, so was not always able to attend school every day, but with great effort and the fact that he was an intelligent child, he managed to advance faster than all the other children in his class.
This made Luang Por Kong of course love him very much for his great effort, and forged a bond between the teacher and the student. When Luang Por Plai reached the age of 20, he then went to Wat Kampaeng and was Ordained by Luang Por Kong himself as Upachaya ordaining Officer, and given the Ordained Surname of ‘Jantasaro’.
Luang Por Plai would help Luang Por Kong to teach the Samaneras and Orphans in the school and help with temple duties, until in the year 2430 BE, Luang Por Kong had reason to disrobe, and Luang Por Plai was asked to become the next Abbot of the temple.
Luang Por Plai continued to teach Samaneras and even visit other temples to teach, and even called in teachers from many different apprenticeship professions to teach the local children abilities that would give them a profession when they grew up, and not have to worry for sustenance.
Below; Buddha-Rupa Inside the Shrine Room of Wat Kampaeng.
Luang Por Plai released his first official edition of the Rian Lor alchemical metal Guru Monk coin amulets in the year 2478 BE, with three main models, as a Pim ha Liam 5 sided amulet, a Roop Khai oval shaped, and a Rian Job rounded arched shape.
Luang Por Plai was known to be possessed with powerful mastery of Wicha Akom, which he had received from Luang Por Kong, which was revealed to be extremely powerful after he began to release his alchemical metal Rian Lor Boran amulets.
In the year 2485 BE, a terrible storm flooded and destroyed the cemetery and funeral installations of the temple, so Luang Por Plai decided to raise funds with the making another edition, of the Rian Lor Boran, and repaired the cemetery, and built new installations.
During the ceremony, it was not possible to light any fireworks, and many devotees found that their guns were not able to shoot. This then made the ceremony legendary for the miraculous Maha Ud Gunstopper Magic for which Luang Por Plai’s amulets are so renowned.
Luang Por Plai passed away in the year 2489 BE. Since his passing, on special occasions of commemoration, an edition of Luang Por Plai amulets is released very rarely at Wat Kampaeng, all of which are highly prized collectors items and reside in the glass cases of personal museums, and around the necks of old local devotees and of course, wealthier collectors.
Presenting a Certificated Authentic Ancient Amulet, and all time Number 1 classic Pra Pid Ta amulet of Luang Por Kaew of Wat Krua Wan (Previously of Wat Pak Tale), in Nuea Pong Jum Rak Sacred Powders with herbal lacquer coating, and the concave indented Pid Ta on rear face.
This Master-Class Old Amulet was Issued with authenticity certificate during the eighth meeting of the Association of Amulets of Siam Thailand on 25th July 2018.
Pra Pid Ta Pra Pid Ta Hlang Baeb Nuea Pong Jum Rak – LP Kaew Wat Krua Wan
LP Kaew built Wat Krua Wan after arriving on Tudong in Chonburi Province, around the year 2365 BE, during the time when Pra Jao Thaksin Maharaj was restoring Siam to freedom from Invaders, and he found the ruins of a temple that had been destroyed during the wartime. It is said that LP Kaew was born as the son of a fisherman family in the year 2337 BE, in the province of Petchburi.
LP Kaew and his famous Pidta of Wat Pak Tale and Wat Krua Wan
After he came of age he ordained as a Samanera and stayed at Wat Pak Tale, until becoming a highly revered monk of the district. After many years, he traveled on Tudong Wanndering and came to pass through the shoreline areas of Chonburi Province, where he stayed in the forest.
The Local folk heard of the monk in the forest, and began to visit. They were filled with faith by LP Kaew’s Dhamma teachings, and he developed a large following, who then assisted him to raise up the temple we know today as Wat Krua Wan. The reason Luang Phu Kaew called the temple ‘Wat Krua Wan’ (also spelled ‘Wat Kruea Wan’), was because there was much Kruea Thao Hlong vines growing around the area of the temple.
An all time Pra Niyom High End Classic Ancient Amulet, renowned for its power and status from Luang Phu Kaew, who first began his legendary of Wat Pak Tale in Petchburi (Later moved to Wat Krua Wan in Chonburi), with certificate of authenticity included issued by the Samakom Song Pra Tae Mueang Siam Association of Amulets of Siam Thailand.
The Pra Pid Ta of Luang Phu Kaew of ancient fame are considered the number one Pidta of all by devotees of the Chonburi Lineage Master Amulet Collector Scene, and also by those devotees of the Petchburi Masters. A Master Class amulet of ultra rarity that is immensely difficult to encounter in the present Era.
Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Kaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.
This is so highly regarded that when a Pra Pid Ta Luang Phu Kaew changes owners, the new owner will become ‘news’ within the amulet scene (regardless of if it came from when Luang Phu was at Wat Pak Tale, or after he moved to Wat Krua Wan).
This truly ancient amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of Both Petchburi and Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi and Sai Petchburi (Chonburi and Petchburi Province High End Collector Scene).
The exclusivity factor of this amulet is indescribably high,and coming from the both Chonburi and Petchburi Provincial Collector scene only serves to evidentiate it as a High Class and Ultra rare Pra Niyom Master Class Amulet of ancient times.
Below; Certificate of authenticity
from the association of amulets of Thailand with registry number 2581
issued in the 2018 Summer Meeting.
The Pra Pid ta Luang Phu Kaew, is known for its power being made from Luang Phu Kaew’s ancient and powerful sacred Muan Sarn. There is a famous tale of the Billionaire Chawapon Rerm Wanich, buying a number of Pra Pid Ta Pim Lek Hlang Riab (plain rear face small model) amulets of Luang Phu Kaew, for a sum of 10 million Baht each (about 350,000$US)!
It is said that the only thing harder to find than the Pid Ta of Luang Phu Kaew, is the Photo of Luang Phu Kaew himself. However, despite these true stories, that some millionaires pay immensely high prices for such amulets, the standard price which true collectors and aficionados consider to be universal ranges between the 1000$ for a less well kept or lesser preferred model with or without certificate, to 11000$ for a top class prizewinner.
Luang Phu Kaew was one of a group of Master Monks who all possessed and practiced the Wicha of making Pra Pid Ta, all of whom are famous names, such as Luang Phu Jeen of Wat Ta Lad, Luang Phu Pu (2351 -2361 BE), Luang Porn Daeng of Wat Ang Sila, and the great Luang Por Plord of Wat Pak Tale, who was the premiere apprentice to Luang Phu Kaew, and famous in his own right for his famous Look Om amulets which he made with the remaining powders inherited from Luang Phu Kaew, as well as adding powders of his other Kroo Ba Ajarn such as Luang Por Tong Sukh’s powders of Luang Phu Iam (Wat Sapan Sung).
Luang Phu Kaew was born around 2337 BE. This is known by devotees who met and worshiped Luang Phu Gaew as he appeared on Tudong wandering in Khao Bandai it district of Petchburi, to escape being asked to become abbot of Wat Pak Tale, as the current abbot had just passed away, and he preferred the forest wandering and meditation, to administration of the worldly aspects of running a temple. Luang Phu Gaew wandered onwards until he came to rest at Khao Luang Temple, and saw it was in total disarray.
He thus rounded up devotees to help and slowly restored the temple to original condition, and the local devotees begged him to be the abbot of Wat Khao Luang. But in the eyes of Luang Phu Kaew, this was tantamount to chasing him away, as he was not inclined to accept limitations on the practices and austerities of Tudong. So Luang Phu Gaew wandered off again and disappeared into the forests on Tudong.
Later after soome years of disappearance and no documentation of his life during those years, he later appeared at Wat Krua Wan, where he stayed, and became the great Master of Wicha Pra Pid Ta of the Chonburi Province who is conbsidered the top number one master of all, despite the absence of a full biography and a lack of knowledge about the full details of his life. His Wicha was passed to great Masters who he was associated with all of whom became Top Masters of Historical Fame in their own Right, with some of the greatest names being his apprentices.
Below; one of the very few photos we have in existence to date of Luang Phu Gaew, which has the date R.S. (Ratanakosin Year) 124 (2449 BE), and his age being 55 years old in this picture.
LP Kaew as he was still at Wat Pak Tale aged 55 years old
Even the world famous Payak Kampant, Sian pra Maestro of the Thai Amulet Society, who released a book with 108 biographies and pictures of Great Master Monks, was not able to include the Biography and Picture of Luang Phu Kaew, due to the rarity.
the Muan Sarn of the amulet, with all the aspects of an ‘Ongk Kroo’ (teacher model to accustom the eyes to the true authentic sacred powder content).
The rear face features the image of the Pra Pid Ta Ongk Pra Buddha embossed in concave. The Muan Sarn of the amulet is clear and easy to appreciate with the eye with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this age and status is so very rare to encounter indeed, making this exhibit a definite ‘Ongk Kroo Masterpiece Version’
This particular exhibit displays all the features necessary for prize winning competition entry, and already possesses a certificate of authenticity from the Samakom Song Pra Tae Mueang Siam.
The front face of the amulet glows with a truly seductive aura of beauty and its surface texture of lacquered Sacred Powders with pure gold leaf have blended to render a truly beautiful example of the Pra Pid Ta Luang Phu Kaew. The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features, and evident age.
True beauty in subtlety, with a sacred muan sarn powder content that assures the wearer of high Puttakun Power and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. We behold before us a Master Class authenticated amulet from one of the greatest olden days master sorceror monk, of world class status.
Khun Phaen Niyom Pim Yai Niyom Sao Mee Sen (line beside pillarhead) preferred model in Pim Pised special version, in Nuea Khaw Hniaw Sukh blessed sticky rice with Pong Prai Kumarn powders, Ta Bronze Lae Tong Daeng Dtem Ongk (Bronze and Copper Painted two tone coating), Fang Pla Nga Gae (Hand Carved Ivory Barbfish inserted), with 3 Takrut (2 in front face, 1 in rear face), from the great LP Tim of Wat Laharn Rai.
Khun Phaen 15 2nd Prize Winner with Ivory Fish 3 Takrut LP Tim
This amulet won second prize in competition at the Luead Ban Kaay Luang Phu Tim Amulet Association of Rayong, with certificate, and also comes with a second authenticity certificate from the Siam Amulet Original Society.
This model is a most preferred Pim with expert collectors for the presence of a tiny line to the side of the lotus head of the Pillar (see above close up picture) to the left of the Buddha (our right side), which is only present on a very few of the most preferred Pim, and is considered to be a mark of preference with aficionados.
This amulet includes a download file of Kata Bucha Luang Phu Tim Chanting Tutorial, available after Purchase from within the file downloads tab of your account. For this reason we recommend signing up for an account instead of signing out as a guest, in order to obtain the extra download included with this item.
An all time classic certificated authentic amulet of the Great Luang Phu Tim Issarigo of Wat Laharn Rai. This item comes with free EMS Shipping included. This Khun Phaen Pi 15 Pim Niyom amulet, is a very well preserved exhibit of a highly sought after Pra Niyom Master Class Amulet, in white powders blessed sticky rice sacred clay fully covered with Bronze Wanich with Tong Daeng, a mixture of golden and copper coating.
The rear face shows a single Takrut in the Base, with a hand carved ancient ivory Pla Tapian hand carved Lucky Barbfish amulet inserted, and the classic fluffy appearance of authentic bronze Wanichcoating, and the rising up of Pong Prai Kumarn powders through the surface of the amulet,
This Pra Khun Phaen comes with the offer of free silver casing if you wish, or free Waterproof Casing. You can also have the amulet encased in solid gold casing (at extra cost) if you prefer, for which we have provided this option in the encasement options.
Below; close up x 12 Macro of the Muan Sarn of the Khun Phaen Prai Kumarn – notice the wonderful two-tone effect of the mixture of Bronze Wanich and Tong Daeng golden and copper coating, which is seen only rarely.
Below; Second Prize Certificate of and confirmation of authenticity in the category of Pra Khun Phaen which have carved amulets inserted in rear face.
This Pim is a Block 2 Pim Yai Niyom in NueaKhaw Hniaw Sukh Pasom Pong Prai Kumarn (Blesséd sticky rice with Kumarn skull powders). An extremely well preserved model, which apart from winning second prize in the Luead Ban Kaay Association Competition on 4th March 2018, has also been examined and authenticated by the Chomrom Pra Tae Mueang Siam Amulet Original Appreciation Society, and given official certification.
The amulet was submitted for certification by registered VIP member Ajarn Spencer Littlewood.
The rear face of the amulet has a beautifully carved ivory Barbfish amulet inserted (a valuable amulet in itself!), with the Sacred Yant Grabork Khwai (5 Dhyani Buddha Yantra) of Luang Phu Tim embossed on the rear face, as is ubiquitous with the Pra Khun Phaen 15 Block Tong Hlueang.
Close up of Muan Sarn of Ivory Tapian Fish in rear face of Khun Phaen LP Tim
The amulet is ‘Ta Bronze Dtem Ongk fully covered with Sai Rae Tong Kam Golden coating, and Sai Rae Tong Daeng Copper Tint, which is a preferred classic model, for its ease of recognition, and immense beauty which arises from the fluffy golden surface texture that can only be found in authentic Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim, and has to date never been able to be convincingly replicated in forgeries.
Below; Macro 12 x Closeups of the Muan Sarn of the Rear face of the amulet
Close up of Muan Sarn of rear face of Khun Phaen LP Tim
This exhibit is in perfectly preserved condition, with extremely clear cut features, and having received second prize in the Luead Ban Kaay association Competition of March 2018. This Pra Khun Phaen Pi 15 in Nuea Khaw Hinaw Sukh Pasom Pong Prai Kumarn powders, with Gold and Copper coating is a very beautiful exhibit indeed, and is only rarely seen. This amulet is widely accepted for presentation in many official competitions. The Front Face has two Takrut inserted either side of the Buddha, and the rear face has two a Takrut Sariga inserted below the Ivory Pla Tapian Fish.
This exhibit is in excellent condition, which under close perusal under the eye loupe reveals the amulet to be made from a base of Nuea Pong Prai Kumarn Powders, With fluffy Pong Prai Kumarn powders risen up through the bronze coating and a noticeable quantity of Khaw Hniaw Sukh blesséd sticky rice, with traces of green Pong Prai Kumarn powders rising up through the Muan sarn Clay. This is a most Powerful Muan Sarn filled with Maha Sanaeh, Maha Lap, Maha Pokasap Metta Maha Niyom.
Visually, this type of sacred clay has a very marbled appearance from the presence of Khaw Hniaw Sukh, and many say that the presence of pieces of Pra Somdej Wat Rakang Kositaram were used in many models, which is what brings the marble like stone appearance of ‘Dtaek Lai Nga (crackled surface effect). Further close observation under the eye loupe reveals true depth and dimension, and is full of the classic characteristics of Pong Prai Kumarn powders present within the Muan sarn clay. And when such an amulet is gold coated, has a highly fluffy textured surface.
Below; another amulet from the same series in Nuea Khaw Pasom Pong Prai Kumarn
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as Unaffordable as the Block Raek has become in the present day.
In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Above and Below you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
Below – another example of a Pra Khun Phaen Block 2, this one being in Nuea Wan Dork Tong
Below; Another example of Khun Phaen 15, this time in Nuea Wan Sabu Luead (Poon Kin Hmak) which was a first prizewinner
It is important to look for the presence of Pong Prai Kumarn within all different types and colours of Muan Sarn sacred powders of Khun Phaen LP Tim, after one has perused the ‘Pim’ (visual design features) as first priority. The Pim (design features) itself is easy to forge with modern cgi, but the Muan Sarn Sacred Clay ingredients can not be affordably replicated in forgeries.
Hence, once one has developed the ability to recognise the edition and block press (pim) with the naked eye and under the eye loupe, the next and more important step, is to examine and confirm the presence of authentic Muan Sarn ingredients within the sacred Clay.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.
We guarantee authenticity with this item, as we do with all amulets in our showroom.
The Macro close up pics reveal the true Muan Sarn Powders of Luang Phu Tim, with the presence of Khaw Hniaw Sukh and Pong Prai Kumarn with Sai Rae Tong Kam golden powders.
The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet. This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay’ – easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Muan Sarn of Luang Phu Tim.
The Block Tong Hlueang mold was created after the previous block press mold broke, the ‘Block Hin Meed Gone‘, which was carved from the sharpening stones used by monks to sharpen their razor blades to shave their heads. Block Tong Hlueang is preferred over the Block Hin Meed Gone, and carries a slightly higher price-tag and eminent status to the Block Hin Meed Gone with the Wongarn Pra Niyom Collector Circles. The rear face has double Takrut Sariga inserted into the Yant Grabork Khwai Yantra.
Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread, and breaking the tight grip monopoly of the ‘Sian Pra Niyom’ Experts.
This and many other conclusive evidence has served to open up the truth and reveal this edition, which has been deliberately, or through oversight hidden by a few powerful monopolists for many decades. The edition has stayed with the local folk, and did not fall into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim.
Close up of Muan Sarn of front face of Khun Phaen LP Tim
That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series.
Below; thin line to the side of pillarhead reveals this to be a Pim Niyom Sao Mee Sen Rare Preferred Model.
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (Block Sorng Pim Sum Khad) – a rare Pim of the pantheon.
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’.
The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Below, rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). It is said that those who have tried to fake and ride on the back of Luang Phu, to make their riches with lies and fakery, must have their day of reckoning.
Luang Phu Tim is said to have gained stream entry and advanced beyond Sotapanna to become Anagami, and this in itself makes the abuse which has occurred over the years, a serious sin against an Arya Sangha, to try to discredit authentic editions which Luang Phu may have created.The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15.
Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Below; Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phaen, and receives direct confirmation of the facts, authenticating these editions. he beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Below Picture; Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
The Samakom Pra were dumbfounded when he came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Below; Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BEwith great sincerity.
Below. examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
\
Below; Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Pra Khun Phaen Sum Khad/Sao Khad (Pra Khun Phaen Block 2)
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke. The block tong hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred).
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai.
Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Sai Rae golden coating on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Sai Rae Tong develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet as a sound investment and an extremely rare opportunity to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Pra Khun Phaen Pong Prai Kumarn 2515 BE, of Luang Phu Tim.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; pages from an encyclopaedic publication from the amulet appreciation society which defines a list of amulets which Luang Phu Tim blessed during his life, and which confirms the Block 2 series to be within his ‘Tamniab’ pantheon of amulets, and authentically blessed by LP Tim during his lifetime. This is in contrary to false rumors which were spread years ago, which caused the series to be ignored for decades until the information finally surfaced and was brought to light.
As a result, the Block 2 series is not one of the hottest topics of the amulet scene in the present era, and immense furor has arisen, raising the interest of devotees around the nation and further afield in foreign shores. This of course will result in a repeat experience of gradual depletion, as the collectors race to obtain and keep the amulets for their own collections and for Bucha.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after.
In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
The ‘Hlak Pijarona’ (criteria of examination and authentication) of tje Pra Khun Phaen 2515 Block 2 Series amulets have served to change the standards of how authentication of a true Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim is confirmed, because of the extensively varied number of different versions with varied Muan Sarn Sacred Powders and different kinds of textures found in each model of this series;
In the old days, when only certain models were documented and accepted, the experts would gaze at the Pim Song (block press details and features of design) to authenticate, and would never examine the Muan Sarn Sacred Powders if the Pim Song did not fit within the rigid criteria of design details.
But now, it has become clear that because there are many more different versions than previously conceived, the true criteria to use for authentication of the Pra Khun Phaen Luang Phu Tim is to look at the Muan Sarn Sacred Powder clay and its inner content, and textures, which can not be replicated by forgers once you know how the true appearance of the Muan Sarn Sacred Powders should be, and are a much more certain method of confirmation.
Below; A close up super-macro of the Muan Sarn Sacred Powders of the Pim Lek amulet in rear face of the Pra Khun Phaen Pong Prai Kumarn 2515 BE Nuea Khaw Ta Bronze Fang Pra Pong amulet, revealing the inimitable properties of authentic Muan Sarn Sacred Powders of Luang Phu Tim.
Pra Pong Roop Muean Luang Phu Moon Wat Ban Jan first edition Nuea Wan 108 Pasom Gesa, and old and classic amulet of the Great LP Moon. For Fans of Luang Phu Moon, OId Amulets Blog presents you with a special 10% Discount Coupon Code for our readers at Old Amulets (Just keep reading to find the coupon code), for the Classic Pong Roop Muean LP Moon Sacred Powder Amulet of Master Class Status, of the Great LP Moon’of Wat Ban Jan, Featured in Volume One of the Encyclopaedic Works of amulets of LP Moon
The Pra Pong Roop Muean Luang Phu Moon Pim Nang Dtang 1st edition amulet of Luang Phu Moon was blessed in the Jaroen Lap series, at Wat Pha Nong Lom in Sra Gaew, and is highly renowned old sacred powder amulet believed to be immensely powerful, for the use of a high concentration of Sacred Muan Sarn Powders used in their making, Luang Phu’s Blessings, and for their rarity, being equally rare to find as many of his famous coin amulets. This edition commemorated Luang Phu Moon’s 105th Year of Life.
Pra Pong Roop Muean Nang Dtang 1st Edition LP Hmun 2542 BE
The front face features the image of Luang Phu Moon seated on a Tammas Dais with the words ‘Luang Phu Moon Titdtasilo’ on the base of the Tammas Dais. This series of amulets were placed for blessing in the same Buddha Abhiseka Ceremony held for the ‘Jaroen Lap’ edition, with not only Luang Phu Moon present to perform empowerment and blessings, but also a number of other Great Master Monks. This edition also featured the extremely famous and highly priced Rian Moon Ngern Moon Tong Guru Monk Coin, also released at Wat Pha Nong Lom
Pra Pong Roop Muean Nang Dtang Featured in the first of a two volume encyclopaedic pantheon of the amulets of Luang Phu Moon Tithasilo, of Wat Ban Jan
Close Up Macro of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The rear face of the amulet features a Sacred Na and the words ‘Wat Pha Nong Lom’ embossed on the top, with the words ‘Amphoe Wattana Nakorn Jangwat Sra Gaew’ on the sides of the rear face.
Close Up Macro of Upper Front Section of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The amulets can be found to possess tonal color differences in their appearance, ranging from yellowish beige to light gray, depending on each individual amulet.More than 108 types of Sacred Herbs and Pong Chan Hmak betel-areca of Luang Phu was added to the Sacred Clay. Some exhibits can be found to have a piece of Jivara roba attached or with some of Luang Phu’s Hair affixed to the surface. Some special versions were made with gold Takrut, twin Takrut, and gold leaf pasted, in Gammagarn series limited numbers.
Close up of the Muan Sarn Powders of the Central Front Section of the Front Face of the amulet
The Muan Sarn clay itself has plenty of Luang Phu’s hairs (Gesa) in the admixture which Luang Phu Moon had collected ever since his days traveling on Tudong forest wandering. Most exhibits are found in a whitish-brown (beige) colour, which can vary in lighter and darker tones, and in light grayish colour. Some rare exhibits have Kraap Nam Wan (stains from herbal tincture) applied to parts of the surface. The amulets are found in both thin and thicker pressed versions.
Close up of the Muan Sarn Powders of the Dais on the Lower Front Section of the Front Face of the Pra Pong Roop Muean LP Moon
The Pong Roop Muean Jaroen Lap Nuea Wan 108 Pasom Gesa Amulet is a top preferred amulet of Luang Phu Moon Tidtasīlō, which was blessed in the Pra Kring Jaroen Lap Edition Blessing Ceremony, and which gained great fame due to a multitude of reports of miraculous successes and life saving miracles from devotees who wore the amulet, making it one of the great popular amulets of all time of Luang Phu Moon, for miraculous powers. The Piti Tae Tong Casting was performed on the 30th October 2542 BE, The Buddha Abhiseka Blessing for the amulets was performed on the 31st October in the year 2542 BE at Wat Ban Jan with Meditative Empowerment.
Close Up Macro of Muan Sarn Powders of Roop Muean Nang Dtang LP Moon Wat Ban Jan
The Edition included the following amulets;
Roop Lor Loi Ongk Tong Hlueang Rom Dam – Loi Ongk Statuette in Sacred Brass with blackened finish
Pra Pong Roop Muean Nang Dtang – Muan Sarn Sacred Powders amulet
Pra Pong Pid Ta – Muan Sarn Sacred Powders amulet
Rian Moon Ngern Moon Tong Guru Monk Coin (Made in Nuea Ngern and Nuea Tong Daeng/Tong Daeng Rom Dam Prakam 19 Met, with a very few made attached to 7 coloured cord with Takrut, and in Nuea Tong daeng/Tong Daeng Rom Dam 18 Met). Very few solid gold coins were made to order, with 500 coins madse in Nuea Ngern (silver), and 10,000 coins were made in Nuea Tong Daeng (plus a few extra made for attachment to 7 coloured cord with Takrut which were not counted).
Thung Pokasap Jaroen Lap 999 Larn Treasure Purse
Pra Somdej Hlang Yant Hmeuk Run Raek – First edition Somdej Muan Sarn Sacred Powders amulet with ink stamp on rear face
Rian Arm Narai Song Krut Guru Monk Shield Coin amulet with Vishnu Avatar Riding Garuda Bird on rear face. Of a total of 10,000 amulets pressed and cast, 2000 of them were given the special code ‘Ma’ limited edition stamp for special release after a second blessing ceremony at Wat Nong Lom. 7500 Coins were given the code ‘Na’ stamp and released at Wat Sutat temple, and a further 500 coins were not given any code stamp at all (for release directly at Wat Ban Jan).
Below; Sacred Unalome embossed in the Muan Sarn Clay of rear face
Below; news article about the Jaroen Lap edition (105 years Luang Phu Moon), with the Pra Pong Roop Muean Luang Phu Moon Thithasilo Wat Ban Jan visibly included.
News Article Jaroen Lap Edition amulets
GET THIS AMULET FOR 10% LESS AS ONE OF OUR READERS USING THIS COUPON CODE AT CHECKOUT; OLDAMULETSLPMOON03598
Luang Phu Moon was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
Front Cover of first of a two volume encyclopaedic pantheon of the amulets of Luang Phu Moon Tithasilo
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
The Miracle Powers of Luang Phu Moon are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. Luang Phu Moon’s amulets are now very hard to come across, and carry mid-elevated price ranges, having entered the annals of Pra Niyom High End Master Class Category within all amulet associations and fanclubs.
His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.
Luang Phu Moon Tidtasīlō Ma A U Luang Phu Moon Tidtasīlō U A Ma
Kata Bucha Luang Phu Moon
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
The word ‘Moon’ means to turn and increase (revolve). Luang Phu Moon always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Moon, should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
This amulet is an extreme rarity and is in pristine condition and highly eligible for show in competition. Considered extremely powerful protection and prosperity magic from this legendary miracle monk, and one of the most well known amulets of his pantheon. A true Pra Niyom amulet of Master Class, for devotees and aficionados of Luang Phu Moon Tidtasīlo’s amulets, to treasure and wear with confidence of safety and good fortune
Luang Phu Moon is renowned for having stated some Mysterious things;
Dtua Gū Bpen 1 Bor Bpen 2 Nai Phaen Din Nī (there is only one of me in this land)
Dtua Gū Bpen Hlek (i am made of iron)
Dtab Gū Bpen Tong Daeng (my liver is made of copper)
Phao Dtua Gū Bor Mī Hmai (in cremation, my body will not burn).
The Kata Bucha for Luang Phu Moon Wat Ban Jan Tutorial is available as an MP4 download after purchase from within the downloads/files section of your account in the sales tab if you buy this amulet through us from our afilliates at Thailand Amulet.
A Most sacred and rare Old Guru Monk Amulet in fine Muan Sarn Powders, of the Luang Phu Moon Pantheon which no true devotee or collector should be without.
The Pra Pid Ta of the temple of Wat Sapan Sung are known for their powerful magic, with 4 Generations of Great Master Monks as Abbots continuing the Dtamra of Pra Pid Ta amulet making, which consists of one of the most complex methods of making sacred powders in the Dtamra Saiyasart Ancient Grimoire of Sorcery. Luang Phu Glin was thr first inheritor of the Dtamra to receive the Wicha Pra Pid Ta directly from Luang Phu Iam, which was soon after also passed on to Luang Por Tong Sukh. The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.
Pra Pid Ta Pim Chalud Yai LP Glin Wat Sapan Sung
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from. Luang Phu Iam Passed away in 2439 BE, leaving Luang Phu Glin as the new abbot and caretaker of the temple
Pra Pid Ta Wat sapan Sung Pim Chalud Yai Long Rak Daeng Luang Phu Glin
It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them and were pure powders. His devotees would then have them treated with lacquer of their own accord after receiving the amulet, and also sometimes the Samanera Novice Monks would help and perform the task of lacquering the amulets
his successor Luang Por Tong Sukh and his predecessor Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer themselves.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.
\
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
The word ‘Moon’ means to turn and increase (revolve). Luang Phu Moon always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
